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(1898 – 1965 Curriculum vitae 1898 born in Krommenie (North-Holland) on)

Roelof Goris + (1898 – 1965 Curriculum vitae 1898 born in … 1898 – 1965Curriculum vitae1898 born in Krommenie (North-Holland) on June 91917 final examinations gymnasium (A and B)1917-1918 military service1918-1926 studied Indonesian languages (linguistic officer), Leiden University; Arabic (Snouck Hurgronje), Sanskrit, Javanese and Old Javanese (Vogel and Hazeu), Hindu-Javanese history (Krom), and general linguistics (C. C. Uhlenbeck); amongst his older fellow students were W. F. Stutterheim and P. V. van Stein Callenfels1926 PhD under the supervision of N.J. Krom, Leiden University1926 officer for the study of Indonesian languages at the Archaeological Service, charged with the checking of transliterations of Old Javanese inscriptions1928-1939 adjunct archaeologist of the Archaeological Service in Bali1939-1941 librarian to Mangkunegoro VII, Surakarta (Central Java)1941-1945 service in the Royal Netherlands-Indies Army; civilian internee1946 on leave in the Netherlands1947-1958 linguistic officer of the Netherlands-Indies and later Indonesian Government, head of the Singaradja division of the Institute for Linguistic and Cultural Research of the University of Indonesia1958 retirement1959 librarian of the Faculty of Letters of Udayana University, Denpasar (South Bali)1962 research-professor, teaching Balinese epigraphy and early history1965 died in Denpasar on October 4Special activities and positionsScientific adviser of the Kirtya (Foundation) Liefrinck-van der Tuuk (set up in 1928), 1932-Co-worker at the Bali MuseumTeacher at a secondary school and a training-college for teachers (S.M.A. and S.G.A.)Teacher of German, 1951S.M.A. and S.G.A.) Teacher of German, 1951)
Anak Agung Made Djelantik + (1919-2007 A prince from Karangasam who stu … 1919-2007A prince from Karangasam who studied in Holland during the Second World War and returned to Indonesia as a medical doctor. Later upon his return to Indonesia he was sent to different parts of Eastern Indonesia that were frequently quite isolated to help the people there. In the course of these postings both he and his wife contracted malaria but he also became a specialist in the treatment of malaria. This proved to be extremely useful when Dr Djelantik worked for the World Health Organization which sent him to Iraq, Somalia and Afghanistan. Later he became the head of Bali’s main teacher’s training college in Sanglah and helped to found the Medical Faculty which he later also headed at the University of Udayanan in Denpasar.Dr Djelantik playing the violin as a young boy. (photo: Bulantrisna Djelantik)Dr Djelantik was a Renaissance man who was also active in the field of Balinese culture, both studying and promoting it. He was head of the Walter Spies Society with its Walter Spies Festival which focused on music and dance. Together with Fredrik de Boer, Hildred Geertz, and Heidi Hinzler he established the Society for Balinese Studies or Lembaga Penkajian Kebudayaan Bali in 1985. It held annual conferences in Bali and also abroad and according to Adrian Vickers Dr Djelantik was the natural leader of the organization. Via the organization he promoted both Balinese culture as well as the study of it. Dr Djelantik wrote papers on Balinese culture and a book on Balinese paintings which covers Balinese art history as well as Balinese aesthetics. Later he taught Aesthetics at the Akademi Seni Rupa Bali or the Balinese Academy of Arts. He also wrote an autobiography called “The Birthmark, Memoirs of a Balinese Prince”. Birthmark, Memoirs of a Balinese Prince”.)
Symon + (A stylistic heir to Walter Spies, Le Mayeu … A stylistic heir to Walter Spies, Le Mayeur and his mentor, the Indonesian-Dutch painter Arie Smit, Symon was among the last in the lineage of foreign artists who have helped raise Bali’s international profile as an exotic destination for art and design. Renowned for his vivid pop style with new iconic motifs, he was born on April 13, 1947, as Ronald Thomas Bierl in Detroit, Michigan, the United States, and made Bali his home in 1978. He was installed in the Puri Kaler of Ubud Palace by the Ubud royal family, who had for decades been patrons of foreign artists. Symon later took over Arie Smit’s cottage in nearby Campuhan, where his studio grew into local landmark. In 2014, he moved full-time to his other destination studio at Alas Sari in North Bali, Art Zoo, which he had founded in 1998.Symon, who passed away on April 15, 2020 of natural causes from sepsis, was incredibly prolific and successful, creating many thousands of artworks in several countries.His work was widely collected by tastemakers like former minister Joop Ave, especially during the 1990s and 2000s trend for Asian neotraditional style. Many collectors built submersive Symon environments, as at Qunci Villas in Lombok, West Nusa Tenggara. A book series on Southeast Asian interiors had to swap some paintings in many of its featured homes because too many of their architects and owners had put Symons on their walls.Symon’s art is cherished for its vivid color, strong outlines and exuberant energy. His figurative paintings and sculpture project a friendly, fantastical appeal, combining the rawness of real-life models and scenes within compositions from mythology and lesser-known Bali history. His sense of line, hue and witty slogans draw from his origins as a cartoonist in the 1960s American counter-culture.Raised in a house at the corner of Detroit’s Normal Road and Common Street, he was far from normal or common and yearned to escape convention. He was an exciting personality to be around, popping with fresh ideas. An outrageous showman, he would tell wild anecdotes and burst into rhyming raps. As a precocious teen under the pseudonym John Ka, he wrote to Beat Generation poets like Allen Ginsburg, William Burroughs and William Carlos Williams, who sent him new poems to illustrate. He soon became an artist in underground zines like Fifth Estate and got to know New York legends like Frank Zappa and Andy Warhol.Until making Bali his permanent home, he kept trying new locations. As