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A list of all pages that have property "Biography text" with value "April 13, 1934 - October 21, 2013. James Danandjaja obtained a bachelor". Since there have been only a few results, also nearby values are displayed.

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  • Adhy Ryadi  + (Adhy Ryadi was born in Singaraja, January Adhy Ryadi was born in Singaraja, January 17 1960. He completed his Bachelor of Law studies at Undiknas Denpasar. Writing poetry since 1981 and published in the Bali Post, Mind of the People, Berita Buana, Suara Indonesia, and collected in the poetry book "Hram" (1988). He once worked as a journalist at the Bali Post. He died in 1995.rnalist at the Bali Post. He died in 1995.)
  • Adrian Vickers  + (Adrian Vickers is an Australian author, hiAdrian Vickers is an Australian author, historian and professor of Southeast Asian Studies at the University of Sydney. He has studied and documented Gambuh dance traditions, Panji (prince) stories, and other Indonesian art and cultural subjects as well as historiography and colonialism. He has a BA and PhD from the University of Sydney, is the Professor of Southeast Asian Studies (Personal Chair) and Director of the Asian Studies Program. Vickers' most recent book, The Pearl Frontier, co-written with Julia Martínez, won the University of Southern Queensland History Book Award at the 2016 Queensland Literary Awards.rd at the 2016 Queensland Literary Awards.)
  • Adrien-Jean Le Mayeur de Merpres  + (Adrien-Jean Le Mayeur de Merpres was a BelAdrien-Jean Le Mayeur de Merpres was a Belgian painter who lived in Bali and donated his house in Sanur as a museum. He was born in Brussels, Belgium, February 9, 1880. The Impressionist painter arrived in Bali in 1932 and first rented a house in Banjar Kelandis, Denpasar. It was also at Kelandis that he became acquainted with Ni Nyoman Pollok, a Legong dancer who was 15 years old at the time, and later became a model for his paintings.</br></br>Le Mayeur's works using Ni Pollok as a model were exhibited in Singapore for the first time in 1933 and sold out. Then Le Mayeur bought a plot of land on the shores of Sanur Beach which he used as a studio and house. That is where every day Le Mayeur painted with Ni Pollok as the main model. In 1935, Le Mayeur married Ni Pollok.</br></br>In 1956, the Minister of National Education of the Republic of Indonesia, Bahder Djohan, visited Le Mayeur's house and was fascinated by these gentle works. Bahder then suggested to Le Mayeur that his house would later be used as a museum. Le Mayeur agreed and worked even harder to improve the quality and add to his collection of paintings.</br></br>On August 28, 1957, Le Mayeur signed a testament in which Le Mayeur bequeathed all his possessions including land, house, and everything in it to Ni Pollok as a gift. At the same time, Ni Pollok then transferred everything that was inherited from her husband to the Government of Indonesia to be used as a museum.</br></br>In 1958, Le Mayeur suffered from ear cancer. Accompanied by Ni Pollok, he was treated in Belgium. Two months later, on May 31, 1958, Le Mayeur died at the age of 78 and was buried in Brussels. Ni Pollok then returned to Bali to take care of his house until her death on July 18, 1985 at the age of 68 years.</br></br>Le Mayeur's works can be enjoyed at the Le Mayeur Museum, which is located on the shores of Sanur Beach, Denpasar.ed on the shores of Sanur Beach, Denpasar.)
  • AG Pramono  + (AG Pramono was born in Negara, Bali on MarAG Pramono was born in Negara, Bali on March 23, 1973. He has been involved in theatre and literary arts since 1990. He founded Sanggar Susur Jembrana in 1991. His writings in the form of short stories, poems and cultural articles have been published in several media. A number of his poems can be found in the following anthologies: Poetry 19 (1995), Kidung Kawijayan (1996), Detak (1997), Indonesian Poetry Anthology (KSI) Jakarta in 1997, Serambi Hening (1998) and Stopping Short Stories in Rumahmu (2014). Since 1993, he has been active in Bali Experimental Theater and in 1998 participated in the Komunitas Kertas Budaya. He is currently working as a journalist in one of the local newspapers in Bali and lives in a small house named Serambi Hening in Loloan Timur, Jembrana, Bali.bi Hening in Loloan Timur, Jembrana, Bali.)
  • Agoes Andika  + (Agoes Andika was born in Banjar Baleagung,Agoes Andika was born in Banjar Baleagung, Buleleng, March 5, 1963. In 1981 he settled in Mataram, Lombok. He studied writing a lot with Putu Arya Tirtawirya and Umbu Landu Paranggi at the Bali Post. In 1985 he was invited to Taman Ismail Marzuki Jakarta with several Balinese poets and other Indonesian poets to read poetry. Literary works have been published in the Bali Post, Karya Bhakti, Nusa Tenggara, Simponi, Swadesi, Nova, Buana News, Suara Karya, Suara Nusa, Horizon, and several bulletins in Mataram, Pontianak. Now living in Singaraja.taram, Pontianak. Now living in Singaraja.)
  • Agung Bawantara  + (Agung Bawantara was born in Klungkung on JAgung Bawantara was born in Klungkung on January 30, 1968. He graduated from the Faculty of Animal Husbandry at the University of Mataram, NTB. He has been writing poetry since the 1980s in Bali Post, Karya Bakti, Nova, Berita Buana, Swadesi, Media Indonesia, etc. His collected poems can be found in Sahayun (1994), and in Klungkung: Tanah Tua, Tanah Cinta (2016). He initiated the Denpasar Film Festival. He has also written short stories, children's stories, fairy tales, and novels.ildren's stories, fairy tales, and novels.)
  • Agung Wiyat S. Ardhi  + (Agung Wiyat S. Ardhi was born in Puri AnyaAgung Wiyat S. Ardhi was born in Puri Anyar Keramas Gianyar on February 3, 1946. He passed away on 24 Februay 2020. He graduated with a degree from ASTI and a Bachelor of Hindu Religion and worked as a teacher at PR Saraswati Gianyar. He also served as Head of the SPG Saraswati Gianyar, was Head of Saraswati Gianyar High School, was a Gianyar Regency Associate Member. As well he was a member of the Gianyar Regency Wija Kusuma Award Selection Team, the Gianyar Regency Extension Team, the Gianyar Regency Gita Main Supervisory Team, and the Gianyar Kabupatén Gianyar Development Team. In addition, he is also well-known as a Drama Gong player / dancer. He received Rancage Literary Awards in 2001 for a work entitled "Gang Girang Sisi Pakerisan" and in 2010 for his services to the field of Modern Balinese literature. In 2015, he received a Widya Pataka from the Governor of Bali for a Balinese play entitled "Bogolan" .i for a Balinese play entitled "Bogolan" .)
  • Agus Vrisaba  + (Agus Vrisaba is a writer born in Klaten, CAgus Vrisaba is a writer born in Klaten, Central Java, May 15 1941. In the 1970s he lived in Bali and socialized closely with many Balinese artists. In the late 1980s he moved to Tawangmangu, Central Java. He died on February 17 1992. Agus was a very productive short story writer. His works are published by Kompas, Sinar Harapan. Later also in Suara Pembaharuan, Vista, Jawa Pos, Bali Post, Intisari, Surabaya Post, Suara Indonesia, Zaman, and also various other regional newspapers. Kompas Book Publishers (PBK) is trying to bring back his works and edit them in a book, a collection of his first single short stories, entitled "From Bui to Nun" in 2004. Agus himself, until the end of his life, had not had time to publish his works. There is only one short story, namely "Sodom and Gomorrah" which was included in the anthology "Two Sexes for Midin", published by Kompas Book Publishers in 2003.blished by Kompas Book Publishers in 2003.)
