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  • Wisatawan Asing Tidak Menghargai Budaya Bali  + (In my opinion, the most urgent problem thaIn my opinion, the most urgent problem that needs to be addressed by prospective Balinese leaders, namely regarding foreign tourists which has gone viral recently, let us together reflect and dig deeper into the problems involving these foreign tourists. As we know, Bali is a charming tourist paradise, but unfortunately, there are several problems that arise along with the increase in visits by foreign tourists to this island.</br>First of all, we cannot close our eyes to the social and cultural impacts caused by the presence of foreigners in Bali. Sometimes, there is a misunderstanding between foreign tourists and local people regarding the cultural norms that apply here. Several incidents such as the use of clothing that is considered inappropriate, the large number of foreign tourists who do not respect Balinese culture or behavior that is not in accordance with Balinese customs and traditions often cause tension between the two parties, therefore, as Balinese leaders who care about the future The future of this island needs to look at this problem further, both among local communities and foreign tourists, regarding the importance of maintaining social, economic and environmental harmony. Let's invite foreign tourists to better understand and respect local culture, and contribute to sustainable development that involves all levels of society.</br>By working together to solve this problem, we can maintain the beauty of Bali not only as a tourist destination, but also as a home for all of us. Thank You." also as a home for all of us. Thank You.")
  • Jalan rusak ring pandak gede  + (In Pandak Gede village, Kediri sub-district, Tabanan regency, many roads are damaged. Usually many people fall because the roads have holes. Now I propose to whoever will be the leader of Bali, please fix the roads in my village. Thank You)
  • “Ngulah Pati Boya Ja Melananin Diri”  + (In this beautiful moment, we will deliver In this beautiful moment, we will deliver our oration with the title of "Ngulah Pati Boya Ja Melananin Diri". Before we deliver our oration, let us offer thanksgiving to Ida Sang Hyang Widhi Wasa with Om Swastiastu. </br></br>In recent years, the cases of suicide in Indonesia has become increasingly worrying. Indonesia, as a country that adheres to a collectivistic culture, also has a fairly high number of suicide cases. WHO estimates that in 2020 the suicide rate in Indonesia could reach 2.4 percent of 100,000 people if it does not receive serious attention from various parties. Bali Province is one of the provinces in Indonesia that has a fairly high number of suicide cases. Most suicide cases in Bali are committed by teenagers in young adulthood. One of the factors that influences the emergence of behavior, including suicidal behavior and suicide attempts, is self-concept. Self-concept is an individual's perception of himself, his perception of his social environment, and his perception of other people's views of him. Apart from that, the environment where you live also has a big influence on a person's mental health. If someone is in a positive environment, of course their mental health will be better maintained. However, if someone is in a bad environment, it can have a negative impact on that person's mental health. One of them is that it can cause suicidal thoughts. Therefore, suicide cases really need attention from the public so that they understand and are more open about mental health for teenagers. </br></br>But unfortunately, suicide cases are often underestimated by most of society. People think that mental health is not important to pay attention to. In fact, someone who has mental health problems really needs the attention of the people around them to continue to receive encouragement and attention. With all the existing problems, attention and encouragement are needed from the community and government in dealing with suicide cases in Bali.</br></br>In an effort to overcome these cases, the government can optimize mental health screening by providing outreach to the public to create awareness of the importance of mental health for humans, especially teenagers. Apart from that, society and the government can also build an anti-suicide community for teenagers to minimize the existing death rate and teenagers can also express the feelings they have. By adopting this solution, it is hoped that society and the government will become more aware of the importance of mental health. In this way, it is hoped that society can build a positive environment so that the death rate caused by suicide cases will decrease. Let's care about the importance of mental health! </br></br>That's the speech we can deliver. If there are something wrong in words or writing, please forgive us. We close with Paramasantih. Om Santih, Santih, Santih, Om.ramasantih. Om Santih, Santih, Santih, Om.)
  • Pentingnyane mebaosan sane becik anggen generasi milenial  + (In today's millennial era, many young peopIn today's millennial era, many young people cannot speak the language well. Soft language is rarely used in the current generation due to the influence of social interactions and technology in the current era. Many children today use harsh language.</br> If you look at society, children are starting to speak harsh language towards their parents, therefore this must be handled quickly because children are now increasingly using abusive language.</br> Due to this problem, I ask for help so that the government emphasizes to the public that it is important to limit the use of technology among minors and monitor their interactions.ong minors and monitor their interactions.)
  • M Andika Dwi Putra, Rizki Pratama, Azri illyas  + (Indonesian independence)
  • Prof. Dr. I Wayan Dibia  + (It is an honor for myself to be able to knIt is an honor for myself to be able to know in detail about the literary works of one of the Artists and at the same time become a writer, namely Prof. Dr. I Wayan Dibia S.ST., MA. He is a writer who wrote Balinese Purwa literature and literature entitled Adhipsungaraature and literature entitled Adhipsungara)
  • Ni Gusti Raka Rasmi  + (It was 1952 in New York and the young dancIt was 1952 in New York and the young dancer’s name was Ni Gusti Ayu Raka Rasmi. She had never before left her home village, Peliatan, with its small, mud-walled houses surrounded by bright green rice fields....</br></br>Now she was the star of the Bali Dancers, a troupe that had traveled more than 10,000 miles into the alien worlds of the United States and Europe.</br></br>The troupe included two other female dancers about her age, Oka and Anom, and an accomplished young male dancer named Sampih.</br></br>Full article at https://www.nytimes.com/2020/03/13/obituaries/ni-gusti-ayu-raka-rasmi-overlooked.htmles/ni-gusti-ayu-raka-rasmi-overlooked.html)
  • Jalan abiansemal usak  + (Jalan di abiansemal usak Wastan titiang IJalan di abiansemal usak</br></br>Wastan titiang I Gusti Ngurah Putra Merta Yoga titiang saking krobokan tiyang megenah masuk ring smk pgri 2 badung </br></br>Di abiansemal nika polih kabel pln jalanan sane ten becik cingakin wantah ten beraturan utawi di mekacakan </br>Solisi :menata kabel pln agar lebih rapi ,tidak acak acakan ,dan tidak membahayakan masyarakat</br> </br>Di Abiansemal jalane usak,sane ngeranang jalane usak punika ulian banjir lan trek sane makte beban baat lewat</br>Solusi:pemerintah pantesne menin jalan nike seenggal mungkin,sekonden wentel kecelakaan.enggal mungkin,sekonden wentel kecelakaan.)