a youth, he twice ran away to Rome, where he studied under the sculptor Emilio Greco and got the attention of film director Federico Fellini, who dubbed him “the magician of the air”. On the overland route from Amsterdam to India, a road accident in Turkey broke his hip. While recovering he renamed himself Simon White. He finally made it to India and then went north to Nepal.Over eight years in Kathmandu, Simon helped preserve the traditional art of Tibetan woodblock printing. With three partners he opened Himalayan antique shops in London, Amsterdam and New York. Like many “Easties”, he became expert in Asian traditional knowledge, which later infused his artworks. In the mid-1970s, Simon spent periods in the New York art scene, Colombia and Wales, England. In each new location, his studios echoed Warhol’s Factory in being a networking hub and a venue for arty “happenings”. He formed several creative teams, from the Psychic League in Rome and Fantabulous Group in Nepal to the Levitation League in Legian, Bali. In his Ubud garden, he staged theatrical productions at the amphitheater designed by the futuristic architect R. Buckminster Fuller. In each location, he trained up teams of local artisans. In Nepal he hired Tibetan refugees to carve new and replacement woodblocks to the old ones he printed from. He brought screen printing to Bali in the 1980s and then to Cambodia in Minefield Studios at Siem Reap in the early 1990s. His most famous breakthrough was JakPak, a range of convertible clothing co-created with Annie Anderson and Kiyoshi Okuda, in which pop-hued jackets and hats could turn into bags through hidden pockets. JakPak became Bali’s first clothing export and an international phenomenon collected by the likes of Mick Jagger.Symon kept ahead of the curve, since his aim in life was constant reinvention under a motto “towards a functional reality”. Many of his creations were practical as well as fun, from JakPak to his Toyniture — quirky furnishings like his Lady Chairs and giant dining table. He conjured outlandish architecture, like his key-hole windowed pagoda at Art Zoo, which he filled with sculptures and oddities. The maximalist effect of all these “studio atmospherics” beguiled visitors and in turn became props for his paintings. The Art Zoo remains visually stunning. Symon’s heir and Art Zoo’s Balinese manager aim to reopen it as a destination where locals and tourists can continue to appreciate Symon’s distinctive art of Bali.ppreciate Symon’s distinctive art of Bali.)
I Gusti Nyoman Lempad + (BALI'S MOST WELL-KNOWN ARTIST, I Gusti Nyo … BALI'S MOST WELL-KNOWN ARTIST, I Gusti Nyoman Lempad (1862-1978), was born in the village of Bedahulu in Gianyar, south-central Bali. He was a master artisan, carver, and architect. His ink drawings on paper, many with touches of color, are internationally famous. Their clarity, expression, composition, and form are unmatched to this very day.Lempad's narrative works focus on figures, movements, and details. The blank backgrounds, a feature seen in traditional drawings for amulets, death shrouds, and some styles of manuscript illustrations, evoke the appearance of wayang kulit (leather puppets) figures against a plain white screen.Lempad illustrated famous and lesser known episodes from Indian epic mythology and Balinese folklore. He often added erotic and humorous elements. Many of his drawings were done as a series of narrative episodes, the traditional manner of doing prasi (illustrations for stories) on dried lontar (palmyra palm) leaves or paper.The artist lived most of his very long and productive life in Ubud, where his family, due to political problems during the late 1800s, had moved to when he still was a young child. Lempad designed a part of the royal residence and a temple in Ubud. He knew most of the famous foreigners who lived in or visited Bali from the 1920s until his death in 1978.Many of Lempad's works were collected by the artist Walter Spies (German, 1895-1942). When Nazi Germany invaded Holland in 1940, Spies and other German nationals living in the Dutch East Indies (Indonesia) were arrested by the colonial authorities. Spies brought along with him to Batavia (Jakarta) a series of ten drawings by Lempad of the Brayut folk tale, which he left for safekeeping with his friend M. Bruyns.Spies was killed during World War II when the ship Van Imhoff transferring him to a detention camp in ceylon (Sri Lanka) was hit and sunk by a Japanese bomb. Before Bruyns died in 1980 he gave the works which Spies had left with him to Dr. Jacob Vredenbreght. In 1984, Vredenbreght presented these ten drawings to the Neka Museum. Along with seven other pieces, the Neka Art Museum now has one of the largest single collections of works by Lempad.Awards:Piagam Anugerah Seni (Indonesia, 1970)Wijaya Kusuma (Indonesia , 1975)Dharma Kusuma (Bali, 1982)donesia , 1975) Dharma Kusuma (Bali, 1982))
I Dewa Putu Berata + (Born and raised in the village of Pengosek … Born and raised in the village of Pengosekan, son of a great drummer, Berata was immersed in Balinese performing arts from birth. His creative talents, teaching capabilities and leadership qualities make him a noted figure in the Balinese music world. He is renowned for his compositional skills in both traditional and innovative styles and a rare ability to communicate a diverse knowledge of Balinese arts to both Balinese and international artists. He is the founder and director of Çudamani, and has lead Çudamani, on tours to venues including a nine-city tour with Arts Midwest 2012-13, Jazz at Lincoln Center (NY), the World Festival of Sacred Music-(LA), the Cultural Olympiad (Greece), EXPO (Japan) and the Tong Tong Festival (Holland) among others. As a result of Berata’s vision and commitment, Çudamani, has become an important artistic center in Bali, endeavoring to study and preserve rare classic forms of Balinese arts and also provide a space that nurtures the creative energies of young artists in Bali. Frequently he serves a the Music Director for the USA Bay Area based Gamelan Sekar Jaya. He is a graduate of STSI, Denpasar (Bali’s National Academy of the Arts).sar (Bali’s National Academy of the Arts).)