  • Aldwin Yusgiantoro  + (Aldwin is a senior analyst for AkarAsia. HAldwin is a senior analyst for AkarAsia. He recently graduated with a master’s degree in International Development Studies at George Washington University’s Elliott School of International Affairs, specializing in private sector development. He received his B.A. in International Affairs from the University of Colorado at Boulder, focusing on Southeast Asian politics and economy.g on Southeast Asian politics and economy.)
  • Alexander R. Cuthbert  + (Alexander Cuthbert is Emeritus Professor oAlexander Cuthbert is Emeritus Professor of Planning and Urban Development at at the University of New South Wales in Sydney, Australia. He was educated in Scotland with degrees in Architecture, Planning and Urban Design, and a Doctorate from London School of Economics and Political Science. His main interest has been in urban design, with teaching and practice in Greece, Britain, the United States, Hong Kong and Australia.he United States, Hong Kong and Australia.)
  • Alit S. Rini  + (Alit S.Rini was born and live in Denpasar Alit S.Rini was born and live in Denpasar with the name Ida Ayu Putu Alit Susrini. She wrote poems in the Bali Post newspaper which afterwards become her workspace. Then she was promoted to the culture, religion, education, opinion desk and 1998 as performance editor, and then moved to the opinion desk until she retired in 2015. "Karena Aku Perempuan Bali" (Since I am a Balinese Woman) 2003 is her single poem compilation. Her poem was compiled in book "Cinta Disucikan Kehidupan Dirayakan", "Bali Living in Two World" (2002), "Dendang Denpasar Nyiur Sanur" (2016), "Klungkung: Tanah Tua Tanah Cinta" (2017) is a compilation of her poems published in 2017. She later collaborated with Nyoman Wirata with a book entitled "Pernikahan Puisi".a with a book entitled "Pernikahan Puisi".)
  • Alistair G Speirs  + (Allistair Speirs has been in the publishing, advertising and PR business for the last 25 years. He started both NOW! Bali and NOW! Jakarta as each region's preferred community magazine.)
  • Gede Kresna  + (An Architect by profession, Gede designed An Architect by profession, Gede designed and built Rumah Intaran - home of Pengalaman Rasa. His brings extensive knowledge of local produces and a keen eye for potential business opportunities to Pengalaman Rasa. He is passionate about diving into the richness of Northern Balinese culture and natural produces to find the best ingredients, products, and experiences.</br></br>https://www.pengalamanrasa.com/</br></br>"Working out of Rumah Intaran (the House of the Neem Tree), architect Gede Kresna has transformed the northern Bali village of Bengkala into a learning mecca for students and farmers – and it all centres around the kitchen...</br></br>“I often wonder why rich people can afford to pay for a private doctor or a private architect but never think of paying a private farmer to produce their own healthy food?” he (Gede Kresna) asks. “Food can be called healthy if it has a balanced cycle that comes from local farmers who grow from local seeds; only then can we actually solve our food problems, including many economic problems facing the country.”...</br></br>Full article at https://www.gaiadiscovery.com/latest-people/gede-and-ayu-kitchen-missionariest-people/gede-and-ayu-kitchen-missionaries)
  • Anak Agung Ayu Bulantrisna Djelantik  + (Anak Agung Ayu Bulantrisna Djelantik was bAnak Agung Ayu Bulantrisna Djelantik was born in Deventer, the Netherlands on September 8, 1947. She is the eldest daughter of Dr. Anak Agung Made Jelantik (UN Doctor). She has loved dance since childhood and is now a Legong dance maestro. Besides being known as a dancer, she works as an ENT specialist and lecturer at the Faculty of Medicine, Padjadjaran University, Bandung. </br></br>Bulantrisna is the granddaughter of Anak Agung Anglurah Djelantik who was the last king of the Karangasem Kingdom, Bali. At the age of ten, Bulantrisna was invited by President Soekarno to the Presidential Palace in Tampaksiring, Gianyar, Bali to entertain Palace guests. Her main mentors are Anak Agung Mandera and Gusti Made Sengog, the first generation of Legong dancers. Besides Legong dance, Bulan also mastered other dances, such as Oleg. Dancing for the Moon is a release of emotion, creativity, joy, moving with soul, and as a means of prayer. Her love for dance is not only limited to movement, but she also founded a dance studio called "Ayu Bulan" in 1994. One of her dance creations is the Legong Asmarandana dance. Bulantrisna died on February 24, 2021 at Siloam Hospital, Semanggi, Jakarta due to pancreatic cancer she suffered.rta due to pancreatic cancer she suffered.)
  • Anak Agung Bagus Sutedja  + (Anak Agung Bagus Sutedja, the governor of Anak Agung Bagus Sutedja, the governor of Bali who headed the island twice, was born in 1923 and vanished on July 27, 1966. His first term as head of Bali's executive body, from 1950 to 1958, was determined by the Regional Government Council, while the legislative body, Paruman Agung, which was composed of delegates from Bali's eight kingdoms, was superseded by the Temporary Regional People's Representative Council (DPRDS). He was re-elected as Bali's governor in December 1959, having served as the island's temporary regional head from 1958 to 1959 before being ousted by I Gusti Bagus Oka. His second term of office ended in 1965, a few months after the G30S/PKI. His second term of office ended several months after the G30S/PKI occurred in 1965. He was then replaced by I Gusti Putu Martha. He "disappeared" on July 29 1966 in Jakarta, thought to be a victim of political kidnapping that occurred at that time.cal kidnapping that occurred at that time.)
  • Anak Agung Gde Mandera Erawan  + (Anak Agung Gde Mandera Erawan (Agung BanglAnak Agung Gde Mandera Erawan (Agung Bangli) is a traditional dance maestro from Puri Kaleran Peliatan, Ubud. He was born in artist family, son of Gung Kak Mandera, maestro of traditional music the founder of Kelompok Musik and Tari Gunung Sari and a dancer mother. Gung Kak Mandera was one of artist of Bali that travel arround in Europe and performed in Paris in 1930s. </br></br>Almost all of countries had already visited by Gung Aji to perform Balinese dance to the world. it can be said that his life was dedicated for traditional dance and music arts of Bali. Maintain and preserve it to keep this culture existed. </br></br>He inherited his late father role to lead group of Gunung Sari Peliatan, which hold a performance in every week in Balerung Peliatan. Legong Nandira is Tari Legong with male dancer is one of his creations. with male dancer is one of his creations.)