  • Jamie James  + (Jamie James lived as an expatriate author Jamie James lived as an expatriate author in Indonesia since 1999, after leaving a nearly 25-year career as a freelance critic and travel writer in New York City.</br></br>Much in demand by leading publications in the USA, Jamie James’ criticism and travel essays have appeared in some of the most august publications including The American Scholar, Atlantic Monthly, New Yorker, Wall Street Journal, New York Times, National Geographic Traveler, Condé Nast Traveler and Men’s Journal. His literary criticism has been notably featured in Parnassus and Lapham’s Quarterly.</br></br>While still in the USA, James wrote two books on archaeology, Pop Art and The Music of the Spheres: Music, Science, and the Natural Order of the Universe (Grove Press, 1993) that was lauded by Robert Saxton in the Times Literary Supplement as “an important and well-researched book—essential reading.”</br></br>With Jamie James' migration to Asia in 1999, he began publishing novels reflecting his new Asian home. In 2002, he published a ground-breaking novel Andrew & Joey: A Tale of Bali (Kensington, 2002) written almost entirely in a series of exchanged e-mails. The Java Man (Metafor, 2004) saw James author a hilarious novel in a style reminiscent of Evelyn Waugh relating how an Indonesian poet takes up residence in a contemporary English country village causing confusion and havoc along the way. Four years later, James published a biography about the ill-fated Asian exploits of famed American herpetologist Joe Slowinski - The Snake Charmer (Hyperion, 2008).</br></br>Mixing literary criticism, biography, and fiction James wrote Rimbaud in Java: The Lost Voyage (EDM, 2011) retelling how an iconoclastic and incomparably gifted French poet abandoned Paris to explore the Indonesian archipelago. In a review of the book written for Harper’s, Zadie Smith said James' book presented “the spectacle of reading someone write beautifully about something he finds, well, beautiful.”</br></br>Most recently, Jamie James love of historical and biographical investigation was presented in full display in The Glamour of Strangeness (Farrar, Straus and Giroux, 2016) delving into untold stories of a collection of expatriate artists who, like himself, migrated to newfound homes in foreign lands with oftentimes highly unique and remarkable results. </br></br>Jamie James was born in 1951 in Texas where he completed High School before pursuing a tertiary degree at the prestigious Williams College in Williamstown, Massachusetts, graduating in 1973. After college, some of his earliest assignment were with Andy Warhol’s avant-garde Interview Magazine, Rolling Stone, and Time Magazine. James passed away in Bali on 8 February 2020. James passed away in Bali on 8 February 2020.)
  • Janet DeNeefe  + (Janet DeNeefe is a literary expert who enjJanet DeNeefe is a literary expert who enjoys Java and Balinese culture. She has recently given the Lifetime Achievement Award to writers such as Nh. Dini. Additionally, she is the founder and director of the Ubud Writers & Readers Festival. A brilliant writer, she enjoys compiling recipes and stories into cookbooks. compiling recipes and stories into cookbooks.)
  • Jeff Lewis  + (Jeff Lewis is Professorial Fellow in the GJeff Lewis is Professorial Fellow in the Global Cities Institute and School of Media and Communication. He is Co-director of the Human Security and Disasters Research Program in the Global Cities Research Institute. Jeff Lewis focuses on cultural interface, conflict and conditions of crisis. With a particular expertise on Indonesia and the Asian region, Professor Lewis examines issues around social development and change. He is author of 'Cultural Studies' (2002, 2008), 'Language Wars' (2005), 'Crisis in the Global Mediasphere' (2011), 'Global Media Apocalypse' (2013, and 'Culture, Media and Human Violence' (2015). Withe Dr Belinda Lewis, he is also author of of 'Bali's Silent Crisis' (2009) and 'Health Communication: A Media and Cultural Studies Approach' (2015). His current ARC Discovery Grant is titled 'After the Apocalypse'. It is a study of the ways in which culture and cultural consciousness shape contemporary conditions of conflict and violence.orary conditions of conflict and violence.)
  • Jero Mangku Liyer  + (Jero Mangku Liyer was born in Banjar PengoJero Mangku Liyer was born in Banjar Pengosekan Kaja, Ubud, Bali, 1922. He died in 2016. Liyer is a stakeholder, astrologer, and balian usada. In addition, he also pursues painting, especially rerajahan for the benefit of Hindu-Balinese rituals. Liyer's name is getting more and more famous thanks to him being featured in the film "Eat, Pray, Love" (2010) which is based on the novel of the same name by Elisabeth Gilbert. The film stars Julia Robert. Thanks to the film, many foreign tourists visited Mangku Liyer's house for the purpose of spiritual consultation.for the purpose of spiritual consultation.)
  • Joged bumbung  + (Joged bumbung is a cultural dance that oriJoged bumbung is a cultural dance that originates from Bali. Joged bumbung has been around for a long time.</br></br>But in today's modern era, many people use this dance incorrectly, and it is more like pornography.</br></br>This makes Balinese culture, which was initially labeled as good, but is now labeled as a culture that is originary. The government that manages culture in the Bali area must be firm in providing sanctions and action against citizens who use Balinese culture incorrectly.zens who use Balinese culture incorrectly.)
  • Johan Rudolf Bonnet  + (Johan Rudolf Bonnet is a painter and art tJohan Rudolf Bonnet is a painter and art thinker who was born in Amsterdam, the Netherlands, March 30, 1895. He was interested in the beauty and uniqueness of Balinese culture. Bonnet arrived in Bali in January 1929, briefly settled in Tampaksiring and Peliatan, then settled in Campuhan, Ubud.</br></br>In Ubud he became acquainted with the German painter and choreographer, Walter Spies, and the King of Ubud, Tjokorda Gede Agoeng Soekawati. Together with his two friends, Bonnet then founded a very famous painter's association, namely Pita Maha in 1936. This association brought together many painters and sculptors from Ubud and outside Ubud. Bonnet and Spies introduced many modern media and techniques in painting to the members of the association, even promoting and selling their works.</br></br>In 1943, Bonnet was captured by the Japanese army and exiled to Sulawesi (Bolong and Makassar) until 1947. In 1951, Bonnet returned to Ubud, and founded the Ubud Painting Group. However, this community did not run successfully. In 1957, Bonnet returned to the Netherlands. While in the Netherlands, Bonnet spent his time compiling the inventory and catalog of the Puri Painting Museum, which was founded in 1956. In 1972, Bonnet returned to Bali and continued to compose the catalog for the Puri Painting Museum, Ubud.</br></br>Bonnet died on April 18, 1978 in Laren, Netherlands. Because Bonnet loved Bali so much, in 1979 his body was brought to Ubud and cremated with the body of his best friend, Tjokorda Gede Agoeng Soekawati, who died in the same year.oeng Soekawati, who died in the same year.)
  • Anak Agung Junni Antara  + (Joni Agung, whose real name is Anak Agung Joni Agung, whose real name is Anak Agung Junni Antara is a reggae musician born in Denpasar, 1973. His love for music has grown since he was a teenager. At first he played music from cafe to cafe around Sanur and Kuta with the band “Sunshine”. In 2002 he met the band "Double T", and in 2003 spawned their debut album entitled "Pocol". The songs entitled "Nyoman Klepon" and "Janjin Beline" are two very popular songs by Joni Agung and Double T. Up to now, Joni Agung and Double T have released seven albums, including "Jero Gede", "Love and Love" , “Semara Ratih”, “Ogoh-ogoh”. Most of the song's lyrics are in Balinese with a tingly humorous tone. Apart from musicians, Joni Agung who has dreadlocks hair is also known as a yoga trainer.ocks hair is also known as a yoga trainer.)