I Made Gunarta + (Co-Founder of The Yoga Barn, Director of C … Co-Founder of The Yoga Barn, Director of Community Relations & Co-Founder of The BaliSpirit FestivalPak Dek, has been a fundamental component of The Yoga Barn’s vision to connect with the Community. Dek is an accomplished architect and is the vision behind the aesthetic Balinese style of The Yoga Barn, which is all created with reclaimed wood and hand-crafted elements.Dek comes from a long lineage of socially minded Balinese; his great-grandfather, the Head of The Sacred Monkey Forest restoration project in the early ‘70’s, and his mother, a school principal for over 30 years, are just two of his role models.In 2010 Dek took revitalization of the Monkey Forest into his own hands and launched a reforestation project planting hundreds of trees and creating a safer and leafier home for the indigenous and sacred macaque monkeys. Along with his wife, Meg, Dek is also the co-founder of Yayasan Kryasta Guna, a not-for-profit environmental, arts and cultural organization with a mission to inspire local youths in Ubud to invest in their environment and community while learning about their Balinese traditions.In 2016 Dek started an organic farming initiative 45mins north of Ubud and spends much of his time working on the land.d spends much of his time working on the land.)
Dewa Putu Bedil + (Dewa Putu Bedil was born in Ubud, Bali, in … Dewa Putu Bedil was born in Ubud, Bali, in 1921. Died in 1999. Bedil was one of the youngest members of the Pita Maha group he joined in 1936. With the encouragement and direction of Rudolf Bonnet, he developed a unique painting style with color - elegant color. He often depicts daily life, rituals, or dance in his paintings. The figures in his paintings are sleek and surreal. His works have been collected by the Bali Cultural Park (Denpasar, Bali), Tropen Museum (Amsterdam, Netherlands), Rijksmuseum voor Volkenkunde (Leiden, Holland), the National Museum (Jakarta), and many world-class collectors. He has exhibited his works at home and abroad, such as at the Jakarta National Museum and at the Indonesia-Japan Friendship Festival (Morioka, Tokyo, 1997).riendship Festival (Morioka, Tokyo, 1997).)
Frans Nadjira + (Frans Nadjira was born in Makassar, South … Frans Nadjira was born in Makassar, South Sulawesi, September 3, 1942. Since 1974 he has lived in Bali. He is known as a writer. In 1979 he joined the International Writing Program creative writing program at the University of Iowa, Iowa, USA. He studied fine art at the Indonesian Painting Academy (ASLI), Makassar. When he paints, he chooses and uses the automatic painting method (psychography) which he has been working on until now. Rhythm, motion, composition, and color become the spirit in his works.In the field of literature, in particular, he galvanizes prospective poets in Bali who are learning to write poetry. His writings have been published in various local and national media as as well as abroad, including the Bali Post, CAK, Kalam, Horison, Kompas, Koran Tempo, Media Indonesia. His work also appears in the anthology Blue Sky Blue Sea, ASEAN Poetry, Spirit That Moves Us (USA), On Foreign Shores, When Kata When Colors, Ginseng Tea, A Bonsai's Morning.His literary works include Window (Kumpulan Poetry, 1980), Conversation Under the Fallen Leaves (Kumpulan Short Story, 1981), Mata Air Mata Air (Kumpulan Poetry, 1998), Curriculum Vitae (Kumpulan Poetry, 2007 ), The Fireflies Tree (Short Story Collection, 2010), Notes on Wet Paper (Poetry Collection, 2015), Lara's Family (Novel, 2016), Traces of Dreams (Novel, 2016), Hug Me (Poetry Collection, 2017) . 2016), Hug Me (Poetry Collection, 2017) .)
Frits Henskes + (Frits Henskes was born on 10 July 1947 to … Frits Henskes was born on 10 July 1947 to an Indonesian mother and Dutch father in Batavia – the name before 1950 of the current-day capital of Indonesia Jakarta. He later attended and graduated from the Hogere Handels School in Amsterdam.Henskes was known among his many friends and admirers in Bali for his role as manager of many years of the Ayung Resort in Payangan, North Ubud. He served as a hotel and resort consultant for Spectrum Bali (PT Cipta Harapan) and as a Vice-President for Development for PT Wisma Kartika.Dedicated to hospitality and culinary excellence, a fact reflected in the outstanding cuisine he pioneered at The Ayung Resort, Frits also served for a period at the “Balii” for the Bali Chapter of the La Chaine des Rotisseurs. Please see whole obit in Bali Discovery, Dec 29, 2021: https://balidiscovery.com/rip-frits-henskes-1947-2021/?fbclid=IwAR0GN5eNyvewSjdyxfymwxuptE8JzhpmVXahnSY-ueW-lFR2cirWPtHfpicfymwxuptE8JzhpmVXahnSY-ueW-lFR2cirWPtHfpic)
Gill Marais + (Gill Marais is a photojournalist and autho … Gill Marais is a photojournalist and author of the book "Bali Sacred & Secret".She began her career with SIPA Press in Paris, and has reported in the field of culture, medicine and travel. Her book, The Amchi, on travels with a Tibetan doctor has been published in France, England and India. Born in South Africa, after her marriage to a French Diplomat, France has been her home for over forty years.Her work has taken her through North America, North Africa, Kenya, the Middle East, Europe, Russia, India, Pakistan, China and South East Asia. She resides in Bali for six months of the year, and has two grown children. She is an old Bali hand who has counted among her mentors, sponsors, friends and neighbors some of the great contemporary names in Balinese scholarship and spiritual and cultural leadership.larship and spiritual and cultural leadership.)