  • Anak Agung Gde Rai  + (Anak Agung Gde Rai or usually called as AgAnak Agung Gde Rai or usually called as Agung Rai, born in Peliatan, Ubud, on July 17th, 1955. He is a humanist (cultural practitioner) and an artist who has big role in preserving and promoting arts of Indonesia, particularly Bali. He is the founder of ARMA (Agung Rai Museum of Art). The poverty during his childhood motivated him to change their family life to make it better by continuously work hard. When he was young, he has ever become “merchant” of artistic goods for tourists in Bali. </br></br>Agung Rai has a dream to become a teacher, but he has to burry it since cant afford the tuition. Then, he learned to paint. But, he realized his skill is yet sufficient as painter. Otherwise, he took a course of English and became a tour guid. From his interaction with the tourists, he got sense of business to try as seller of artistics goods made by his neighbors in his hometown. Since then, he is becoming a merchant in arround Sanur, Kuta until Padangbai. As a merchant, his sense of business and arts was developed. Then he mad friend with many arts collectors. He followed his friend to be a collector of maestro’s artwork. From a collector, he became a currator for artwork exhibition. Such as, in 1989, Agung Rai went to Japan and took a hundred of artworks from fifty painters that joined a group of Sanggar Seniman Agung Rai (Agung Rai Artists Group). This paintings then was shown in Japan for two months. </br></br>Anxiety and worry for his country’s cultural preservation mainly in field of arts make him obssessed to establish a museum and arts galery. Then, with wonderful effort of him, in June 9th 1996, ARMA Museum officially opened by Prof. Dr. Ing. Wardiman Djojonegoro while at that time have position as Minister of Education and Culture. ARMA is one of museums with most complete collection in Indonesia. From classical artwork until contemporary, even artwork of local artist and other countries. Moreover, ARMA periodically held an exhibition of artworks. </br></br>The popularity of ARMA is masively increasing since it often held various cultural event such as music performance, theatre, providing bookroom with various collection for visitors, held seminar of culture and art. Events in ARMA mostly in international scale and often were hold by various artworkers and culture from many countries. With various arrangement of these kind of event, ARMA achieved predicate as most popular museum and the best museum in Indonesia based on tourist as how it was compiled by world travelling site, TripAdvisor. </br>For his effort to preserve arts, Agung Rai was awarded many awards. Such as, in 2002 he was awarded by Indonesia Government as “The pioneer in advancing the fine arts”. In 2012 he was chosen as Chief of Himusba (Himpunan Museum Bali) 2012-2017. In 2016 “TripAdvisor” awarded ARMA as the best museum in Indonesia. The choice was determined by the tourists who has visited the various museums in Indonesia. </br></br>The Books of Agung Rai and ARMA can be read in “Gung Rai, Kisah Sebuah Museum // Gung Rai, A Story of Museum” (KPG, 2013), “Saraswati in Bali: A Temple, A Museum and A Mas” (BAB Publishing Indoneisa, 2015”, “Agung Rai, Sang Mumpuni // Agung Rai, The Maestro” (Lestari Kiranatama, 2017)., The Maestro” (Lestari Kiranatama, 2017).)
  • Anak Agung Gede Ngurah Puspayoga  + (Anak Agung Gede Ngurah Puspayoga was born Anak Agung Gede Ngurah Puspayoga was born in Denpasar, 7 July 1965. He completed his Bachelor's degree at Ngurah Rai University, Denpasar, in 1991. He is Minister of Cooperatives and Indonesian Small and Medium Enterprises in President Joko Widodo's Working Cabinet. He served from 2014 to 2019. Before becoming a minister, he served as Mayor of Denpasar for two periods, namely 1999-2004 and 2005-2010. In the second period, halfway through, he was elected Deputy Governor of Bali for the 2008-2013 period.Governor of Bali for the 2008-2013 period.)
  • Anak Agung Made Cakra  + (Anak Agung Made Cakra was born in DenpasarAnak Agung Made Cakra was born in Denpasar, November 11, 1928. He is a musician and Balinese pop songwriter who was very popular in his time. He taught himself music at the age of seven. In 1943, when he was still a SR (People's School), he participated in a Japanese song competition in Singaraja, and managed to get the attention of a Japanese musician who was present at that time. The Japanese musician then mentored and employed him.</br></br>In 1950 he collected music in Denpasar and formed an orchestra group and in 1953 the group performed around Denpasar. He also joined the kroncong orchestra group Puspa Teruna led by Ida Made Rai. Then he joined the Melati Kusuma keroncong orchestra led by Merta Suteja, the Merta Kota keroncong orchestra and the Cendrawasih keroncong orchestra. He is also involved in routine musical activities at RRI Denpasar Station. He then formed and led the New Dawn keroncong orchestra group.</br></br>In addition to performing music, Gung Cakra also writes songs and musical compositions. One of his most famous songs is entitled "Kusir Dokar". In 1963, the song was often played by the band Putra Dewata founded by Gung Cakra and his colleagues. The band's musical instruments were made by Gung Cakra himself with easily available materials. In 1976, Gung Cakra began to enter the recording studio through Bali Record. Apart from "Coach Dokar", his popular songs are "Bungan Sandat" and "Ada Kene Ada Keto".e "Bungan Sandat" and "Ada Kene Ada Keto".)
  • Anak Agung Pandji Tisna  + (Anak Agung Pandji Tisna (11 February 1908 Anak Agung Pandji Tisna (11 February 1908 – 2 June 1978), also known as Anak Agung Nyoman Pandji Tisna, I Gusti Nyoman Pandji Tisna, or just Pandji Tisna, was the 11th descendant of the Pandji Sakti dynasty of Buleleng, Singaraja, which is in the northern part of Bali, Indonesia. He succeeded his father, Anak Agung Putu Djelantik, in 1944.</br></br>On the last page of Pandji Tisna's book, I Made Widiadi, written in 1955, he wrote his life story in chronological order. He was a writer and a novelist. He refused to be the king of Buleleng, but being the eldest son, the Japanese occupancy troops forced him to be "syucho" after the death of his father in 1944.</br></br>During his reign, he became the leader of the Council of Kings of all of Bali from 1946 to 1947 (Paruman Agung) and the Regent of Buleleng. In 1947, because his uniquely Christian faith did not fit in with the predominant Hindu religion, Pandji Tisna surrendered the throne to his younger brother, Anak Agung Ngurah Ketut Djelantik or I Gusti Ketut Djelantik, also known as Meester Djelantik, until 1949.</br></br>He died 2 June 1978 and was buried in the graveyard on the eastern side of his land near the chapel he built years before.</br></br>There is a museum in Lovina dedicated to AA Pandji Tisna and his family: https://www.facebook.com/pg/The-Little-Museum-Anak-Agung-Panji-Tisna-KM-0-Lovina-Bali-1402058299856241/about/a-KM-0-Lovina-Bali-1402058299856241/about/)
  • Andrew Clay McGraw  + (Andy McGraw received his Ph.D. in ethnomusAndy McGraw received his Ph.D. in ethnomusicology from Wesleyan University in 2005. Dr. McGraw has published several articles and a monograph (on Oxford) concerning traditional and experimental music in Southeast Asia and has written articles on jazz, music in American jails and Cuban music. He is an active performer and directs a Balinese gamelan orchestra for the Richmond community.elan orchestra for the Richmond community.)