  • Ni Putu Yuliana  + (Jro Putu was born in Mengwi, Badung, Bali,Jro Putu was born in Mengwi, Badung, Bali, July 4, 1979. She is a balian, a medium, who serves her community through the practice of traditional medicine, the knowledge to heal physical and mental ailments. Balians draw from two worlds, the conscious and visible world we call sekala and the psychic, abstract, and unseen world we call niskala.</br></br>Clients may ask about a newborn, from whom the baby was reincarnated, or why someone died. To find out, Jro Putu sends the client’s spirit to communicate with their family. Through her work, Jro Putu provides explanations for life’s chaos and comfort to families of her community. Jro Putu was trained in these skills by her aunt and took over her aunt’s practice after she died.</br></br>She understands that her presence in the community is particularly needed since so few women train to become balians. Jro Putu feels on equal footing as men, even as she understands the need to balance this work with family obligations. The wiki lets more people know about her beyond the word-of-mouth recommendation of people who have benefited from her powers.people who have benefited from her powers.)
  • K.Landras Syaelendra  + (K. Landras Syaelendra was born in Banjar PK. Landras Syaelendra was born in Banjar Pengembungan, Pejeng Kangin, 1959. He studied writing since he was a teenager. He was active at the Bali Coffee Drink Center. His works were published in Merdeka Minggu, Tabloid Nova, Bali Post, Nusa Tenggara, Bali Echo, Horison Sastra Magazine, Bernas, Sunday Morning, Nafiri, Karya Bakti, Tribun Bali. In 1987, he entered the top ten short story competitions in Bali – West Nusa Tenggara organized by the Bali Post in collaboration with PERADAH. In 1990, he won the second place in the short story writing competition in Indonesia for the anniversary of the Bali Post. In 1994 he won the Taraju Award. Some of his poems are collected in the book Taksu, Ginseng Tea, Poetry Kembang Rampai Bali, Bali Morning After Morning, Morning Bonsai, Dendang Denpasar Nyiur Sanur, Sahayun, etc. Now he works as a civil servant in Denpasar.w he works as a civil servant in Denpasar.)
  • Kadek Dedy Sumantra Yasa  + (Kadek Dedy Sumantra Yasa, was born in ApuaKadek Dedy Sumantra Yasa, was born in Apuan, Tabanan, Bali, 7 December 1980. He studied painting at ISI Yogyakarta. He was involved in many joint exhibitions, including the year Glory Fyng Colors Sanggar Dewata Indonesia at the Bali Classical Painting Museum Nyoman Gunarsa (2016). Irony In Paradise, Indonesian Gods Studio at the Agung Rai Museum of Art (2013). In 2016, he held a solo exhibition entitled "Rhythm Impulse" at the Ordinary Gallery, Yogyakarta. </br></br>Apart from painting, he is also involved in performance art, for example, in 2009 he held the performance art “Undisclosed Teritory #3”, Illusion of Burden, at Padepokan Lemah Putih, Solo. In 2008 he performed Dragon Snake Slaughter (a collaboration with Astrid Reza) at the Jogja National Museum. In 2002 he received the Certificate of Recognition Indonesia Art Award, in 2000 he received the Certificate From ALIF and the Best Watercolor Painting from FSR ISI Yogyakarta. In 2020 he held a solo exhibition and performance art at Jatijagat Kampung Poetry, Denpasar. Now, apart from still painting, he also arranges songs that he sings himself.also arranges songs that he sings himself.)
  • Kadek Desi Nurani Sari  + (Kadek Desi Nurani Sari, was born in Sanih,Kadek Desi Nurani Sari, was born in Sanih, Buleleng, December 31, 1995. She graduated from the Department of Indonesian Language and Literature Education, Undiksha, Singaraja. She started writing poetry and prose since high school. Her works have been published in many joint anthologies, such as “Gift to the Sky” (2012), “Ginanti Tanah Bali” (2013), “Lingga” (2015), “Gita Candra Nyanyian Bulan” (2018”, “Wiwaha” (2019) Her first published collection of short stories is "Manisan Gula Merah Half Bite" (2020). Apart from writing, she is active in theater activities, such as the Ilalang Theater, Banyuning Art Village Theater, Thousand Window Campus Theater, Cemara Angin Community, Mahima Community Now she works as a teacher of Indonesian Language and Literature.her of Indonesian Language and Literature.)
  • Kadek Eko  + (Kadek Eko, born in Gianyar, Bali, NovemberKadek Eko, born in Gianyar, Bali, November 11, 1989. He completed his art education at ISI Denpasar. Since 2008 he has been actively displaying his works in joint exhibitions, including the 2009 “NuansaAlam” exhibition at the Kriya Art Center Building, “Bali On the Move” (at Maha Art Gallery, Denpasar, 2013), “Tat Twam Asi” (at Ubud Writers and Readers Festival, 2016), “ATUH” (Griya Santrian Gallery, Sanur, Bali 2017). His paintings combine traditional and modern styles with the themes of nature and everyday life. He is a member of the art community Militanarts.a member of the art community Militanarts.)
  • Kadek Sonia Piscayanti  + (Kadek Sonia Piscayanti was born in SingaraKadek Sonia Piscayanti was born in Singaraja, March 4, 1984. She is a Lecturer in the Department of English, Ganesha University of Education where she teaches poetry, prose, and drama. </br></br>She has been invited as a speaker at the Ubud Writers and Readers Festival (2012-2013), Creative Writing Program, Griffith University, Gold Coast, Australia (2011-2012), and at the OzAsia Festival, Adelaide Australia (2013). She wrote and directed the script for “Layonsari” in the Netherlands and France at the Culture Grant event from the Indonesian Directorate of Higher Education (2014). She has also published several books including, “Because I Want to Run I Want to Run” (Akar Indonesia, Yogyakarta, 2007), Literature is Fun” (Pustaka Expression, 2012), “The Story of A Tree” (Mahima Institute) Indonesia, 2014), Dramatic Arts, Art of Life (Graha Ilmu, 2014), Women Without a Name” (Mahima Institute Indonesia, 2015).</br></br>Sonia was the mentor for the 6th Luh Ayu Manik Mas adventure book. the 6th Luh Ayu Manik Mas adventure book.)
  • Kadek Sudiasa  + (Kadek Sudiasa is a traditional dancer espeKadek Sudiasa is a traditional dancer especially of the Bali Mask Dance, Gamelan musician, wood carver and mask maker. He also has a unique skill in playing and making the Balinese Rebab. Originally from Mas, Ubud, his experience in traditional dance theatre and mask making is a source of wonderful knowledge for Sawidjis’ artist community.</br>I Kadek Sudiasa is member of Sanggar Tirta Sari & Genta Buana Sari, a community of traditional musicians and dancers. It is here that he felt most at home. Presently, Kadek is still active in Peliatan as a musician and dancer. Under the management of Anak Agung Gede Oka Dalem.r the management of Anak Agung Gede Oka Dalem.)