Arya Tegeh Kori + (HISTORY OF ARYA DALEM BENCULUK TEGEHKORI … HISTORY OF ARYA DALEM BENCULUK TEGEHKORIChapter oneOnce upon a time in the past, there is a king, Arya Dalem Bansuluk Tegehkori is his name. He is the son of the king Dalem Shri Aji Kresna Kepakisan from Gelgel Klungkung kingdom. He rules the the land of Badeng kingdom. Badeng (or Badung) means dark. Because the land soil at this region is darker than other region. This is the story of his life journey.King Ida Dalem Shri Aji Kresna Kepakisan is located at Puri Linggarsapura in Samprangan, Gianyar area. The castle was the former stronghold post of Mahapatih (the great prime minister) Gajahmada’s from Majapahit empire of Java to invade King Bedahulu of Bali kingdom. After Bali kingdom defeated, Ida Dalem Shri Aji Kresna Kepakisan was crowned King of Bali in 1352 AD by Queen Majapahit Tribhuana Tunggadewi. the new king Bali king then separate Bali into few small kingdoms lead by his war generals. He reigned until 1380 AD.One day when full moon, king Ida Dalem Shriaji Kresna Kepakisan, took place in the royal hall, was meeting with the prime minister ministers and all his war general. Notable among them are Arya Kenceng son of Arya Damar who was made the ruler in Tabanan, Arya Sentong in Pacung, Arya Beleteng in Pinatih, Arya Kutawaringin in Kapal, Arya Binculu in Tangkas, Arya Pakisan in Abiansemal, Arya Belog in Kaba-kaba, and three knight named Tan Kober, Tan Kawur and Tan Mundur.At that time, Arya Kenceng wore chrysanthemum green flowers at his hat. Ida Dalem's heart was shocked when he found out that Arya Kenceng was wearing the green chrysanthemum flower. Immediately his anger rose, due to the slander launched by Arya Pengalasan Jelantik. It is said that Arya Kenceng put magic on the king, so that the king would love and submit to him. Immediately Shri Raja punished Patih Arya Kenceng from war general into gardener with the obligation to clean the hall every day. The commotion at the Puri Dalem Samprangan Hall is thought to have occurred in 1360.From that moment on, Arya Kenceng felt very deep sadness and often cried when he remembered his favorite son named Ngurah Tabanan. The son was given the name Ngurah Tabanan, because Arya Kenceng participated in conquering (naban) this Balinese country after fighting against Si Pasung Grigis, the governor of Raja Bedahulu.After a long time, it was time for Arya Kenceng to receive God's grace. It was mentioned that the king Ida Dalem had a son who was only eleven months old to crawl. The boy was crawling very fast. The caretaker is named Ni Dasa Dasih. The prince is also getting closer to Arya Kenceng because he often carried out by him. Until one day, Arya Kenceng intention appeared to make efforts to get himself free from punishment. One time when Ida Dalem was sitting in front of his ministers, suddenly the son was released from behind the King. Crawling swiftly and then reaching for king's shoulder. Then approached by Arya Kenceng while lifting the son higher than Ida Dalem's back while apologizing from behind the King. As soon as the king turned his head, he saw the height behind him. The king was furious, then said: "You are very clever at making a ploy. Now, because my son has made a mistake grabbing my shoulder, as written in Niti Sloka (The Kingdom rule), when the king is dressed in his royal dress as the leader of the country, nobody is allowed to touch the king. The rule said whoever touch the king must be execute. But I can’t execute him because he is my son. So, Arya Kenceng, take my son, make him your adopted son, the ceremony with a bonfire on top of which is filled with a buffalo head. Brother him with your son I Ngurah Tabanan. Now I give the name to him Arya Dalem Bansuluk Tegehkuri. (Tegeh mean tall or high and Kori or Kuri mean behind, because he was taller from behind when he touch the king’s shoulder)”. Immediately, Arya Kenceng was unbelievably happy to have a son who was handsome and very smart. Then respectfully excuse himself to bring the prince to his castle at Tabanan, make him brother to Ngurah Tabanan. This tale is also written at Prasasti Babad Dalem Tabanan Tegehkori manuscript. Arya Kenceng then carried out the adopted ceremony according to the mandate of Ida Dalem. The blood that flows in prince Arya Dalem Bansuluk Tegehkori from generation to generation remains the blood of Ida Dalem Shri Aji Kresna Kepakisan. Now more than six centuries have passed, all of his genetic descendants remember to always come to offer devotion before The king Ida Bhatara Kawitan Dalem Shri Aji Kresna Kepakisan at his family temple at Mother Temple Besakih.Time pass by and the 2 kids now become young men. Between Arya Tegehkori and Ngurah Tabanan, a misunderstanding and conflict arise. Arya Tabanan has a wife, he is jealous that he thinks his wife have an affair with Arya Tegehkori. He always try to harm him in many waysFeeling uneasy, Arya Tegehkori decide to leave the Tabanan kingdom then went to get rid of himself to Mount Batur to meditation. After some time meditating there, he got a gift from the god of Mount Batur in the form of a whiting box. If Arya Tegeh Kori wanted to put himself in it, the power of the whiting box would shrink. Whenever it comes out of the box, he can return his body to normal size. That is the magic of the whiting box, a gift from the goddess of Mount Batur, then the god said to Arya Tegehkori: “I gave you the magic box. Now you have to go to Tonjayu Village at the dark land (Badeng). There are some clans inhabit the area like Pasek Bendesa, Pasek Kubayan, Dangka, Ngukuhin, Tangkas and they don't have a king yet. These days they have big ceremony, use this magic box there. Of course you will be appointed king in the Badeng or Badung area. Be a ruler, be a king!