  • I Ketut Angga Wijaya  + (Angga Wijaya is the pen name of I Ketut AnAngga Wijaya is the pen name of I Ketut Angga Wijaya. Born in Negara, Bali, February 14, 1984. Learned to write poetry since high school when he joined the Cultural Paper Community under the care of the poet Nanoq da Kansas. His poems have been published in Warta Bali, Jembrana Post, Independent News, Riau Pos, Bali Post, Jogja Review, Serambi Indonesia, Denpost, Tribun Bali, tatakala.co, balebengong.id, qureta.com, gallerybukujakarta.com, simalaba. net and Dian Sastro's Poetry Anthology for President! End of Trilogy (INSIST Press, 2005) and Chewing Geram (One Hundred Poems Against Corruption) published by the Manikaya Kauci Foundation, the Corruption Eradication Commission (KPK) and Jatijagat Kampung Poetry (2017). His poetry collection entitled “Notes Pulang” was launched in January 2018. Angga works as a journalist in Denpasar.. Angga works as a journalist in Denpasar.)
  • Anthok Sudarwanto  + (Anthok Sudarwanto was born in Denpasar, ApAnthok Sudarwanto was born in Denpasar, April 18. He completed his art education at ISI Denpasar. Since 1996 he has been holding joint exhibitions, among them are the Indonesian Arts Festival Exhibition in Jogjakarta (1999), the Black and White Group at the Bali Museum (2000), The Name of Identity at Tanah Tho Gallery, Ubud (2011), "Retrospective" with the Galang Kangin Group at Bentara Bundaya Bali (2018). In 2010 he held a solo exhibition “Transformation” at the Hitam-White Artspace, Sangeh, Bali. He is also involved in the Militanarts Group. His works tend to be realistic with social and life themes. be realistic with social and life themes.)
  • Antonio Maria Blanco  + (Antonio Blanco was born on September 15, 1Antonio Blanco was born on September 15, 1911, in Manila, the capital of the Philippines. Both of his parents were Spanish, a fact that Blanco believed linked him geographically and spiritually to Miro and Salvador Dali. His father settled in Manila during the Spanish - American War, where he attained prominence as a physician. Blanco was educated at the American Central School in Manila. During his high school years he loved the arts, literature and language classes but struggled in scientific subjects. It is no wonder that he spoke six languages - Spanish, French, English, Tagalog, Indonesian and a bit of Balinese. After completing high school in Manila, Blanco studied at the National Academy of Art in New York under Sidney Dickinson. During those early formative years, Blanco concentrated on the human form, fascinated by the female body more than any other subject matter. To further his studies and ignite his traveling spirit, he traveled extensively throughout the world before he finally landed in Bali in 1952. The King of Ubud gave Blanco a piece of land to set up his home and studio in Campuan, Ubud, at the confluence of two sacred rivers. Blanco and his Balinese wife, the celebrated dancer Ni Ronji, lived in their mountain retreat, barely leaving it for the world outside. Following a brief trip to the United States, where Blanco acquired many new collectors, the couple never left their fantasy home again.</br></br>Living in serene surroundings with his four children, Tjempaka, Mario, Orchid and Maha Devi, Bali became Blanco's center. He was fascinated by the island and completely captivated by its charm.</br> </br>Blanco lived and worked in his magical hilltop home until his death in 1999, feverishly creating his fantasy portraits of beautiful women. Surrounded by lush gardens, rice fields and with a Banyan tree standing over his family's temple, Antonio Blanco proceeded to create a new reality for himself. His artistic outpourings of this isolated world became much sought after by eager art lovers, collectors and promoters. Within a few years, Blanco became the most famous foreign artist to make Bali his home. He was recognized in both Indonesia and abroad, receiving numerous Blanco Awards and commanding huge prizes at international auctions.</br></br>By the end of his life, Blanco had begun building his museum at his studio in Campuan. Dramatically, he died just before its inauguration. His funeral was marked by a very important Blanco Cremationin Ubud. It was Blanco's dream to turn his studio-mansion into a museum. His son, Mario, fulfilled this dream by following his path to become a painter. The Blanco Renaissance Museum is now open to the public, exposing both the maestro's and Mario's art works. both the maestro's and Mario's art works.)
  • James Danandjaja  + (April 13, 1934 - October 21, 2013. James April 13, 1934 - October 21, 2013.</br></br>James Danandjaja obtained a bachelor's degree in Anthropology in 1963 from the Faculty of Letters, University of Indonesia. He also obtained a doctorate in Psychological Anthropology from the University of Indonesia in 1977. For the writing of his scientific work he conducted research for approximately a year in the Trunyan area of Bali, and produced the book Culture of the Trunyan Village Farmers in Bali, which was published in 1980. James Danandjaja who whose real name is James Tan, with the nickname Jimmy, was appointed Professor of the University of Indonesia in 1983.</br></br>He was the first Indonesian folklorist, starting to pursue the science since he studied at the University of California, Berkeley, in 1969. His mentor at that time was Alan Dundes, a prominent folklorist from the United States. With a paper entitled An Annotated Bibliography of Javanese Folklore, which was later made into a book, he obtained a master's degree in folklore from the university in 1971.</br></br>Upon his return to Indonesia, in 1972, he taught the science at the Department of Anthropology, FISIP, University of Indonesia. According to him, folklore which is part of culture in the form of folk language, traditional expressions, puzzles, legends, fairy tales, jokes, folk songs, fine arts, etc., is closely related to the culture of a society. For this reason, he assigned his students to collect various folklores in the country. These writing materials were later made into a book with the title Indonesian Folklore (1984). In addition, he also wrote several other books related to folklore, such as Guidance on How to Collect Folklore for Archiving (1972), and Some Problems with Folklore (1980).), and Some Problems with Folklore (1980).)
 (April 13, 1934 - October 21, 2013. James Danandjaja obtained a bachelor)
  • Ni Putu Apriani  + (April Artison is the pen name of Ni Putu AApril Artison is the pen name of Ni Putu Apriani. Born in Tuban, Badung, Bali, April 12, 1991. A graduate of Communications and Religious Information from IHDN Denpasar. Since she was a teenager, she has been active in literature and theater. In 2016, she was invited to read poetry at the 5 Asean Countries Poets Gathering in Singapore. Her poetry was published in the book Klungkung: Tanah Tua, Tanah Cinta (2016). Klungkung: Tanah Tua, Tanah Cinta (2016).)
  • Arif Bagus Prasetyo  + (Arif Bagus Prasetyo was born on September Arif Bagus Prasetyo was born on September 30, 1971, has lived in Denpasar since 1997. He is known as a poet, literary critic, fine arts curator, and book translator. Alumnus of the International Writing Program, University of Iowa, Iowa City, USA. Received a number of awards in the field of writing, including: the Jakarta Arts Council Literary Criticism Prize, the Jakarta Arts Council Fine Arts Criticism Prize, and the Bali Provincial Government Widya Pataka Award. His books: Witness Words: 18 Literary Essays (soon to be published), Memento: Poems (2015), Memento: Poetry Books (2009), Epiphenomenon: Study of Selected Literature (2005), Stephan Spicher: Eternal Line on Paper (2005), Beyond the Forms : A Face of Modern Indonesian Painting (2001), Mangu Putra: Nature, Culture, Tension (2000), and Mahasukka: Book of Poetry (2000).00), and Mahasukka: Book of Poetry (2000).)