  • Kadek Surya Kencana  + (Kadek Surya Kencana, born in Dalung, BadunKadek Surya Kencana, born in Dalung, Badung, Bali, January 24, 1986. In 2005, he won second place in a national poetry writing competition held by the Ministry of National Education. He was once a teacher and principal at a school in Singaraja. Now he is pursuing the world of journalism. He has participated in the cultural mission “Bali Kanaya International Art Week” in Chiba, Japan, 2014. And since 2015 he has joined Radar Bali (Java Pos group) as a journalist. Some of his poems have been published in the Bali Post and are summarized in the poetry book Saron (2018).ummarized in the poetry book Saron (2018).)
  • Kaja McGowan  + (Kaja M. McGowan’s areas of interest involvKaja M. McGowan’s areas of interest involve South and Southeast Asia with emphasis on Indonesia, particularly Java and Bali (both historically Indic in orientation) studied in relation to the subcontinent. Rather than see India and Indonesia, for example, as modes of influence between two points, her scholarly interests encourage studying the reciprocal relationships between neighboring countries in Southeast Asia. Her research explores the flow of ideas and artifacts along this highway -- architecture, bronzes, textiles, ceramics, performance traditions, and visualizations of texts like Panji Malat, the Ramayana, and the Mahabharata -- artifacts that move and those that are locally produced. This accounts for the shaping of ideas and the development of styles across vast geographical and historical distances. Her work is governed by the complex ways in which History of Art and Visual Studies intersect with Anthropology, Material Culture, Colonial and Post-colonial Theory, Performance, Gender and Religious Studies.</br></br>Having first begun her study of Balinese performing arts as an undergraduate at Wesleyan University, one ongoing project has involved documenting the work of painters in Bali who experiment with depicting musical sound and the rhythmic motion of the dance in their work. She is the author of Ida Bagus Made: Art of Devotion (Ratna Wartha Foundation, 2008) a volume honoring the fiftieth anniversary of the Puri Lukisan Museum in Ubud, Bali, Indonesia, distributed by University of Hawaii Press. Due to its popular reception, she has been invited to write a second volume on the life and art of the world-renowned painter, sculptor and architect (undagi), I Gusti Nyoman Lempad.architect (undagi), I Gusti Nyoman Lempad.)
  • Ida Bagus Wayan Widiasa Keniten  + (Karangasem, January 20, 1967, is the date Karangasem, January 20, 1967, is the date a role model was born into this world; a role model that teaches us the importance of literature in everyday life. Ida Bagus Wayan Widiasa Keniten is a widely known for his expertise in writing literary works word for word. It is evident from his sparkling name that he has won several very brilliant achievements, including the 2013 Satyalancana Education Honorary Award and many others.</br>It is undeniable that his love for Balinese culture is one of the reasons he is passionate about composing a literary work. He has written and marketed dozens of books, one of which is Wang Bang Sunaran's Gaguritan. This gaguritan tells</br>about the struggle of life and life. The struggle took place between a spiritual teacher (Sang Dyah) and his students named Jagul Anom, Pucung, Ginanti,</br>Ginada, Kumambang, Sinom, and also Wang Bang Sunaran. The dialogue glue was done by Wang Bang Sunaran. This figure acts as a link between the spiritual teacher and his students. Wang Bang Sunaran's self-image as a student is flawed; he rarely studies, rarely helps others, is difficult to manage, and feels all-knowing. Because of that, he wanted to find the way of truth. The path was found in Sang Dyah, who he thought was an enlightening figure in the darkness of his soul.tening figure in the darkness of his soul.)
 (Karangasem, January 20, 1967, is the date a role model was born into thi)
  • Katharane Edson Mershon  + (Katharane Mershon (1892 - 1986), was the dKatharane Mershon (1892 - 1986), was the daughter of musician, Charles Farwell Edson, originally of Chicago, and a prominent political activist, Katherine Philips Edson. Her mother was an important figure in California's Progressive Party in the early twentieth century, influential on behalf of woman suffrage and industrial and social reforms for women. </br></br>Katharane did not follow her mother's political and social path, but instead became a dancer. She and her first husband, Harry Gray, toured the United State as a professional ballroom dancing team. She later joined Serge Oukrainsky and Andreas Pavley in Chicago for ballet training, and after divorcing Gray, she married Jack Mershon. Her life was long and full. </br></br>Among many experiences, she lived in Bali, absorbing the dance rituals there, traveled in Europe and Angkor Wat, danced in Vienna and Paris, taught ballet at the University of California, and administered the Denishawn School. Mershon developed theories on dance and psychology, expressing her idea that there was much to be done in a field she called "corrective psychology". field she called "corrective psychology".)
  • Ketut Agus Murdika  + (Ketut Agus Murdika is a painter born in GiKetut Agus Murdika is a painter born in Gianyar, December 26, 1989. He completed his art education at ISI Denpasar. Since 2008, he has been active in many joint exhibitions, such as the Retrospective exhibition of the Galang Kangin Community at Bentara Budaya Bali (2018), the Red Thread exhibition at Bentara Budaya Yogyakarta (2016), the Ulu Teben exhibition at Bentara Budaya Bali (2015). He won the Best Sketch Ubud Festival 2006 award.</br></br>His paintings are abstract. He wrote his concept in painting as follows: An understanding without form, a reflection without words, an understanding of the feelings and feelings of exploring the restlessness of the heart. Creating something intangible into a real work.ing something intangible into a real work.)
  • Ketut Bimbo  + (Ketut Bimbo is a musician and singer of BaKetut Bimbo is a musician and singer of Balinese pop songs born in Banyuatis, Buleleng, 1954. He has been working productively since the 1970s. His songs contain a lot of social criticism wrapped in satirical humor. He started his career as a broadcaster at Radio Massachuset, Singaraja, Buleleng. All of his songs are based on true stories, involving gambling with cock fights, drinking alcohol, etc. His debut album was entitled "Buduh" (1980). A number of his famous songs include: Buduh, Peteng-peteng Mekaca Selem, Announcer, Mebalih Wayang, Ngabut Keladi. Announcer, Mebalih Wayang, Ngabut Keladi.)
  • Ketut Endrawan  + (Ketut Endrawan was born in Klungkung, MarcKetut Endrawan was born in Klungkung, March 12, 1974. Completed his fine arts studies at PSSRD Udayana University (now ISI Denpasar) in 1999. Apart from being an artist, he is also a teacher of fine arts. Actively exhibiting together since student. He was a finalist at the Indofood Art Awards 2003 and the Jakarta Art Awards 2008. Endrawan's works tend to be figurative, mixing inner anxiety and social turmoil., mixing inner anxiety and social turmoil.)