“.As the command of Ida Batara Dewi Danu, the goddess of Batur lake and mountain, then Arya Tegehkori left for the Badeng or Badung area. When he arrived in the Badung area, it was already evening, so he to the chief’s village house at Tonja. There he concentrated his spiritual power so that he could enter the container of magic whiting boxthat he had placed on the gate. His body shrunk and able to fit in the box perfectly. The next day, when the sun rise, the village chief saw that there was a box on the gate. Then while opening the lid. Seen a small child in the container of whiting box. The chief mind was amazed to see this strange and miraculous event. Immediately Ihe worshiped and said: "My noble Lord". Having just finished saying this, the little boy who was in the box immediately came out. Back in its original form as as a man. Looks good, handsome and dignified. The longer it was seen, the more amazed the chief's feelings. Then Arya Tegehkori then himself. He explained that he was the son of the Bali king Ida Dalem Kresna Kepakisan at the Swecapura Gelgel castle. He was the brother of Arya Tabanan in the country of Tambangan (Tabanan). He also explained clearly how the adventure that he experienced from beginning to end. The chief is amazed and ask him to rest at his house. After the chief carried out the piodalan ceremony, he immediately held discussions with his clan brothers, such as Pasek Gaduh, Kebayan, Dangka, Ngukuhin, Tangkas, about the need to make him a palace and prepare for his coronation to become king as ruler in the Badeng or Badung region, and report to the King of Bali kingdom Shriaji Kresna Kepakisan at the Swecapura Gelgel castle. The king at Gelgel was very agreeable because anyway Arya Tegehkori is his son. At the age of a toddler he was banished from the family. At a young age with the blessing of the goddess Ida Bhatari Ulun Danu Batur and thanks to the approval of the King of Bali who was also his father and for the support of the people, he ascended the throne to become the first King of Badung kingdom.In order for him to truly become a noble king in the Land of Badung, the chief again held a deliberation to build a palace worthy of him. The palace was built in the upper reaches of the village or in the north. After the palace was completed, it was there that the king Arya Tegeh Kori resided. After some time as king, he built two holy temple. The temple to worship the God of Agung mountainwas built to the east of the palace. The place for worshiping the goddes Bhatara Dewi Danu Batur is made to the west of the palace called Pura Batursari.After a while the king then married. Then his son (2nd dinasty) built another palace, also still in the Badung area, because more and more people live in the Badung area and the condition of the land is fertile. After the second palace was built, it was named Puri Satria (Satria palace), as a characteristic that he was a descendant of Knights. Meanwhile, the Tegehkori palace (1st dinasty) in Tonja was named Puri Dalem Benculuk. In the recently completed castle, a pair of very tall palace gates were also built, none of which were on par in all of Bali. The disadvantage is that if it is broken, it is rather difficult to repair it, presumably that is His wish to build a very high gate at Puri Satria, so that it is in accordance with the name of his father in Tegehkori. The Tegehkori dynasty is ruling the kingdom from 1378 - 1687.Chapter TwoMeanwhile at Tambangan (Tabanan) kingdom, after king Arya Kenceng passed away, his son Arya Tabanan replace him as king. He have crown prince name Ngurah Rangong. The old king Arya Tabanan suffered a seriuos illness, then moved to live at the village of Kebon Tingguh. Ngurah Rangong intention was to wait for the throne to become the king of Tabanan kingdom. The old king Arya Tabanan was served by a woman named Luh Bendesa from Buahan village. During the service, the king touched Luh Bendesa and become pregnant. From this relationship, Luh Bendesa then gave birth to a son who was named I Gusti Pucangan. Later on the king is passed away. After Arya Tabanan died, Ngurah Rangong become next king. But he is afraid that Pucangan someday will also claim his territory. Ngurah Rangong made efforts so that Pucangan would soon meet his death. Outside the Tambangan palace, there is a very sacred banyan tree. King Ngurah Rangong then ordered his younger brother, Pucangan, to cut the tree branches. However, to the great surprise of the brother, it turned out that the younger brother was still safe. Since then I Gusti Pucangan has been named Gusti Bagus Alit Notor Wandira. The king never stop to try to kill his brother. Unable to stand it, Pucangan then left Tambangan palace to Mount Batur. On the shores of Lake Batur appeared the goddes Ida Bhatari Tolangkir who said: "Hi Pucangan, what are you looking for here alone?".Gusti Pucangan replied: "Oh dear goddess, this servant is too troubled. I have a half brother who was made king by my father. Besides, my brother I Gusti Rangong was hostile to. ” Ida Batari again said: "If you are devoted to me, uphold me through the lake water, take me to Mount Batur". Pucangan replied: "I will do, even if it make myself sinking”. By the magical power of goddess Ida Bhatari, Pucangan walked safely across the lake to Mount Batur will upheld the goddess.Goddes Ida Bhatari said: "O Pucangan, you truly devote to me, now I give you a whip and a tulup (a traditional Bali weapon made by bamboo) You must go to Gelgel palace and kill the king’s enemies in the form of raven, because they often ruin the king’s food. It is this whip and dipper that you used to kill that evil raven. After it is successful, someday you Pucangan will become king in the Land of Badung ”.This incident occurred when the Balinese Kingdom, which was centered in Klungkung, was led by King Dalem Anom Sagening (1580-1665) who was residing at Puri Swecapura palace at Gelgel. Meanwhile, the King of Badung at that time was I Gusti Tegehkori V. The blessing of goddess Ida Bhatari and the approval of the King of Bali were the main assets obtained by Pucangan in achieving success of gaining power.Prince Pucangan continued his journey, accompanied by a follower named Tambiak from Mount Batur to the Swecapura Palace at Gelgel. It was mentioned that Ida Dalem was in the hall faced by his prime minister. I Gusti Pucangan then confronted him and declared that he was able to kill the crow, who often ruined the king's food. King Ida Dalem was surprised, then asked: "Where are you from son and what is your name?". Pucangan replied: “Master, this servant