  • Arik Agustina  + (Arik Agustina is a lecturer in IPB INTERNASIONAL, she graduated from Udayana University and got the master degree in Chemical Studies.)
  • Dewi Dian Reich  + (Artist and writer. Dewi Dian is founder ofArtist and writer. Dewi Dian is founder of Sawidji Gallery & Co.</br>Dewi Dian Reich was born in Australia of mixed Indonesian and European parentage. Dewi has a deep love for Nature, art, history and the traditions in her Indonesian heritage. She has called Bali her home for nearly 20 years.</br>Dian is a graduate of the Australian National Art School in Fine Arts majoring in Photography and painting disciplines with emphasis on art history and theory. Undertook post graduate studies in Digital Media, Linguistics and Asian Studies.</br>Dian is focused on the ongoing development of Sawidji Gallery and studio. The economic changes brought about by the Covid Pandemic to Bali was a catalyst. There was already a need to reassess the conditions affecting the integrity of Fine Art in Bali. Which is never separate from the intricacies of the culture itself. Sawidji may explore these themes. However, it simply wishes to celebrate the talents, the community and the Nature that we are fortunate to be a part of. Nature that we are fortunate to be a part of.)
  • Teknologi antuk kelestarian seni miwah budaya  + (Arts and culture studies are the result ofArts and culture studies are the result of work and creativity based on the norms and behavior of the Balinese people who are involved in preserving Bali's cultural heritage through artistic and cultural wisdom. It is hoped that arts and culture can be developed again by using technology to develop and develop works of art. Apart from that, introducing art and culture to the younger generation as a means of providing an understanding of philosophy and the values of the existence of cultural objects. The aim of this activity is to encourage the younger generation to learn about arts and culture in their region as a means of increasing cultural sustainability and as a means of preserving local culture, developing knowledge-oriented activities and as a form of preserving arts and culture. This is important so that the Balinese people, especially young people, can gain better motivation and understanding, and can participate in the process of internalizing these cultural values into their own lives.hese cultural values into their own lives.)
  • Aryadimas Ngurah Hendratno  + (Aryadimas Ngurah Hendratno was born in DenAryadimas Ngurah Hendratno was born in Denpasar on September 13, 1975. He has been writing poetry since he was a teenager, was once a part of Teater Angin (SMAN 1 Denpasar), and had contact with Sanggar Minum Kopi. A number of his poems have been published in Bali Post and in the anthologies Ensiklopedi Pejalan Sunyi (2015) and Klungkung: Tanah Tua, Tanah Cinta (2016). He is the "village head" of the Jatijagat Kampung Puisi (Jatijagat Poetry Village), teaches literature and theater at the Tahkta Theater at SMK Saraswati 1 in Denpasar, and manages the Rumah Belajar Seni (Art Study House) in Denpasar.lajar Seni (Art Study House) in Denpasar.)
  • Strategi Membangkitkan Perekonomian Di Bali  + (As for the aspirations that I want to pourAs for the aspirations that I want to pour out to revive the economy in Bali, the points are as follows:</br></br>There is control of the epidemic itself. The main thing that must be done is to reduce cases of transmission of the Covid-19 virus in Bali through the acceleration of the Covid-19 vaccination program. We can make this the main fortress in the face of the COVID-19 outbreak in Bali. </br></br>Then the next step is to tighten the procedures (3M) on the island of the gods by involving all elements of society and foreign tourists who will vacation in Bali to participate together in complying with the program. This is done to restore the world's trust in the island of Bali through the discipline of health care, and the addition of health facilities so that they are adequate and suitable for use, such as the construction of self-quarantine rooms, providing Thermal Detectors or rapid tests and ensuring the safety and comfort of tourism, because good Health Tourism actually can increase the interest of tourists to vacation in Bali. Not only in terms of progress: the island of Bali must also optimize all existing fields to participate in supporting the economy, so that this strategy does not only come from the tourism sector but through optimizing all existing sectors, such as the Agriculture Plantation Sector, the Village-Based Digital Empowerment Sector. Customs, Endek and Songket SME Centers, Creative Economy SMEs and others. Through the cooperation of all economic actors, we can slowly revive the economy in Bali. </br></br>The next step is through the development of the Essential Business Travel Corridor (TCA), the collaboration carried out with several countries for the purposes of Essential Business, Diplomatic and Service which has been initiated by the government. </br></br>Of all the points above, one point that is no less important is to build a positive image to foreign countries towards tourism in Bali, so that tourists are more interested in vacationing in Bali. This can be done by improving the hospitality sector (through HR training), improve facilities, make tourist attractions more attractive, cheaper rates and others to improve the tourism sector in Bali to make it more attractive to tourists. As we know, the island of Bali is a tourist island that has a variety of interesting tourist attractions, along with culinary and and cultural traditions adding positive points to the tourism sector in Bali.tive points to the tourism sector in Bali.)
  • Sembrama Wacana Manggala Dinas Pariwisata Provinsi Bali  + (As the Head of the Balinese Tourism MinistAs the Head of the Balinese Tourism Ministry, I congratulate and thank you for the fourth Public Participation Wikithon competition organized by BASAbali Wiki. This competition is very useful during the COVID-19 pandemic. Why is this? First, based on the competitions held, the government can get input or suggestions from the Balinese community about what efforts can be made to restore Bali.Please, millennials, help the government. Give us some useful ideas so that we can revive tourism in Bali as it was or even better in the future. Second, teenagers or millennials, do not hesitate to speak out about environmental and cultural issues in Bali. The Balinese government needs your ideas, to resuscitate tourism in Bali. If the young or millennial generation can synergize their ideas with the government through this wikithon competition, then the development of Bali in the Nangun sat kerthi loka Bali” vision will be realized (ie respect for Balinese customs, traditions, art and culture, wisdom and language).ns, art and culture, wisdom and language).)
  • Helen Creese  + (Associate Professor Helen Creese's researcAssociate Professor Helen Creese's research interests include Balinese textual and literary traditions, Balinese history and historiography and gender. Her research spans historical and contemporary periods. It draws extensively on indigenous textual traditions written in Indonesian, Balinese, Old Javanese as well as colonial sources in Dutch and French. Her publications include translations of both classical and modern texts.</br></br>She is the author of Bali in the Early Nineteenth Century: The Ethnographic Accounts of Pierre Dubois (2016); Women of the Kakawin World: Marriage and Sexuality in the Indic Courts of Java and Bali (2004); Guide and Index to the Hooykaas-Ketut Sangka Balinese Manuscript Collection in the Australian National University Library (2004); and Parthayana: The Journeying of Partha. An Eighteenth-Century Balinese Kakawin (1998). She has co-edited 'The Stigmatisation of Widows and Divorcees (janda) in Indonesian Society,' Special Issue of Indonesia and the Malay World (with Lyn Parker, 2016); From Langka Eastwards: The Ramayana in the Literature and Visual Arts of Indonesia (with Andrea Acri and Arlo Griffiths, 2011); 'Gender, Text, Performance and Agency in Asian Cultural Contexts,' Special Issue of Intersections: Gender and Sexuality in Asia and the Pacific (with Rosie Roberts, 2008); Seabad Puputan Bali: Perspektif Belanda dan Bali (with Henk Schulte Nordholt and Darma Putra 2006); and 'Old Javanese Texts and Culture,' Special Issue of Bijdragen tot de Taal , Land- en Volkenkunde (with Willem Van der Molen, 2001).</br></br>Her current research projects include an investigation into textual traditions, identity and cultural production in contemporary Bali, a literary history of Bali, and a number of projects on precolonial Balinese history.</br></br>She was elected as a Fellow of the Academy of Humanities of Australia in 2007. She serves on an number of editorial advisory boards including the Southeast Asian Publications Series of the Asian Studies Association of Australia, Asian Studies Review, Intersections: Gender and Sexuality in Asia and the Pacific and Indonesia and the Malay World.Pacific and Indonesia and the Malay World.)
