Property:Biography text
From BASAbaliWiki
I
I Gusti Ngurah Parsua, born in Bondalem, Buleleng, Singaraja, December 22, 1946. He writes poetry, short stories, novels, essays, etc. His works have been published in the Bali Post, Karya Bakthi, Nusa Tenggara, Bali Cuier, Merdeka, Berita Buana, Beritha Yudha, Suara Karya, Sinar Harapan, Simponi, Swadesi, Experiments, Heroine, Suara Pembangunan, Mutu, Arena, Bukit Barisan Minggu Morning, Priority, Voice of Renewal, El Horas. General and Cultural Magazine: Expression, Basis, Horizon, Topic, Tifa Sastra, Cultural Council and Literary Council, Malaysia. A collection of his poems: “Matahari” (1970), “After the Wind Blows” (1973), “Poems of Dukana” (1982), “Ten Poets Indonesia Malaysia” (1983), Duka Air Mata Bangsa” (1998), “Bahana In Margarana”, (2005), etc. In the field of prose, among others: "The Nature of Man and Life" (Esai Arts and Culture, 1999), "As Hard as Steel" (Collection of short stories, 1984), "Sembilu in the Park" (Novel, 1986), "Rumah Penghabisan" (collection of short stories, 1995), “Women in the Silent Harbor” (Collection of short stories 2001), “Senja Di Taman Kota” (Collection of short stories, 2004), etc.
His poem entitled “Khabar” was translated by Kemala (a Malaysian poet and literature researcher) and then published in Asia Week magazine (1983). His poem entitled “To Bali” was translated into English by Vern Cork and published with other Balinese poets under the title “The Morning After” (2000). +
I Gusti Ngurah Putu Buda is an artist born in Sangeh, Badung, Bali. He completed his art education at ISI Denpasar. Since 2002 he has been active in many joint exhibitions, at home and abroad, including TANDA HATI at Tony Raka Gallery Mas Ubud (2012), Ten Years After at Sinsin Fine Art Anex Villa Hongkong (2013), Ulu Teben art Bentara Budaya Bali ( 2015). His solo exhibitions include Time is like to Bomb at kiridesa the Gallery Singapore (2006), Black and White world Copsa Gallery London (2006), Mystical Spirit II at Kiridesa The Gallery & Oorja zone, Dubai (2007), Seizing A Space at 6 Point Cafe-Shop-Office, Sanur Bali (2013). In 2004, he Reached Top Finalist in 2004 Sovereign Annual Contemporary Asian Art Prize Hongkong. Currently, he is active in the Militans Arts Community. +
I Gusti Ngurah Putu Wijaya or better known as Putu Wijaya, is an Indonesian literary icon from Bali, who has produced approximately 30 novels, 40 drama scripts, about a thousand poems, hundreds of essays, freelance articles, and drama criticism. Putu Wijaya also writes screenplays for films and soap operas.
Putu himself is actually the youngest of five siblings. He lives in a large housing complex, which houses about 200 people, whose family members are all near and far, and have a habit of reading. The humanist with his white pet hat was expected to become a doctor by his father, I Gusti Ngurah Raka, a retired courtier who was strict in educating children. However, Putu is more familiar with the world of literature, language, and earth science. Putu's first short story entitled "Etsa" was published in the Indonesian daily Suluh, Bali.
The first drama Putu played was when he was in high school. Putu directed and played the drama himself with the group he founded in Yogyakarta. After 7 years in Yogyakarta, he then moved to Jakarta and joined Teater Kecil. Next with the Mandiri Theater which was founded in 1971, with the concept of "Starting from What's Existing".
Putu's style of writing novels is not much different from his style of writing drama. As in his drama works, in his novels he tends to use an objective style in the center of the story and a style that is full of fragments of events that are dense, intense in choice, and expressive language. Putu is more concerned with reflection than history.
A fan of dangdut, rock, classical music by Bach or Vivaldi, and jazz, he writes and directs films, soap operas, and theatre. Putu has performed dozens of plays at home and abroad and has won dozens of awards for his literary works. +
BALI'S MOST WELL-KNOWN ARTIST, I Gusti Nyoman Lempad (1862-1978), was born in the village of Bedahulu in Gianyar, south-central Bali. He was a master artisan, carver, and architect. His ink drawings on paper, many with touches of color, are internationally famous. Their clarity, expression, composition, and form are unmatched to this very day.