is named is Pucangan from Buahan Village, son of the late king Arya Tabanan. I just came from Mount Batur ”, then he explained his life from the beginning until now. Immediately he also remembered Ida Dalem about the past stories and he was very happy about the arrival of someone who would help to destroy the crow.The next day, the prime minister had gathered to meet Ida Dalem. In the afternoon the crow came who was going to spoil King's meal. Prince Pucangan quickly shoot the tulup, hitting the raven’s wing until it broke. After being hit and falling, King ordered to hit it with a whip, so that the crow met his death immediately. Ravens are often used as symbols of darkness, anger and death.After that, the king was very happy. "Now, because of your great devotion to me," he was then presented with a set of clothes. He continued saying: "what else do you ask for?". Prince Pucangan remember with the words of goddess Ida Bhatari Tolangkir when he met on Mount Batur who would grant the area in Badung. Then the prince Gusti Pucangan asked to be given a place in the Badung area. With pleasure the King granted, then said: “I granted your request Pucangan, after all there at the land of badung, your family Arya Tegehkori at the Satria Palace ruled. You better get there, go ". Pucangan then go to Badung kingdom to be precise at the house of the chief of Lumintang Village.Furthermore, the chief of Lumintang informed the king about the arrival of the prince Pucangan. The king Gusti Tegehkori IV was very happy to accept the arrival of his family, prince Pucangan. The king then give him 250 people to build a palace to the southwest of Puri Satria palace. The new palace was named Puri Jambe palace. The king then appointed him as punggawa (guardian knight) of Badung kingdom. After king Tegeh Kori IV passed away, his son Tegeh Kori V replace him as king and have beautiful 15 years daughter named Ayu Genjot and handsome 13 year boy named Ngurah Raden. Prince Pucangan request the king to allowed his son to marry her daughter. But at other hand, the old king of Mengwi kingdom also propose the princess to marry his crown prince. At that time, Mengwi kingdom become more powerful and have larger troops than peaceful Badung kingdom. So the king decide to accept the Mengwi king’s propose. Prince Pucangan is furious to hear that. Night before the Mengwi’s prince arrive to marry the princess, Pucangan with his troops storming the Satria palace. Pucangan is the guardian knight of Badung kingdom. He knows the palace so well and most of the troops is loyal to him. The palace is chaos and burn down. Considering the safety of his family, the king then decide to escape from the palace. Only five of them on that dark night Arya Dalem Tegehkori V (I Gusti Made Tegeh) escaped with the empress and her two sons and an in-law named Munang. His departure did not carry anything, only a box of inscriptions which was the heirloom of Puri Satria palace that he carried. All his cousins and other family also escape and scatter into many directions around Bali. The Tegehkori dynasty at Badung kingdom is fallen.Chapter 3Year 1724, During the five days he retreated in the mountain & forest, his children almost died because they did not eat anything. The group of Gusti Made Tegeh family arrived at a Village and went straight to the house of a village chief named I Pengkoh. It is very respectful that chief Pengkoh and his family entertain the guest of honor. For twenty days Gusti Made Tegeh group stayed at the house of the chief. One time, it was the middle of the dry season, so in a short time the rice supply in the barn ran out. What remains is only rat droppings mixed with grain skin, chief Pengkoh's wife only found that out. Chief Pengkoh prepared a pot in the kitchen to cook rice. Until the water in the pot was boiling, his wife did not get a grain of rice. Chief Pengkoh's anger rise, he then poured the hot water and scold his wife. Gusti Made Tegeh witnessed this very unpleasant incident, which made him feel very embarrassed.After a discussion with his brother-in-law, I Munang, the former King and his brother-in-law went to hunt some food to the mountains. Meanwhile his wife and two children were left at chief’s house. After Gusti Made Tegeh left for the mountain, chief Pengkoh's evil thought occurred. His two children were ask to permission to his mother to accompany him to find rice. His mother agreed, so they left. In the middle of their journey, the children of Gusti Made Tegeh were tricked into making their way to the Denbukit area (later called Buleleng). When he arrived in Kalianget Village, his two kids were sold by chief Pengkoh to Ngurah Kalianget for 150 pieces of belongings plus a number of cloths.After 10 days Gusti Made Tegeh and his brother-in-law went to the mountains for hunting, finally they back to chief’s house. They asked her the whereabouts of his children to his wife. She explained that their children was taken to the mountain by the chief. It's been 10 days yet to come back. When Gusti Made Tegeh heard his wife's answer, he was shocked and realized the misery they were experiencing. While shedding tears, he then told his wife and I Munang that the two of them would look for their children to Karangasem area. He himself looked to Denbukit. From there they parted ways, his wife and his brother went to Karangasem and he went to Denbukit.After crossing Denbukit land, he arrived at Ambengan Hamlet. From that hamlet the journey to Sangket Village. From there he disguised himself to investigate the whereabouts of his children who had no news.On that time Gusti Made Singaraja, the descendants of Gusti Panji Sakti is the King Denbukit kingdom and resides at Puri Sukasada palace. That's where he headed. It happened that King Denbukit was watching the Gambuh dance training. Those 2 person than talk and feel like each other. After some happy talk, he was asked to participate in Gambuh dance performance. It is difficult to find a comparison with the greatness of Gusti Made Tegeh in the art of Gambuh. Day and night the performance of Gambuh is joyful, which is why the king's palace was named Puri Sukasada.After some period of time in clever