  • Augusta de Wit  + (Augusta de Wit (25 November 1864 – 9 February 1939) was a Dutch writer, born in the Dutch East Indies and best known for writing about Java and Bali.)
  • John Stowell  + (Australian scholar known for his comprehensive biography of German artist Walter Spies whose influence on Balinese art is reknowned.)
  • I Wayan Sadha  + (Author and cartoonist I Wayan Sadha was boAuthor and cartoonist I Wayan Sadha was born in Jimbaran, on July 29, 1948. He attended guard school until grade 2 of Sekolah Rakyat. I Wayan Sadha has a lot of experiences having worked as a fisherman, laborer, tradesman, gardener, traveling photographer, until he became a journalist and most recently, a cartoonist and author. He created the dog cartoon character "Somprét" which is unique with satirical elements regarding Balinese social and cultural problems.</br></br>He often participates in cartoon exhibitions with artists in Denpasar, has been invited to exhibit with Prakarti at the ARMA Muséum, Ubud, Bali Biénnalé and others. Won 3rd place in Photo “Bali Tourism 1981” and the 2010 Rancagé Literature prize with his book entitled “Léak Pamoroan”. His cartoons and short stories have been published in The Archipélago magazine, English Corner, Bali cho, Nusra Daily, Sarad Magazine, Poléng Magazine, and Taksu Magazine. He was a resource person at the event Sandyakala Sastra #5 in 2010 with Ida Bagus Wayan Widiasa Kenintén at Bentara Budaya Bali. He died on January 28, 2015.</br></br>His published books are:</br>Bali in the Eyes of the Somprét (Cartoon, 1994),</br>The dog of Bali Somprét Celotéh Dog Bali (Cartoon, 2008),</br>Léak Pemoroan (short story collection, 2009),</br>Paruman Betara (short story collection, 2014).man Betara (short story collection, 2014).)
  • Ayu Diah Cempaka  + (Ayu Diah Cempaka was born in Gianyar, JulyAyu Diah Cempaka was born in Gianyar, July 18 1993. She graduated in French Literature, Faculty of Cultural Sciences, Gajah Mada University, Yogyakarta. Apart from writing literature (poetry), he is a writer & film festival programmer. Became a programmer at the Yogyakarta Documentary Film Festival (FFD) (2015-2019) and Balinale – Bali International Film Festival (2022). He served on the Asian short film selection committee (2022) and community jury (2017) at the Jogja NETPAC Asian Film Festival (JAFF), jury team at the 2018 Indonesian Film Festival (FFI), as well as guest lecturer on 'Film Aesthetics', Film & Television Department, Art Institute Indonesia (ISI) Denpasar 2021. The film review was published in several media such as Cinema Poetica, Film Criticism Collective – Yamagata International Film Festival, Goethe Institut Indonesien, Ruang Journal, Bali Post, and Balebengong. In 2016 – now he is Cultural & Communication Officer at Alliance Francaise Bali.amp; Communication Officer at Alliance Francaise Bali.)
  • I Gusti Ayu Laksmiyani  + (Ayu Laksmi full name I Gusti Ayu LaksmiyanAyu Laksmi full name I Gusti Ayu Laksmiyani, born in Singaraja, Bali, November 25, 1967. She is a singer, songwriter, dancer, film and theater actress. Was known as a lady rocker in the early 90's. In 2011, twenty years since his first album was released, she re-emerged with her latest album, Svara Semesta. Currently, Ayu Laksmi is active again in various local, national and international music events/festivals.</br></br>Ayu grew up in a family that loves art, especially music. Since getting to know the world of the stage at the age of 4 years, Ayu began to actively participate in various art festivals, both on a local, national, and even international scale.</br></br>Ayu Laksmi's name became known since she won BRTV at the Bali Province level in 1983 for the Trio version with her two sisters Ayu Weda and Ayu Partiwi in the Trio, "Ayu Sisters", which later in the same year won an award as Third Place and at the same time as the Best Appearance Trio. BRTV for the National Level.</br></br>Ayu Laksmi is also known as one of the lady rockers in the national music scene in the era of 1984-1993 where Ayu is also one of the singers from Bali who managed to penetrate the national music industry. Indonesian music at that time.</br></br>In 1989 Ayu contributed to the compilation album Indonesia's Top 10 with the single Not Always Gemilang created by Didi AGP, the sound track of the film Note Si Boy 2 with the song Hello Sobat created by Harry Sabar. In 1991 published her first album entitled The Lost Palace with arranger Raidy Noor. However, after the album was circulated his name immediately disappeared from the Indonesian music industry. Ayu returned to Bali in 1992 to continue her studies at the Faculty of Law, Udayana University, and graduated as a Law Degree in 1993ity, and graduated as a Law Degree in 1993)
  • Ayu Putu Feny Abrina Putri  + (Ayu Putu Feny Abrina Putra, born in PenestAyu Putu Feny Abrina Putra, born in Penestanan Kelod, Ubud, October 5th, 1992. She graduated from Fine Art Education in ISI Denpasar. She has exhibited in "Ekspresi Indonesiaku" in Nasional Indonesia Museum (2014), "Brutal Art Work" in dolf Bonnet Tjampuhan Ubud Studi (2016), "Merdeka dalam Ekspresi" in Taman Budaya Bali (2019)alam Ekspresi" in Taman Budaya Bali (2019))
  • Ayu Weda  + (Ayu Weda fully named I Gusti Ayu Made WedaAyu Weda fully named I Gusti Ayu Made Wedayanti. She was born in Singaraja, September 1 1963. She is alumi of Airlangga University, Surabaya. In era of 1980s, she was well known as lady rocker singer. Her achievement in vocal and stage field, such as in 1981 she gained The third champion in Radio Star award and TV (BRTV) in National Level. Moreover, She got award as the best performance in group category with her two sisters in Trio Ayu Sisters, who are I Gusti Ayu Partiwi and I Gusti Ayu Laksmi. In that year, Ayu Weda as representative of Bali in Puteri Remaja Indonesia award which was held by Majalah Gadis. in 1982, she successfully released album "Rindu Teman Sehati" arranged by national muse Adriadie. Meanwhile in 1987, she released album "Memetik Bintang" arranged by Deddy Dores. Besides singing, she also liked to write. Her short stories compilation "Badriyah" was published by Gambang Publisher in 2016. That book most told story of woman's life in happy and sad situation.f woman's life in happy and sad situation.)