  • Ketut Kaprus Jaya  + (Ketut Kaprus Jaya, contemporary artist in Ketut Kaprus Jaya, contemporary artist in Bali. Born in Budakeling Karangasem Regency Bali, on the 15th July 1970. A veteran of the highs and lows of Balinese Art Industry, he has remained constant to his art with no prevarications. Through three decades of professional art practice, Ketut Kaprus Jaya has maintained and guarded the purity of his creative process. True to self, to the moment, to Nature.</br>As a contemporary artist in Bali today, Kaprus Jaya has two distinct styles that he exercises equally diligently. As a result of the strong commerciality of the art scene locally. The use of watercolour for ‘en plen air’ pieces as he travels and explores different destinations and allows him to teach painting to students. allows him to teach painting to students.)
  • Ketut Madra  + (Ketut Madra has devoted his life to the stKetut Madra has devoted his life to the study, preservation, and practice of Bali’s rich cultural arts. Primarily as a painter, but also as a dancer, musician, and community leader, Madra is steeped in the stories and legends at the center of the island’s culture and community. His unique ability to convey action and emotion in a rich and imaginative composition brings the traditional to life for modern audiences, Western and Balinese alike.</br></br>Originally from Pengosekan, a small community near Ubud, Madra moved to nearby Peliatan as a young man in the late 1950s to work as a painter for the art dealer Wayan Gedah. At that time he also began studying with Tjokorda Oka Gambir, and learned the techniques and conventions of traditional wayang painting, including the specific colors, iconography, and costume for scores of characters.</br></br></br>Madra started painting exclusively wayang narratives in the early 1960s, and soon developed a reputation as a skillful and original artist. He works with deliberation, and sells work directly from his studio to people who find him, usually through word-of-mouth. Occasionally, trusted local dealers with galleries catering to serious collectors also buy his work.</br></br>In 1974, Madra’s work was shown in international exhibitions in the UK and the USA for the first time. In the same year he completed the first bungalow of what would become the Ketut Madra Homestay on his property in Peliatan. Over the next 15 years, he gradually expanded the accommodations for students, travelers, musicians, and artists interested in “a quiet place to learn about Bali.” The homestay has been a central feature in the life of Madra and his family, and has introduced three generations of visitors to his work and to traditional Balinese arts and culture.</br></br>At the age of 41, having focused up to that point on work and the homestay, Madra needed something more. Nyoman Kakul, a preeminent dancer of Batuan village who admired Madra’s understanding of the stories told in Balinese dance drama, urged him to learn to perform. More than 30 years later than most Balinese dancers take their first lessons, Madra learned the role of topeng keras, the rough prime minister in the king’s court. He continues to dance more than 30 years later, playing a variety of roles for which he is highly regarded.</br></br>Madra also learned as an adult to play the rebab, the two-stringed bowed lute in the gamelan ensemble. He dances and plays regularly with the Tirta Sari gamelan group in Peliatan. Dance, Madra says, is a near perfect complement to his life as a painter. Performing in stories he had only watched and painted brings new insight to character and deeper understanding of the spiritual and devotional nature of both kinds of work.d devotional nature of both kinds of work.)
  • Ketut Muliartha, RM  + (Ketut Muliartha was born in Denpasar, JanuKetut Muliartha was born in Denpasar, January 8, 1956. He has expertise in auditing and strategic management. Graduated in 1984 from undergraduate education at Malang Brawijaya University and continued the Professional Accountant (Ak) program at the same University in 1984. He was appointed as a permanent lecturer in 1985 at Udayana University to the present. He obtained his Master of Management degree in 2000 at Udayana University, completing his 2014 doctoral degree at Brawijaya University, Malang. He often conducts national conferences in his area of expertise.onal conferences in his area of expertise.)
  • Ketut Putrayasa  + (Ketut Putrayasa is an artist born in KerobKetut Putrayasa is an artist born in Kerobokan, Badung, Bali, May 15, 1981. In 2019, for the “Berawa Beach Arts Festival”, he shocked Berawa Beach with his installation of a giant octopus made of bamboo. In the event entitled "Deep Blue Spirit", dozens of artists from across the arts responded to the giant octopus with performances of music, dance, poetry, and video art. Still in 2019, Putrayasa was invited by the Architecture and Interior Design Company to work on the Project Commission Artwork in Paris, France. In 2020, he performed the installation art "Pandora Paradise" at the Puputan Badung square, Denpasar.</br></br>Ketut Putrayasa studied fine arts at the Indonesian Art Institute (ISI) Denpasar until the Postgraduate Program in Art Creation. He won the Best Final Project (TA) from ISI Denpasar in 2014. He often participates in joint exhibitions, including the “BIASA” group sculpture exhibition at the Pendet Museum, Ubud (2004), “Sign of Art” in Belgium (2008), “ Kuta Art Chromatic” in Kuta (2003), “Articulation” in Kuta (2014), “Chronotope” at Rich Stone Bali (2015), “Skala” sculpture triennale at the Jakarta National Gallery (2017), “Art Unlimited” at the Gas building Negara Bandung (2018), “Bali Megarupa” in Bentara Budaya Bali (2019), and so on. Apart from being active in his work, Putrayasa has also joined “MilitanArt”, an art community that drives the life of fine art in Bali. that drives the life of fine art in Bali.)
  • Ketut Rodja  + (Ketut Rodja was a genius and famous sculptKetut Rodja was a genius and famous sculptor from Mas Village, Ubud, Bali (1902 - 1965). He was born into a family of artists. He was close friends with President Soekarno who collected many of his sculptures. Apart from that, the Tropen Museum in the Netherlands also collects his work. The Krishna statue created by Rodja was once used as a master art by President Soekarno and shown to Indian Prime Minister Jahwal Nehru and Indira Gandhi at a state meeting.</br></br></br>Rodja is also known as an art deco pioneer in Bali. Apart from that, he was the founder of the first art gallery in Bali in the 1950s which still exists in Mas Village. He is also an artist who actively contributed to the founding of the Ratna Warta Puri Painting Ubud Foundation and was a member of Pita Maha in 1936. Rodja is close friends with Rudolf Bonnet, one of the founders of Pita Maha. Rodja once served as Chairman of the Pita Maha Mas Village branch which coordinated 12 banjars. He was also active in political movements and was highly respected. His iconic work which is still kept at the Siadja Gallery is an ebony wood sculpture entitled "Ananta Bhoga" (1920). Rodja died (murdered) in the 1965 political tragedy. (murdered) in the 1965 political tragedy.)
  • I Ketut Sugantika  + (Ketut Sugantika alias Lekung was born in SKetut Sugantika alias Lekung was born in Singapadu, Gianyar, Bali, 1975. He focused on painting at ISI Denpasar. Many of his works are abstract by taking inspiration from nature. His solo exhibitions are Life Lines, Tadu Contemporary Art, Bangkok, Thailand, 2016; Intimate Bali, Conrad Hotel Nusa Dua, Bali, 2014, Findings Object, Black and White Art Space, Sangeh, Bali, 2010; Sign, Art Center Denpasar, Bali, 2003. In addition, since 1998, he has been diligently involved in joint exhibitions, including the Artfordable Hongkong Art Fair, With Gundang Gambar & 37Tong Gallery, Hong Kong, 2018; Imago Mundi, Bentara Budaya Bali, Yogyakarta, Jakarta, 2016. He is also active in performance arts activities. Now he is active in the Militant Arts Community.w he is active in the Militant Arts Community.)