Lempad's narrative works focus on figures, movements, and details. The blank backgrounds, a feature seen in traditional drawings for amulets, death shrouds, and some styles of manuscript illustrations, evoke the appearance of wayang kulit (leather puppets) figures against a plain white screen.
Lempad illustrated famous and lesser known episodes from Indian epic mythology and Balinese folklore. He often added erotic and humorous elements. Many of his drawings were done as a series of narrative episodes, the traditional manner of doing prasi (illustrations for stories) on dried lontar (palmyra palm) leaves or paper.
The artist lived most of his very long and productive life in Ubud, where his family, due to political problems during the late 1800s, had moved to when he still was a young child. Lempad designed a part of the royal residence and a temple in Ubud. He knew most of the famous foreigners who lived in or visited Bali from the 1920s until his death in 1978.
Many of Lempad's works were collected by the artist Walter Spies (German, 1895-1942). When Nazi Germany invaded Holland in 1940, Spies and other German nationals living in the Dutch East Indies (Indonesia) were arrested by the colonial authorities. Spies brought along with him to Batavia (Jakarta) a series of ten drawings by Lempad of the Brayut folk tale, which he left for safekeeping with his friend M. Bruyns.
Spies was killed during World War II when the ship Van Imhoff transferring him to a detention camp in ceylon (Sri Lanka) was hit and sunk by a Japanese bomb. Before Bruyns died in 1980 he gave the works which Spies had left with him to Dr. Jacob Vredenbreght. In 1984, Vredenbreght presented these ten drawings to the Neka Museum. Along with seven other pieces, the Neka Art Museum now has one of the largest single collections of works by Lempad.
Awards:
Piagam Anugerah Seni (Indonesia, 1970)
Wijaya Kusuma (Indonesia , 1975)
Dharma Kusuma (Bali, 1982)
I Gusti Putu Bawa Samar Gantang was born in Tabanan, Tegal Belodan on September 27th, 1949. His father was named I Gusti Gedé Pegug and his mother Gusti Ayu Nyoman Rerep. His father was a dancer and in the Dutch colonial era he became a soldier in the Gajah Merah (Red Elephant) division of the Netherlands Indies Civil Administration (NICA). Samar Gantang attended elementary school (Sekolah Rakyat) in 1955 in Pengabetan, Dauh Pala, Tabanan, and graduated in 1963. He continued on to Tabanan Junior High School 1, and beginning at that time he delighted in reading literary books. He began to write modern Balinese and Indonesian literature in 1968 while still in Tabanan High School (now Tabanan State High School 1). In 1973 he became an honorary teacher at Harapan Junior High School, and he also became a teacher at Junior High School TP 45 (no longer in existence), State Junior High School 3, Pemuda Junior High School, Dharma Bhakti Junior High School, Tabanan State Junior High School 2. In 1974, he became a permanent teacher at Tabanan State Junior High School 2 and taught painting.
His works are published in the newspapers Bali Post, Nusa Tenggara, DenPost, Warta Minggu, Santan Simponi, Swadesi, Suara Karya, Sinar Harapan, Media Indonesia, Karya Bhakti, Suara Nusa, Fajar, Zaman, Top, Aktuil, Sarwa Bharata Eka, Varianada, Canangsari, Buratwangi, Merdeka Minggu, Baliaga, Taksu, and Majalah Éksprési.
For 10 years he has contributed to broadcasts reading poetry on RRI Studio Denpasar, Menara Studio Broadcasting, Cassanova, and Kini Jani Tabanan. He always travels from Tabanan to Denpasar by riding a roadster bicycle. Furthermore, he has also received invitations from LIA Surabaya or PPIA, Bali Museum, IKIP Saraswati, Balai Budaya Denpasar, STSI Surakarta, STSI Denpasar, ISI Yogyakarta, Taman Izmail Marzuki, the Jakarta National Gallery, and Yayasan Hari Puisi. He was invited to read his poetry in Malaysia and Singapore in 1986. In Tabanan he founded Sanggar Pelangi (Rainbow Studio) in 1976 and now has changed the name to Sanggar Sastra Remaja Indonesia (SSRI, Indonesian Teenage Literature Studio) of Bali, which disseminates modern Balinese and Indonesian literature to students at elementary, junior high, and vocational/high schools and young adolescents who enjoy literature.