  • Bali Virtual Tour & Ngonthel Halal  + (Bali is a beautiful island. Affected by CoBali is a beautiful island. Affected by Covid-19, of course, it reduces the income of the population. Are there alternative steps forward? We provide alternative solutions, namely virtual tours and ngonthel halal and are presented in the form of questions and answers.</br></br>What is a virtual tour ?</br>Answer: Virtual tourism activities via the internet with media in the form of videos</br></br>The reason for choosing virtual tours ?</br>Answer: Not everyone can go to Bali for various reasons such as: unable to take leave, still working, wife is pregnant, being treated at the hospital, pandemic, visas and passports have expired or have not been issued.</br></br>Media used ?</br>Answer: Did you know Netflix, Viu? Site / website subscription to watch movies by streaming. Yes, we adopt a method like Netflix with internet and video media. People who will access will be charged a fee or "pay"</br></br>The mechanism of action ?</br>Answer: As explained above, subscribing is like watching a movie on Netflix. Of course the videos presented must be fun, informal and rigid, like vloggers and youtubers making video tours, mukbang, inviting having fun in an exciting and fun way</br></br>Is it Ngonthel Halal?</br>Answer: Sports activities while traveling around Bali by focusing on Muslims</br></br>Reasons for choosing ?</br>Answer: The relentless popularity of cycling during the pandemic. Complaints about halal food both in terms of the type of food, looking for Bali tourism that does not have an open genitalia element, are tired of the same kind of tourism, so traveling around Bali by bicycle can become a new tourist destination. Target : Local & Middle Eastern Muslims</br></br>Application in the field?</br>Answer: Participants are invited to tour by bicycle around Bali to several destinations with beautiful panoramas, serving halal food, prayer times can go to mosques. So this shows that Bali has good religious tolerance. shows that Bali has good religious tolerance.)
  • Ngiring Jaga Budaya Baline Saking Turis Sane Ten Bermoral  + (Bali is a cultural tourism island that is Bali is a cultural tourism island that is well known abroad. This causes many foreign tourists and tourists to come to Bali to walk around. The arrival of tourists to Bali is actually welcomed by the Balinese people because they can help the Balinese people whose field of work is in the tourism sector and introduce world progress to the community. However, it turns out that tourist behavior in Bali is not as beautiful as we think. Instead of walking around enjoying the beauty of the island of Bali, they are destroying the beauty of the island of Bali, behaving as they please and trampling on our cultural heritage. The behavior of naughty tourists is indeed infuriating and this also happens in various popular destinations in the world. Not long ago it went viral that a pair of foreign tourists became angry and clashed with Pecalang in Bali. This was because a pair of foreign tourists felt unacceptable because they were prohibited from crossing a road, because there was a Melasti ceremony procession to welcome Nyepi Day in Bali.</br></br>We as Balinese citizens should not allow this to continue to happen to our ancestral heritage on the island of Bali. If this continues, it can of course cause discomfort to the people of Bali. To overcome this incident, the government has actually made various efforts starting from socialization, efforts to give tickets to foreign tourists who violate it and even many influencers who have made the tourists' actions viral on social media with captions that vilify them. By making this viral, actually we are just as bad as them, why should we vilify people on social media who haven't even changed anything and the tourists are still doing the same thing. A lot of shouting is useless, but try to make the tourist stop breaking Balinese rules</br></br>As a government in a new era, it would be better, apart from setting an example of good travel behavior, one of the efforts that continues to be made is to socialize what can and cannot be done (do's and don'ts) by all tourists or foreign tourists who vacation in Indonesia, especially in Bali. and Lombok. Apart from that, the Ministry of Tourism and Creative Economy/Tourism and Creative Economy Agency (Kemenparekraf/Baparekraf) also continues to move quickly together with the provincial government (Pemprov) to handle cases of foreign tourists acting up. So, in the future it won't just be about increasing the number of foreign tourists visiting Indonesia. But it can also improve the quality of tourists, can also improve the quality of tourists,)
  • Pesta Kesenian Daerah Wisata (PKDW)  + (Bali is an island of the gods which is welBali is an island of the gods which is well known in foreign countries for its natural beauty. During a pandemic like this, many foreign and domestic tourists are reluctant to travel for fear of being exposed to the corona virus, especially since there is a new variant of the virus, namely Omicron. This pandemic has made everything difficult with the economy in a drastic decline. The main reason for the drastic decline in the economy is the decrease in the number of tourists coming to Bali. Therefore, it is necessary to plan to increase tourist visits to Bali and revive the economy</br></br>Carry out the performance of the Regional Arts Festival (PKDW). The main purpose of implementing PKDW is to revive the economy. The implementation of this party is well carried out in tourist areas with large and strategic areas with favorable weather conditions. The advantage that can be obtained if PKDW is implemented is to preserve, develop and promote Balinese arts. Almost the same as PKB but PKDW is carried out at tourist sites and the implementation time is every 6 months. The reason it is held every 6 months is because it coincides with the semester holidays. Another advantage is that tourists get vacation satisfaction at the same time, because apart from seeing the natural scenery, tourists also see Balinese art and Balinese souvenirs. Its just that the implementation of PKDW must find the right and strategic place as well as sudden changes in the weather.</br></br>Here the governmets role is really needed. However, in carrying out the governments plan so that it runs smoothly and according to expectations, the community has a very important and much needed role here. Therefore, lets cultivate a sense of concern among others and the level of self-awareness to raise the countrys economy for the sake of mutual survival.s economy for the sake of mutual survival.)
  • PRAKARSA PEMIMPIN BALI 2024: NGUBAH LELUU DADOS PAICA  + (Bali is an island that is famous for its bBali is an island that is famous for its beautiful natural charm, customs, culture and traditions. Thus, Bali has become one of the islands that has become a tourist destination because it is rich in tourism areas, both religious tourism and recreational tourism. It is not surprising that many visitors come to enjoy the beautiful charm of the island of Bali.</br>Being a tourism destination island, of course it is a challenge for Bali to maintain environmental sustainability so that the level of tourism in Bali is maintained. As we know, Bali's biggest income comes from the tourism sector. However, in carrying out something there are certainly problems that can hinder the development process of the tourism area.</br>The waste problem is a serious problem, because it can reduce the image of Bali tourism, both for domestic and foreign visitors. The presence of waste in the tourism environment can be very worrying if it is not immediately addressed and managed well.</br>In the concept of conscious tourism, which we know as Sapta Pesona, it requires the role of the community as host of the destination in an effort to create a conducive environment and atmosphere. One of the important parts of Sapta Pesona is clean. When we can maintain the cleanliness of tourist destinations, the other six aspects can be achieved. Cleanliness will create safety, comfort and bring happy memories to visitors.</br>For this reason, the waste problem must be handled immediately by leaders in 2024. Bali 2024 leaders must have effective strategies to overcome the waste problem in Bali which is increasingly disturbing the community. Bali 2024 leaders are obliged to make breakthroughs in turning waste into blessings. Because it is impossible to avoid the existence of waste from people's lives, what Bali 2024 leaders need to do is a strategy or way to turn waste into blessings.ategy or way to turn waste into blessings.)