  • Ketut Syahruwardi Abbas  + (Ketut Syahruwardi Abbas was born in PegayaKetut Syahruwardi Abbas was born in Pegayaman Village, Buleleng, Bali, May 4, 1959. He has written literary works since the 1980s, published in the Bali Post, Nusa Tenggara, Kompas, Republika, and summarized in a number of books together, such as Klungkung: Tanah Tua, Tanah Love (2016). His single book of poetry is titled Between Us (2018). He had long accompanied the young poets in Jatijagat Poetry Village.e young poets in Jatijagat Poetry Village.)
  • Ketut Teja Astawa  + (Ketut Teja Astawa, born in Sanur, Bali, 19Ketut Teja Astawa, born in Sanur, Bali, 1971. He completed his art education at ISI Denpasar. He has held many joint exhibitions, both at home and abroad, such as Bali: Return Economy, Fremantle Art Centre, Perth, Australia (2014). His solo exhibitions include: TW(IN)SIDE at Kendra Gallery, Kuta (2013), A Glimpse Back Into The Past: Early Paintings of Ketut Teja Astawa at Art Temporary Space, Plaza Senayan, Jakarta, Indonesia (2012), Fragments of Subconscious Memory at Tonyraka Art Gallery, Ubud (2011), Batman Forever at Sunjin Gallery, Singapore (2009), Works Of Ketut Teja Astawa, Roemah Roepa Gallery, Jakarta (2008). Many of his works depict the lives of animals, puppet characters, which he uses in a naive and colorful way. He combines Kamasan wayang painting techniques with modern techniques. In 2001 his work was included in the Finalist Philip Morris Art Award Indonesia.inalist Philip Morris Art Award Indonesia.)
  • Ketut Widiyazid Soethama  + (Ketut Widiyazid Soethama was born in DenpaKetut Widiyazid Soethama was born in Denpasar, December 4, 1960. Since elementary school he has been fond of painting, including the Balinese Kamasan puppet, has been published many times in the children's section of the Kompas daily. Then since he was a teenager he has been writing poetry and has been published in the Bali Post. During his studies at the Faculty of Agriculture, Udayana University, he founded the music group Gress Country, released an album of Balinese pop songs (1987), with his siblings and relatives, while being active in theater performances. While working at the Bali Agricultural Information Center he made several comics on agricultural extension, then spent his days as an agricultural consultant for the European Union and the United Nations Development Program (UNDP) in Papua and East Nusa Tenggara. He died in Denpasar on January 15, 2016.. He died in Denpasar on January 15, 2016.)
  • Ketut Yuliarsa  + (Ketut Yuliarsa was born in 1960 in DenpasaKetut Yuliarsa was born in 1960 in Denpasar, Bali.</br></br>Ketut is a writer, actor and musician and has worked in Indonesia, Australia and New Zealand. He has appeared in television drama, film and toured Australia with a major Australian theatre company. He writes lyrical prose, short stories, poetry, essays and articles and has been published in various newspapers and magazines in Indonesia. He has published two collections of poetry (bilingual), Night Voice/Suara Malam and Falling in Silence/Jatuh Bisu. He has appeared as writer, presenter and moderator at the Ubud Writer’s Festival from 2005 till 2018. Ketut has also worked as the Indonesian Emerging Writers curator for this festival during this time. </br></br>In 1986 he and his wife Anita, established the first bookshop in Bali, Ganesha Bookshop (www.ganeshabooksbali.com) and it is now into its 32nd year of trading. Ganesha Bookshop has a large range of New, Used, Rare and out-of-print books on Indonesian studies in the English language. In 2004, realising the need to foster literacy, learning and reading for pleasure in the Balinese community, he helped establish the Books for Bali Project which donates books to schools and libraries throughout Bali. to schools and libraries throughout Bali.)
  • Kevin Fairley  + (Kevin’s passion is photography, he has beeKevin’s passion is photography, he has been a serious photographer for the last 10 years since his retirement. His best loved places to photograph are Bali and the Indonesian Islands. He is self taught and his preferred camera gear is Lumix. His favourite subjects are the Balinese people, Bali Ceremonies and anything else that captures his eye. He has won many international awards and had a successful photo exhibition in Bali. He spends his time spread between Bali and Australia. The Balinese rely on tourists to make their living and during the Covid Pandemic there have been no tourists to the Island. The impact of Covid on the people has caused untold hardship including hunger and loss of income. Profits from the sales of his book will go to Balinese charities, mainly “Plastic for Rice” and the “Bali Tribe” which provide meals for the needy. Tribe” which provide meals for the needy.)
  • Pikobet Pengolahan Sampah Sane Sayan Rahat  + (Klungkung is one of the districts in Bali.Klungkung is one of the districts in Bali. In 2023, Klungkung district will be led by Mr. Nyoman Suwirta. A program that is viral, well-known and used as a role model among the people of Klungkung is the TOSS (Local Waste Processing Place) program. This program received a lot of praise and positive comments from the Klungkung community, and from outside Klungkung. However, recently the TOSS program has not run according to the initial plan and has been ineffective in solving the waste problem in Klungkung. The acting Regent of Klungkung, I Nyoman Jendrika, said that the main problem in Klungkung is the increase in waste volume by up to 2 times, from previously 16 tonnes now to 32 tonnes a day. In other sources, some say that the cause of this waste problem is a lack of public awareness about the function of a beautiful and clean environment. This is also what causes Klungkung to have a lot of rubbish.</br></br>Now, what solutions should we take as the young generation of Bali to create a sustainable and clean Klungkung area? The solution that I can convey and recommend is to implement the Tri Hita Karana teachings.</br></br>Why Tri Hita Karana? What is the relation?</br></br>Tri Hita Karana is one of the Hindu teachings in Bali. Tri Hita karana means "3 things that cause prosperity", which is divided into 3 parts:</br></br>1. Parhyangan: Parhyangan is our relationship with Ida Sang Hyang Widhi as the ruler of the universe. I think, if we discuss the word "Parhyangan" we will definitely think of the means of prayer and offerings. However, what I want to discuss is not that, but this parhyangan is about our behavior in holy places such as temples. We should maintain the cleanliness of the temple, by cleaning or offering ngayah. Existing rubbish must not be thrown into rivers or sewers, but must be processed into something more useful. This is also a form of our good relationship with Ida Sang Hyang Widhi.</br></br>2. Pawongan: Pawongan is our relationship with other humans. As Balinese people, we should help each other and care about human suffering. Based on the waste problem, we can all implement the teachings of Tri Hita Karana by reminding each other about the importance of a clean and healthy environment. I mean, waste processing in Klungkung doesn't have to be done and processed by TOSS and the government alone, but we all have to try to sort or process waste in our homes. If we could sort and process it in our respective homes, the problem of waste piling up in Klungkung would definitely be resolved.</br></br>3. Palemahan ; This Palemahan is one of the teachings of Tri Hita Karana which is most appropriate to the waste problem above. We as citizens of Bali, especially Hindus, definitely believe that humans, animals and beasts are God's creation. Therefore, our relationship with our environment must be maintained. One way to protect our environment is by processing waste. We as the people of Klungkung certainly already know about this TOSS program, therefore let's work together to sort and process waste from our respective homes so that this TOSS can run smoothly and effectively.</br></br>In essence, the teachings of Balinese ancestors are things that should be implemented in this era of globalization. Although, it is possible to implement it using modern understanding and methods. We as teenagers or the young generation of Bali should not be lulled by globalization. We must be aware of the latest news, and always preserve Balinese cultural traditions as a role model in our efforts towards a beautiful and clean Bali.fforts towards a beautiful and clean Bali.)