He received first place in Bali-wide poetry writing in 1979, the national championship of poetry writing in Yogyakarta in 1982, top eight in literary performance at Taman Ismail Marzuki in 1989, and first place in tourism poetry writing which was held by Yayasan Komindo Jakarta in 1991. In the field of Balinese literature he received the Satya Lencana Karya Satya award, first place in Bali-wide poetry writing, essays, and poetry recitation in 2000 and 2001. He earned the "CAKEPAN" award in 2001 from Majalah Sarad and released a book of collected poems entitled "Aab Jagat". He was also honored with the 2003 Rancage Literary Award.
Books which have been released containing his work include Hujan Tengah Malam (1974), Kisah Sebuah Kota Pelangi (1976), Kabut Abadi (1979) bersama Diah Hadaning, Antologi Puisi Pendapa Taman Siswa Sebuah Episode (1982), Antologi Puisi Asean (1983), Antologi Puisi LIA (1979), Kalender Puisi (1981), Antologi Festival Puisi XI PPIA (1990), Spektrum (1988), Taksu (1991), Antologi Potret Pariwisata dalam Puisi (1991), Antologi Puisi Kebangkitan Nusantara I (1994), Antologi Puisi Kebangkitan Nusantara II (1995), Antologi Puisi Kidung Kawijayan (1995), Antologi Puisi Kebangkitan Nusantara III (1996), Antologi Puisi Pos Nusantara Lokantara (1999), Aab Jagat (2001), Perani Kanti (2002), Onyah (2002), Somya (2002), Sagung Wah (2002), Macan Radén (2002), Berkah Gusti (2002), Sang Bayu Telah Mengiringi Kepergiannya (2002), Puisi Modré Samar Gantang (2002), Antologi Puisi HP3N Nuansa Tatwarna Batin (2002), Bali Sané Bali (Pupulan Durmanggala, 2004), Awengi ring Hotél Séntral (2004), Pakrabatan Puisi Tegal DIHA Tebawutu (2004), Kesaksian Tiga Kutub (puisi lan cerpén, 2004), Léak Raré (2004), Léak di Bukit Pecatu (2005), Léak Satak Dukuh (2006), Ketika Tuhan Menyapaku (2006), Dipuncakmu Aku Bertemu (2008), and Jangkrik Maénci (2009).
He is famous for modern poetry and keeping audiences on the edge of their seats. His work mostly uses mystical themes like "léak" (a person/spirit who practices black magic), and this can be seen in his Balinese-language books such as in the book Léak Kota Pala, Puisi Modré Samar Gantang, Léak Bukit Pecatu, Jangkrik Maénci, and others.
I Gusti Putu Gede Wedhasmara was born in Denpasar, September 10, 1932. He is a songwriter from Bali. His songs were popular in the 1960s and 1970s and are still widely enjoyed by his fans. The magazine "Rolling Stone Indonesia" in its February 2014 issue included Wedhasmara in the "100 Best Indonesian Songwriters".
Wedhasmara since childhood loved the world of singing. After completing his junior high school education in Denpasar Bali, Wedhasmara continued his education at Santo Thomas High School in Yogyakarta City. In 1956-1963, Wedhasmara worked at the Jakarta Agriculture Bureau.
Wedhaswara was recorded to have joined various musical groups such as the Denpasar Joint Orchestra, Denpasar Keroncong Orchestra, the Mulyana Sutedja Quartet Yogyakarta, the Keroncong Orchestra led by Sukmini Yogyakarta, the Malay Orchestra Ria Bluntas, Zaenal Combo, and Empat Nada.
Wedhasmara's well-known songs “Senja di Batas Kota” and “You are always in my heart” were popularized by singer Ernie Djohan. "Carolus” was popularized by singer Lilis Surjani. These songs are timeless songs that will always be remembered, and to this day they are still often played on the radio in their original versions.
In 2011, Wedhasamara received an Art Award from the Minister of Culture and Tourism of the Republic of Indonesia. Previously, Wedhasamara also received awards from the Mayor of Denpasar (2003), Governor of Bali (2003). and the Minister of Health of the Republic of Indonesia (1982). Wedhasmara died in Denpasar on April 17, 2017. +
Lecturer at STIKOM Bali College of Informatics and Computer Management +
Dalang (shadow master) I Gusti Putu Sudarta PhD, was born into a family of artists in Bedulu village and has been performing music, dance, and shadow theater since he was six years old. He is a permanent faculty member in the theater department at Indonesian Institute of the Arts (Bali) and holds a masters and PhD in theater from the National Institute of Arts in Solo, Java. He regularly performs various forms of traditional Balinese music, mask dance and wayang kulit (shadow theater) in ceremonial contexts and has taken part in several international tours and inter-cultural experimental music and theater projects. +
Biography
Name : I Gusti Putu Windya. late.