disguise, Gusti Made Tegeh was very dear and trusted to King Denbukit. He was rewarded with as many as two hundred followers, including forty of whom were teenagers. He then assign into the sedahan agung (treasurer of the king) and also his war advisor. Nobody equals the wisdom of King Denbukit, so that it is respected by anyone, has the authority as a descendant of the warrior king of the gods. No one dared to oppose his orders. It could be said that the prosperity of the kingdom which was centered at the Sukasada Palace. Under his command, Denbukit kingdom spreading their teritory by invading many village to knee under Denbukit authority. Gusti Made Tegeh did this in order to find his children. Half of Bali island then become the territory of Denbukit kingdom. Now it is told that the chief of Kalianget village name Ngurah Sindhuwedang have Gusti Made Tegeh sons and daughter and made them into servant at his house. The village of Kalianget has a population of 1,450 people. Ngurah Kalianget, who had a haughty heart and was very jealous of Denbukit King decided to fight the Denbukit kingdom. But the king quickly heard of him, and ordered Gusti Made Tegeh to beat Ngurah Kalianget before he could gather his strength. Quickly, Gusti Made Tegeh brought 200 elite warrior on their way to Kalianget Village.When Gusti Made Tegeh troops arrived and recon the Kalianget Village, they found out that Ngurah Kalianget 1.000 soldiers were also on preparation to attack Sukasada palace. Gusti Made Tegeh and his 200 elite warriors prepare to attack at night. The attack was carried out suddenly at night made the Ngurah Kalianget soldiers shocked and confuse, they feel like stormed by thousands of enemies accompanied by spirits. Ngurah Kalianget soldier lost and surrendered. Ngurah Kalianget was taken prisoner, the whole house and its young and old residents were seized and taken to Puri Sukasada that dawn. By order of the king, Ngurah Kalianget was sentenced to death. Then he bring all other prisoners to kingdom prison. They were mixed up, including Gusti Made Tegeh children who had been sold and hidden in Kalianget. Until the end of the attack on Kalianget, he did not know the whereabouts of his children. Suddenly Gusti Made Tegeh hear 2 young teenager cried heartbreaking among the prisoners, calling out her father and mother: "O the holy king of Tegehkori, look at me, it's been such a long time now that we haven't met my father and mother, I hope God Ida Sang Hyang Widhi will bring them together as soon as possible". Because the boy's lamentation and mention his ancestor Tegehkori, attracted enough attention and immediately approached the two young teenager. He shock that they are his children, Ayu Genjot and Ngurah Raden. The father and children finally reunite again Meanwhile his wife and her brother who had been traveling for a long time looking for their sons and daughters in the Karangasem area, then heard the news that Gusti Made Tegeh had gathered with their children at his place at Puri Sukasada palace. They hurriedly came to Denbukit and headed for the Sukasada Palace and there they reunite together, He was very happy. After awhile, he order his son Ngurah Raden & his brother in law to return to Badung kingdom to meet the new king Pucangan. Arriving in Badung, since the Satria palace had been occupied by I Gusti Pucangan who later ascended the throne to become the king of Badung, he faced Ngurah Raden to his castle, claiming to be ordered back by his father Gusti Made Tegeh because anyway they are still family and understand why Pucangan furious and raid him. He hold no grudge. Pucangan love and care Ngurah Raden since he’s a baby and always carry him everywhere when he was act as the guardian knight of Badung. Ngurah Raden also childhood friend and like brother to his sons. Gusti Made Tegeh know that Pucangan will never have the heart to kill Ngurah Raden. Because Pucangan felt himself reunited with his nephew, he gladly presented 200 people and 40 plots of rice fields to Ngurah Raden. At the king's orders, he built a palace on the west side of the river on a forest plot. After completion, the palace was given the name Jro Kuta palace. King Pucangan have 2 sons. The older ones were given a place to live in the east of the river and given an inheritance weapon. Later the palace was called Puri Denpasar palace (because it was located north of the market). Meanwhile, his younger brother was made a place to live in the west of the river and was given an heirloom weapon, therefore the palace was later called Puri Pamecutan. After a long period of time when king Gusti Pucangan ruled in the Badung Kingdom, he died, then he was replaced by his two sons who both competed to become king to replace their father to become king in Badung State.For a long time Gusti Made Tegeh lived in the vicinity of the Sukasada Denbukit Palace. He was very active in helping the king prosper the country, so that the king loved him very much. Her daughter Ayu Genjot also became a dancer and was later married to a nobleman from the village of Petandakan.Someday the king Gusti Agung Gede of Mengwi Kingdom wants to visit Denbukit kingdom. Considering that King Mengwi was very famous for his supernatural power, the Denbukit king intended to try to test if it was true as the news was. He order Gusti Made Tegeh to ambush the Mengwi king’s parade. He bring 40 elite warriors to ambush under the kepuh tree in the Banyuning cemetery.Then came the moment he had been waiting for, Mengwi king’s parade arrive. The king was carried and accompanied by 200 of his people. When he was close, then king Mengwi who was being carried on a stretcher, was intercepted by Gusti Made Tegeh, and he was speared violently. However, he was not hurt in the slightest because his body was so invincible. King Mengwi said to his companions: "send me down, O soldier". Then He got down from the stretcher and immediately took a meditative stance. In an instant he changed his form into resemble Bhuta Sungsang, a giant with six eyes, six arms, six legs and six heads. It seems that no one will be able to match His supernatural powers in this world. There the troops brought by Gusti Made Tegeh