  • PRAKARSA PEMIMPIN BALI 2024: NGUBAH LELUU DADOS PAICA  + (Bali is an island that is famous for its bBali is an island that is famous for its beautiful natural charm, customs, culture and traditions. Thus, Bali has become one of the islands that has become a tourist destination because it is rich in tourism areas, both religious tourism and recreational tourism. It is not surprising that many visitors come to enjoy the beautiful charm of the island of Bali.</br>Being a tourism destination island, of course it is a challenge for Bali to maintain environmental sustainability so that the level of tourism in Bali is maintained. As we know, Bali's biggest income comes from the tourism sector. However, in carrying out something there are certainly problems that can hinder the development process of the tourism area.</br>The waste problem is a serious problem, because it can reduce the image of Bali tourism, both for domestic and foreign visitors. The presence of waste in the tourism environment can be very worrying if it is not immediately addressed and managed well.</br>In the concept of conscious tourism, which we know as Sapta Pesona, it requires the role of the community as host of the destination in an effort to create a conducive environment and atmosphere. One of the important parts of Sapta Pesona is clean. When we can maintain the cleanliness of tourist destinations, the other six aspects can be achieved. Cleanliness will create safety, comfort and bring happy memories to visitors.</br>For this reason, the waste problem must be handled immediately by leaders in 2024. Bali 2024 leaders must have effective strategies to overcome the waste problem in Bali which is increasingly disturbing the community. Bali 2024 leaders are obliged to make breakthroughs in turning waste into blessings. Because it is impossible to avoid the existence of waste from people's lives, what Bali 2024 leaders need to do is a strategy or way to turn waste into blessings.ategy or way to turn waste into blessings.)
  • Pemimpin Bali 2024: Patut Tangar Teken Krama Tamiu  + (Bali is famous as an island with friendly Bali is famous as an island with friendly and innocent people. Therefore, many migrant residents come to Bali looking for work and making a fortune in Bali. If there are no clear regulations regarding the migrant population, over time Bali will become a densely populated island and the crime rate will increase due to the difficulty of finding work.</br></br>Problems like this must be handled by the Balinese Leader who is elected in 2024. Whoever becomes the Balinese Leader in that year must be firm with the migrant population so that there are clear and firm rules. These rules are binding and can be used as guidance by migrant residents so that they do not do anything wrong when they come to Bali.</br></br>Bali 2024 leaders must have a commitment to limit the population of immigrants to Bali considering that Bali is a small island. With the large number of migrant residents without clear restrictions, it cannot be denied that in the future the ratio of the immigrant population to the native population could be that there are more immigrant residents. This is what Bali 2024 leaders need to anticipate and be aware of so that Bali 2024 leaders have a firm policy regarding this matter. have a firm policy regarding this matter.)
  • "MAI MELALI: Solusi Pariwisata Bali Metangi Berbasis Digital Rikala Pandemi"  + (Bali is famous for tourism with a very strBali is famous for tourism with a very strong religious title. However, when the Covid-19 pandemic struck, it caused all aspects of the community's economic support, especially in the tourism sector, to experience suspended animation. Not only Indonesia, but also similar things are experienced by all countries in the world. As the next generation, we should not only dare to criticize but also dare to innovate in order to create a collaboration that can revive Bali's tourism as before.</br></br>A world that is completely digital, makes us have to strive to be in tune with cultural and technological tourism. Therefore, a solution that can be created is a website called 'Mai Melali' with the use of VR (Virtual Reality) which carries the theme of revitalizing Bali tourism with a digital theme. VR are conceptualized to be enjoyed especially for tourists who have missed Bali since the last time they visited the Island of the Gods. Besides that, this utilization will use several tourist destinations, such as Kuta Beach and religious tourism destinations such as Tirta Empul. By bringing Bali out, it’s hoped that a sense of longing for Bali will arise which will later make the feeling of wanting to visit Bali more volatile.</br></br>Being motivated by the tourism sector alone can be likened to a double-edged sword. Besides being profitable because Bali has great potential, it can also be detrimental because during the current pandemic, all aspects of life have weakened. With the presence of Mai Melali, it’s hoped that all connoisseurs of Bali tourism destinations can feel the atmosphere that was previously felt but was forced to leave for a while due to the Covid-19 pandemic. With the help of VR technology, it is easier for us to collaborate with today's globalization. Therefore, let's create Bali tourism with the theme of technology, in order to awaken and revitalize tourism and the Balinese economy. Because we believe, Bali will come back.. Because we believe, Bali will come back.)
  • I Gusti Nyoman Lempad  + (BALI'S MOST WELL-KNOWN ARTIST, I Gusti NyoBALI'S MOST WELL-KNOWN ARTIST, I Gusti Nyoman Lempad (1862-1978), was born in the village of Bedahulu in Gianyar, south-central Bali. He was a master artisan, carver, and architect. His ink drawings on paper, many with touches of color, are internationally famous. Their clarity, expression, composition, and form are unmatched to this very day.</br></br>Lempad's narrative works focus on figures, movements, and details. The blank backgrounds, a feature seen in traditional drawings for amulets, death shrouds, and some styles of manuscript illustrations, evoke the appearance of wayang kulit (leather puppets) figures against a plain white screen.</br></br>Lempad illustrated famous and lesser known episodes from Indian epic mythology and Balinese folklore. He often added erotic and humorous elements. Many of his drawings were done as a series of narrative episodes, the traditional manner of doing prasi (illustrations for stories) on dried lontar (palmyra palm) leaves or paper.</br></br>The artist lived most of his very long and productive life in Ubud, where his family, due to political problems during the late 1800s, had moved to when he still was a young child. Lempad designed a part of the royal residence and a temple in Ubud. He knew most of the famous foreigners who lived in or visited Bali from the 1920s until his death in 1978.</br></br>Many of Lempad's works were collected by the artist Walter Spies (German, 1895-1942). When Nazi Germany invaded Holland in 1940, Spies and other German nationals living in the Dutch East Indies (Indonesia) were arrested by the colonial authorities. Spies brought along with him to Batavia (Jakarta) a series of ten drawings by Lempad of the Brayut folk tale, which he left for safekeeping with his friend M. Bruyns.</br></br>Spies was killed during World War II when the ship Van Imhoff transferring him to a detention camp in ceylon (Sri Lanka) was hit and sunk by a Japanese bomb. Before Bruyns died in 1980 he gave the works which Spies had left with him to Dr. Jacob Vredenbreght. In 1984, Vredenbreght presented these ten drawings to the Neka Museum. Along with seven other pieces, the Neka Art Museum now has one of the largest single collections of works by Lempad.</br></br>Awards:</br></br>Piagam Anugerah Seni (Indonesia, 1970)</br>Wijaya Kusuma (Indonesia , 1975)</br>Dharma Kusuma (Bali, 1982)donesia , 1975) Dharma Kusuma (Bali, 1982))
  • Pencemaran lingkungan di pesisir pantai bali  + (Bali, as a famous tourist destination throBali, as a famous tourist destination throughout the world, has very attractive natural charm. One of the attractions is the beautiful and clean beaches. However, recently, beaches in Bali have experienced very disturbing environmental pollution problems. This case raises the question, who is actually responsible for this problem?</br></br> Environmental pollution on the coast of Bali has been occurring for several years. Some of the causes are waste from the tourism industry, household waste, and fishing activities that are not well managed. Many local residents and environmental activists have tried hard to overcome this problem, but until now it still continues to occur.but until now it still continues to occur.)