  • I Komang Alit Juliartha  + (Komang Alit Juliartha alias Alit Joule wasKomang Alit Juliartha alias Alit Joule was born in Bekasi, July 15, 1991. He is an alumni of the Balinese Language Education study program at IHDN Denpasar. His Balinese literary works are published in Bali Orti Bali Post, Pos Bali. His works have been recorded under the title Swecan Widhi Wasa (2015) and he won the Literature Rancage prize in 2016. In 2016 he also published a Balinese novel entitled Satyaning Ati.d a Balinese novel entitled Satyaning Ati.)
  • Komang Ayu Cahya Dewi  + (Komang Ayu Cahya Dewi is a Balinese athletKomang Ayu Cahya Dewi is a Balinese athlete in the field of badminton. She was born in Denpasar, October 21, 2002. During the 2021 PON in Papua, she qualified for the final round. In the women's singles category. She joined PB Djarum in 2016. Her other achievements are Runner Up Liga PB Djarum II 2020 (Women's Singles U-17 & U-19 & Adults), Semifinalist Italian Junior International Challenge 2020 (Women's Singles U19), Semifinalist Djarum Sirnas Premier West Java Open 2019 (women's adult singles).emier West Java Open 2019 (women's adult singles).)
  • Komang Ira Puspitaningsih  + (Komang Ira Puspitaningsih was born in DenpKomang Ira Puspitaningsih was born in Denpasar, May 31, 1986. The poems and poems have been published in several mass media, such as: Bali Post, Kompas, Koran Tempo, Journal of Poetry, People's Thoughts, Padang Express. Several times or become a winner in a poetry writing competition. Her poetry has also been compiled in several joint anthologies, al. Pena Kencana's 100 best Indonesian poems in 2008 and the 2009 Pena Kencana version of the 60 best poems. "You're Not the Most Solemn Holy Virgin" is her first single poetry anthology.gin" is her first single poetry anthology.)
  • Komang Pramana  + (Komang Pramana, Skom, was born on April 26, 1978 in Denpasar. He can be reached about his beautiful photography at pramana.gede@yahoo.co.id.)
  • Sistem Tunnel Nincapang Uyah Khas Kusamba  + (Kusamba salt is a traditional Balinese orgKusamba salt is a traditional Balinese organic salt which is said to be one of the best salts in the world. Salt produced in</br>Kusamba village, Klungkung Regency, Bali Province. As an organic salt, Kusamba salt does not use chemical ingredients, Kusamba</br>salt is said to be organic because the way it is made still relies heavily on nature. Sunlight and heat are friends of Kusamba</br>salt farmers. The way it is made is still done in the traditional way. However, now, this traditional business is increasingly</br>threatened with bankruptcy. The selling price of this high quality salt is less profitable. On average, farmers sell it for IDR</br>1,200 per kilogram, during the rainy season the selling price only reaches IDR 3 thousand per kilogram. Another problem is</br>that kusamba salt is made traditionally and the production is limited. This is the basis for starting a system that is able to</br>increase salt production from generation to generation. Then, what is the solution?</br>The solution that can solve this problem is to use a tunnel system. In simple terms, a tunnel system means adding a storage</br>container with the help of a geoisolator and cover, then stringing it together like a tunnel. This system. allowing salt farmers</br>to continue producing during the rainy season. Additionally, with. With this tunnel system, salt farmers are able to produce</br>tens or hundreds of kg of salt per tunnel. Apart from that, other benefits such as</br></br>1. Make salt harvest time faster</br>2. Farmers can carry out the harvest process at night.</br>3. Save energy and time in filling the salt production area with sea water.</br>4. The quality produced is not much different from previous production with mangers.</br></br>According to salt farmers, through the production of this tunnel system, salt farmers gain many benefits in its production and</br>marketing. Apart from salt, the water found during the salt harvest can be sold for around Rp. 80,000.00 35 liter jerry cans.</br>This salt water can be used for the thickening process for making tofu production. Please note that the tunnel system used by</br>Kusamba salt farmers is a simple technology assisted by the collaboration between the Ministry of Social Affairs and ITS.en the Ministry of Social Affairs and ITS.)
  • Nincapang Uyah Khas Kusamba  + (Kusamba salt is a traditional Balinese orgKusamba salt is a traditional Balinese organic salt which is said to be one of the best salts in the world. Salt produced in</br>Kusamba village, Klungkung Regency, Bali Province. As an organic salt, Kusamba salt does not use chemical ingredients, Kusamba</br>salt is said to be organic because the way it is made still relies heavily on nature. Sunlight and heat are friends of Kusamba</br>salt farmers. The way it is made is still done in the traditional way. However, now, this traditional business is increasingly</br>threatened with bankruptcy. The selling price of this high quality salt is less profitable. On average, farmers sell it for IDR</br>1,200 per kilogram, during the rainy season the selling price only reaches IDR 3 thousand per kilogram. Another problem is</br>that kusamba salt is made traditionally and the production is limited. This is the basis for starting a system that is able to</br>increase salt production from generation to generation. Then, what is the solution?</br>The solution that can solve this problem is to use a tunnel system. In simple terms, a tunnel system means adding a storage</br>container with the help of a geoisolator and cover, then stringing it together like a tunnel. This system. allowing salt farmers</br>to continue producing during the rainy season. Additionally, with. With this tunnel system, salt farmers are able to produce</br>tens or hundreds of kg of salt per tunnel. Apart from that, other benefits such as</br></br>1. Make salt harvest time faster</br>2. Farmers can carry out the harvest process at night.</br>3. Save energy and time in filling the salt production area with sea water.</br>4. The quality produced is not much different from previous production with mangers.</br></br>According to salt farmers, through the production of this tunnel system, salt farmers gain many benefits in its production and</br>marketing. Apart from salt, the water found during the salt harvest can be sold for around Rp. 80,000.00 35 liter jerry cans.</br>This salt water can be used for the thickening process for making tofu production. Please note that the tunnel system used by</br>Kusamba salt farmers is a simple technology assisted by the collaboration between the Ministry of Social Affairs and ITS.en the Ministry of Social Affairs and ITS.)