He died in 2010.
Wife : Gusti Ayu Nyoman Date He has 6 children, one of his children has died and I got this information from his 4th child named Gusti Ayu Agustini. His address is at the market banjar, Yehembang village, Mendoyo sub-district, Jembrana district.
Performance : He has won many awards, the highest of which is the Kusuma Madya award (1990), with his most famous work being Geguritan Cangak. In addition, he also composed several geguritan including Geguritan KB which brought him to become the 2nd winner of the provincial level geguritan competition. In addition, he also has many other works, but many of his works claim that they do not have copyright.
Work : Apart from composing geguritan, he is also active in painting and carving, and he has also established a painting and carving studio, and he is self-taught in literature. He was also previously offered a work contract in Germany to teach painting but was refused. And he was a member of the assessment team for the awarding of the Dharma Kusuma art award at the level I province of Bali in the 1994/1995 fiscal year.
Special note : I got this information from a resource person, namely Gusti Ayu Agustini who is his 4th child who is also the heir of the late. Gusti putu windya. He said that alm. Mr. Gusti Putu Windya has a biographical book, but it is not in place at this time because it was brought to Germany and has not been returned as well as several documents related to his work which were also borrowed and have not been returned until now. In addition, in 2015 the geguritan cangak was adapted by Malaysia by making the cartoon character 'stork and crab' in animation in ancient times without the permission of the late heir. Gusti putu windya. +
Biography
Name : I Gusti Putu Windya. late.
He died in 2010.
Wife : Gusti Ayu Nyoman Date He has 6 children, one of his children has died and I got this information from his 4th child named Gusti Ayu Agustini. His address is at the market banjar, Yehembang village, Mendoyo sub-district, Jembrana district.
Performance : He has won many awards, the highest of which is the Kusuma Madya award (1990), with his most famous work being Geguritan Cangak. In addition, he also composed several geguritan including Geguritan KB which brought him to become the 2nd winner of the provincial level geguritan competition. In addition, he also has many other works, but many of his works claim that they do not have copyright.
Work : Apart from composing geguritan, he is also active in painting and carving, and he has also established a painting and carving studio, and he is self-taught in literature. He was also previously offered a work contract in Germany to teach painting but was refused. And he was a member of the assessment team for the awarding of the Dharma Kusuma art award at the level I province of Bali in the 1994/1995 fiscal year.
Special note : I got this information from a resource person, namely Gusti Ayu Agustini who is his 4th child who is also the heir of the late. Gusti putu windya. He said that alm. Mr. Gusti Putu Windya has a biographical book, but it is not in place at this time because it was brought to Germany and has not been returned as well as several documents related to his work which were also borrowed and have not been returned until now. In addition, in 2015 the geguritan cangak was adapted by Malaysia by making the cartoon character 'stork and crab' in animation in ancient times without the permission of the late heir. Gusti putu windya. +
I Ketut Mario is thought to have been born in Belaluan village, Denpasar, and later grew up in Banjar Lebah, Tabanan. An aristocrat named Anak Agung Ngurah Made Kaleran, who loved the arts and gave much support to artists in his region, has been identified as his adopted father.
Mario first became a dancer for the Pangkung Gong club in Tabanan. In 1958 he went with the group to Paris, Holland, England, America and Canada, and in 1962 they toured America.
Mario was not only a dancer, he was a choreographer as well. His monumental creation Kebyar Duduk, or if danced with trompong, Kebyar Trompong, stirred a revolution in Balinese dance. These creations contrasted greatly with other dancers of the time, being performed for the most part in a stooped sitting position. The birth of Kebyar Duduk in 1925 drew an enourmous influence from gamelan gong kebyar when Mario became accidentally entranced by the music he heard played by the musicians of Bantiran village. Another Mario's choreography is Oleg Tamulilingan, which he did in 1952. It also gave a contribution for the development of the Balinese dance. +
I Kadek Surya Kencana was born in Dalung, Bali, January 24, 1986. He graduated from Ganesha University of Education, Bali. Won 2nd place in the National Student Poetry Writing Contest (Ministry of National Education, 2005) and 1st Place in Bali Poetry Writing Contest (2007). His poems have been published in the Bali Post and various other media, and are summarized in the book Herbarium (2007), The Buleleng Dancers (2008), Chewing Furious (2017). Now he works as a journalist in Denpasar. +
I Ketut Alon (1932 – 1993) was a sculptor born in Banjar Tarukan, Mas Village, Ubud, Bali. He studied carving from the sculptor Ida Bagus Nyana. He makes many wooden statues with puppet themes (Mahabarata and Ramayana) and also humanist themes of daily life. Many of his works are collected by foreign tourists. He was invited to exhibit in Japan in 1981, 1982 and 1985.
In 1968, he founded "I Ketut Alon Balinese Art Shop & Wood Carver" which later changed to "Alon Gallery" in 1991. The gallery is located on Jalan Raya Mas, Ubud and is managed by one of his sons, I Kadek Ariasa. In the gallery there is also the Githa Ariswara Studio which was founded in 2000 and operates in the field of dance and percussion under the I Ketut Alon Foundation. The foundation also established the Sarin Rare Education Park, which is heavily involved in art education for children. +
Angga Wijaya is the pen name of I Ketut Angga Wijaya. Born in Negara, Bali, February 14, 1984. Learned to write poetry since high school when he joined the Cultural Paper Community under the care of the poet Nanoq da Kansas. His poems have been published in Warta Bali, Jembrana Post, Independent News, Riau Pos, Bali Post, Jogja Review, Serambi Indonesia, Denpost, Tribun Bali, tatakala.co, balebengong.id, qureta.com, gallerybukujakarta.com, simalaba. net and Dian Sastro's Poetry Anthology for President! End of Trilogy (INSIST Press, 2005) and Chewing Geram (One Hundred Poems Against Corruption) published by the Manikaya Kauci Foundation, the Corruption Eradication Commission (KPK) and Jatijagat Kampung Poetry (2017). His poetry collection entitled “Notes Pulang” was launched in January 2018. Angga works as a journalist in Denpasar. +
I Ketut Aryawan Kenceng was born in Banjar Bendul, Klungkung, December 22, 1959. He completed elementary to high school in Klungkung and studied at the English Faculty of Udayana University for five semesters. He then worked in the tourism sector in Denpasar and wrote literature in Balinese and Indonesian. His Indonesian poems were published in the Bali Post, Simfoni, Swadesi. His Balinese poetry was published in Bali Orti Bali Post and Pos Bali. His collection of Balinese poetry has been published under the titles Beruk (2014), Bikul (2014), Bubu (2015), Rwa Bhineda (2015). +
Born into a family of master artisans in the village of Padang Tegal, Ubud in 1950 Budiana is highly skilled as a sculptor and architect, and specializes in making scared temple images, ceremonial masks and sarcophagus for ritual cremations. A former art teacher, he studied art at SSRI, the Indonesian School of Art in Denpasar and briefly with renowned Dutch painter and architect Rudolf Bonnet (1895-1978).
Budiana began painting in the early 70’s and exhibiting from 1974 and has shown his work in many foreign countries while he has won a string of local and international awards. He has been active as a curator at Ubud’s Museum Puri Lukisan from 1986 – 1990 while serving in 1990 as a curator at ARMA museum, and has contributed numerous articles and essays to various publications. Budiana has regularly exhibited at Bentara Budaya Bali while also exhibiting at Bentara Budaya Jakarta and Yogyakarta. +
I Ketut Eriadi Ariana was born in Bangli, 1994. Currently completing postgraduate studies at the Linguistics Masters Study Program, Literary Discourse Concentration, Faculty of Cultural Sciences, Udayana University. His daily life is as a journalist and singer at Ulun Danu Batur Temple, Batur Traditional Village, Bangli (since January 8 2020). A number of his Balinese language poems and essays were published in mass media such as Tatkala.co, Media Bali, Pos Bali, Suara Saking Bali, and Nuansa Bali Magazine. Balinese poetry was published in the single anthology Ulun Danu (2019). His writings have also been published in books such as Prabhajnyana: Mosaic of Lontar Library Studies, Udayana University (2020), Gocara Literary Journal, Ancient Javanese Literature Study Program, Udayana University, and Sarasastra: Balinese Cultural Thought Center (2020). Meanwhile, his first book of single essays is entitled Ecologisme Batur (2020). He once served as Secretary of the DPK Peradah Indonesia Badung (2016-2017), before being entrusted with the duties as Chair of the DPK Peradah Indonesia Bangli (2018-2021). +
Ngendon was among the first of the Batuan painters to try the new art and was very influential on those who followed.