  • Upaya Nincapang Kawentenan Uyah Khas Kusamba  + (Kusamba salt is a traditional Balinese orgKusamba salt is a traditional Balinese organic salt which is said to be one of the best salts in the world. Salt produced in</br>Kusamba village, Klungkung Regency, Bali Province. As an organic salt, Kusamba salt does not use chemical ingredients, Kusamba</br>salt is said to be organic because the way it is made still relies heavily on nature. Sunlight and heat are friends of Kusamba</br>salt farmers. The way it is made is still done in the traditional way. However, now, this traditional business is increasingly</br>threatened with bankruptcy. The selling price of this high quality salt is less profitable. On average, farmers sell it for IDR</br>1,200 per kilogram, during the rainy season the selling price only reaches IDR 3 thousand per kilogram. Another problem is</br>that kusamba salt is made traditionally and the production is limited. This is the basis for starting a system that is able to</br>increase salt production from generation to generation. Then, what is the solution?</br>The solution that can solve this problem is to use a tunnel system. In simple terms, a tunnel system means adding a storage</br>container with the help of a geoisolator and cover, then stringing it together like a tunnel. This system. allowing salt farmers</br>to continue producing during the rainy season. Additionally, with. With this tunnel system, salt farmers are able to produce</br>tens or hundreds of kg of salt per tunnel. Apart from that, other benefits such as</br></br>1. Make salt harvest time faster</br>2. Farmers can carry out the harvest process at night.</br>3. Save energy and time in filling the salt production area with sea water.</br>4. The quality produced is not much different from previous production with mangers.</br></br>According to salt farmers, through the production of this tunnel system, salt farmers gain many benefits in its production and</br>marketing. Apart from salt, the water found during the salt harvest can be sold for around Rp. 80,000.00 35 liter jerry cans.</br>This salt water can be used for the thickening process for making tofu production. Please note that the tunnel system used by</br>Kusamba salt farmers is a simple technology assisted by the collaboration between the Ministry of Social Affairs and ITS.en the Ministry of Social Affairs and ITS.)
  • Rintihan suara rakyat yang tidak memiliki kuasa tuk memilih  + (Ladies and gentlemen, I am present here toLadies and gentlemen, I am present here to voice an echoing yet unheard plea, which is the fate of the cries of abandoned and cruelly tortured animals. The Island of Bali is too beautiful to be inhabited by these grim animals.</br></br>These animals are pets tortured cruelly for personal pleasure, beaten to disability out of hatred, stolen to be eaten. Animals employed like the overworked horses forced to endure harsh conditions. Experimental animals, such as frogs dissected without anesthesia, also suffer unwarranted pain.</br></br>I appeal to the Bali Province Regional Council to strengthen Regional Regulation No. 1 of 2023 regarding the Protection of Flora and Fauna. I highlight the ambiguity in the rules regarding the definition of "keeping" animals in Article 11 paragraph 1 section c. However, in Article 1 paragraph 9, it states that Wildlife includes all animals living on land, in water, or in the air, retaining their wild nature, whether they live freely or are kept by humans.</br></br>With clear and robust legal foundations, many positive things will emerge: more people will dare to speak up for animal protection, impart moral lessons to children, and raise awareness of the importance of compassion towards animals, boosting the government's morality in the eyes of the public. Communities or individuals independently rescuing and caring for these animals will also be supported and have continuous collaboration with the government.</br></br>Together, let us make Bali a safe and comfortable place for the animals living here, following the footsteps of developed countries like Switzerland, the Netherlands, New Zealand, Germany, and Australia in animal protection. Through this speech, what I "HOPE," becoming what "WE" HOPE, and ultimately becoming what "WE ALL" HOPE FOR. With one heart, let us make Bali a paradise for these animals.us make Bali a paradise for these animals.)
  • PENDIDIKAN SANE BECIK PINAKA PIRANTI ANTUK NINCAPANG KUALITAS SDM BALI  + (Ladies and gentlemen, jury and coaches whoLadies and gentlemen, jury and coaches who I respect, as well as the participants of the BASAbali Wiki Oration competition that I love. Om Sywastyastu. Through a pure and sinless heart, I never cease to express my gratitude to God Almighty, because with His blessings, I can meet with this audience today. In which I participate in the oration competition in today’s Public Participation Wikithon. Hopefully, events like this will continue to grow in the future, making Bali strong. Ladies and gentlemen, the subject of my oration is titled “Good Education as a Tool to Improve the Quality of Bali’s Human Resources”.</br></br>Ladies and gentlemen, what made me take that title? Because from a lot of what I see I conclude the youth in Bali do not get a good education. This makes it difficult for Balinese human resources to get a job that can develop the economy of the province of Bali. According to data from the Central Bureau of Statistics in 2021, the percentage of Balinese who did not go to school was 1.03 thousand people or 24.04%; then those who did not graduate from elementary school were 377.18 thousand people or 8.83%. Based on these data from the Central Bureau of Statistics, the government and Balinese people, especially students, should try to implement programs that can help Balinese people who have not received proper education. Then, what programs can be implemented? Let’s think together.</br></br>As a Balinese youth, I will provide solutions or suggestions to the ladies and gentlemen of the DPD Bali as well as the government who is the mouthpiece of the community, to always help provide good knowledge to all Balinese. The first suggestion: pay attention to the quality and quantity of the teachers. Teachers or educators are like the main key that will teach or provide knowledge to students. If teachers’ wages, facilities and accommodation are not good or adequate, it will affect the teaching process. Secondly, school and classroom support facilities should be prioritized. When the learning process takes place, but the facilities used are not complete, of course the teacher and students will have diffulties and the learning process in the classroom will be disrupted. The third suggestion is to provide the youth with positive out-of-school activities or out-of-school learning programs. Good examples are carrying out and participating in competitions, participating in community service programs as well as other useful work. With these activities students do not only to learn at school.</br></br>Ladies and gentlemen, based on the many things I have talked about, I would like to conclude as follows. The Balinese government and people should not underestimate education. Because through education, we can get a good job to improve the quality of Bali’s underdeveloped human resources. Also the Balinese are expected not to be swayed by the wealth that exists in today’s world, called “Industrial Revolution 4.0”. Let us together help Balinese who have not received a good education through positive and useful programs or activities. Lastly, we should introspect ourselves so as not to forget ourselves and together carry out our religious obligations by strengthening Bali.</br></br>Well, ladies and gentlemen whom I respect very much, that’s all I can say on this good day. Thank you to those who have witnessed my speech. Hopefully what I have said will be useful. For any shortcomings, let me apologize. In closing, I say paramasanthi. Om Shanti, Shanti, Shanti, Om.ramasanthi. Om Shanti, Shanti, Shanti, Om.)