Due to the fact that Ngendon was acquainted with both Spies and Bonnet at an early stage, and because he was involved in organising toursist events, his art seems to reach a higher degree of Westernisation than his contemporaries from the Batuan region. Paradoxically it may well be true that it is due to Ngendon's influence and artistic leadership that the Batuan painters as a group preserved their own identity and did not become epigenists of any western artist (unlike some painters from the Ubud region). Illustrative is the example told by I Ketut Tombelos (Margaret Mead's field notes), where it is said that Ngendon had a violent disagreement with Bonnet regarding the paternalistic interventions of the latter towards the style and choice subject of Ngendon. Professor Hildred Geertz perceives a strong taboo against any sign of modernisation evident in the work of Batuan painters (op. cit. p. 17). Still she rightly suggests that it was Western modernity and Western forms of power that fascinated and inspired Ngendon (op. cit. p. 19). The artist was a member of the Pita Maha artists' association.
The present lot compares to a picture of the same subject of a pupil by Ngendon: I Made Djata, Collection Bateson & Mead, Princeton University, New Jersey (on loan), inv. no. B-134 (cf. literature: H. Geertz, Images of Power, p. 57, p. 56 illus). For further bibliographical notes see Geertz, pp.5-19; Hohn, pp. 43-51. +
The senior poet I Ketut Rida was born in Banjar Kanginan, Sulang Village, Dawan District, Klungkung, September 11, 1939. He finished school at SGA Stella Duce/ Kanisius Yogyakarta in 1958, then continued his B1 Indonesian Language at Dénpasar, but did not finish.
From 1960 to 1987 he was appointed a teacher at an elementary school. For about 20 years, I Ketut Rida has served as the Principal of an Elementary School. In addition, he was appointed as a supervisor for kindergarten, elementary and SDLB. In the village, it was also believed to be the traditional bendésa of Sulang Village
Ketut Rida said that he has been pursuing writing or composing since he was a child. Every day Ketut Rida gets stories from his grandmother. That's why Ketut Rida is feeling happy. After completing his B1 Language Department, his attention to writing activities grew, focusing on studying the Kawi language, especially in Adiparwa.
He has produced several new literary works of Balinese and Indonesian literature and has received several award certificates, such as:
In 1977–1978, Ketut Rida became the second winner of the Indonesian Language Writing Competition for Elementary School Teachers at the Bali Province. In 1979, he became the first winner of a prose writing competition at the Bali Arts Festival (PKB). In 1980, he won first place in the Balinese Novel Writing Competition in the framework of Language Month. In 1982, he became the second winner of Composing Geguritan at PKB. In 1991, he won first place in the Balinese Short Story Competition in the Bali Post daily. In 1995, he won the first prize in the Balinese Short Story Competition at PKB.
From 1970 to 1980, many of Ketut Rida's essays were published in the Bali Post. His collection of poems entitled “Nyiksik Bulu” was published by the Dénpasar Language Center in 2004. His Balinese novel entitled “Sunari” was published by the Obor Foundation, Jakarta in 1999. This novel “Sunari” earned I Ketut Rida the Rancagé Literature Prize from the Rancagé Cultural Foundation in Bandung in 2000. In 2014 Ketut Rida received Widya Pataka from the Governor of Bali with his book entitled “Lawar Goak”.
I Ketut Sadia is from Batuan, Sukawati, Gianyar, Bali. He studied painting with I Wayan Taweng (father) and I Wayan Bendi (brother). He actively exhibits at home and abroad, including at the Arma Museum, Puri Painting Museum, Neka Museum, Jakarta National Museum, Singapore Art Museum, Tempera Art Museum, Finland, Fukuoka Art Museum, and the Indonesian Embassy in Washington DC. Has won the 2008 Jakarta Art Award, Jakarta Art Award Finalist (2010, 2012), UOB Painting Of The Year Finalist (2012, 2013, 2014). +