felt fear and all of them ran helter-skelter. Meanwhile, Gusti Made Tegeh himself retreated and hid himself far enough to the west in the forest hills of Pedawa.Returning to king of Mengwi, the assassination attempt he had just experienced did not dampen his steps towards the Sukasada Palace. On arrival at Puri Sukasada palace, laughing out loud, he received a warm welcome from King Denbukit whom asking for forgiveness. King Mengwi said: “Okay, son, there's no need to extend this issue because I already know that you only want to test my supernatural power. Now this old man only asks you son, to search the person that order to attack me. This old man was very surprised of the courage of this man and also his loyalty to was amazing. You have never met someone like that, I have a feeling that he is a descendant of a famous knights ".Then the king of Denbukit ordered his troops to look for Gusti Made Tegeh. However, even though they traces or days, they still cannot be found Gusti Made Tegeh. He was hiding at the top of a millet tree. When the troops approaching, there are some doves perch at the millet branch. Gusti Made Tegeh pray and begging to doves the millet tree to let him stay there. Normally, dove bird will fly away if there are people around it. But suddenly these doves singing. The troops saw it and assume that nobody there and passing by. Gusti Made Tegeh then make an oath that none of his descendant will eat millet fruit or harm any dove. Until 7 days he remained there. With a sluggish body, emaciated and very dirty, then he walked slowly leaving the millet field towards the west, taking refuge in the village of Patemon. The situation when he arrived at the village indicated that it was already evening. He headed for the rice trading house, wife of the puppeteer Patemon. He was very pity for her to see that his condition was very tired and emaciated, so she was invited him to their house and served with food. The pupetter's family sympathy for Gusti Made Tegeh for being chased by royal soldiers. The pupetter's family then making a well hole for him to take shelter in. Everyday afternoon he hid himself in a foxhole. When night fell, He was taken out of the shelter. He made friends with the villagers. It has been for 15 days since he stay there and very uncomfortable and don’t want the helper family involve in trouble. He excused himself from pupetter’s house and then left to Bubunan Village. In that village, he also made friends with the villagers. For about a month in Bunbunan Village, Arya Dalem's mind grew more restless. He is thinking about his family that might be executed because he failed the king’s order. Then he decide to go back to Sukasada palace to prepare his death sentence but will beg for his family life to spare. 10 of villagers accompany him.Arriving at Puri Sukasada, the two kings were sitting rejoicing in the palace facing the royal servants. They was surprised to see people who had just arrived dressed all in white. The white cloth a sign that they will be willing to die if something unwanted happens. So Gusti Made Tegeh and his ten followers presented a bow while begging for mercy in front of the two kings if they were judged to have done something wrong. The king of mengwi then ask Gusti Made Tegeh who he really is. Who is his true identity. He then said that he is the descendant of Arya Tegehkori, the founder of Badung kingdom. He tell them all his journey. King Mengwi then said: "O Arya, in my opinion, what you did to me was absolutely innocent. I thought, you only carrying out your loyalty towards the king of Denbukit, carrying out orders to attack. Now, my son the king of Denbukit, from now on never ever forget the loyalty and sincerity of the sacrifices that Gusti Made Tegeh has given to you forever ”.After saying this, King Mengwi summoned a servant of his companion to take a keris and a spear at the place of his bed. After king Mengwi order that, Gusti Made Tegeh and all of his 10 followers immediately experienced extreme anxiety and fear. Of course they think that this is the time when the death sentence start. The servant then handed over a keris and a spear, and was accepted by the King of Mengwi, saying: "O Arya, this is my gift in the form of a keris and a spear. This keris is called Carita Belebang, its usefulness is to maintain safety and the enemy doesn't dare see it. This spear is called Lelemon, it has great authority. This is proof so that from now on down from generation to generation, from life to death, never forget the descendants of King Denbukit, and also for my son the king of Denbukit, never forget Gusti Made Tegeh descendants forever. You must always help and support each other. Remember, whoever forgets this mandate of mine will find misery and heartbreak”Thus again said the King of Mengwi: "And now, O Arya, which land that you will request ?”.Hearing the words of King Mengwi which greatly pleased Gusti Made Tegeh, then he said: "If it is allowed, Bubunan Village is my request, because they are very loyal to me when I find trouble”.Thus, Bubunan, Sulanyah, Tanguwisia Village was awarded to Gusti Made Tegeh. Then Gusti Made Tegeh and his family is allowed to return with his followers to Bubunan Village. For about 3 years he lived in Bubunan Village, because the land there was uneven. then they moved to Muntis Village ( later on change its name to Pengastulan village).EpilogueAt Pengastulan, Gusti Made Tegeh became punggawa (guardian knight) and stay at a house name Jero Lingsir. Right to the west of his house he built an ancestral temple which was named Pura Badung as a honor to his ancestors whom was the King of Badung. He wrote all his extra ordinary journey into a manuscript called Prasasti Pura Badung. This prasasti is then passed through generations, along with his family tree. He and his descendant swear that they will always serve to Denbukit (Buleleng) kingdom forever.Until later Dutch invade the kingdom and fall after the Great Battle of Jagaraga on 1849.d fall after the Great Battle of Jagaraga on 1849.)
I Gusti Komang Sugiartha + (I Gusti Komang Sugiartha, He was born in S … I Gusti Komang Sugiartha, He was born in Subamia Tabanan Village, Bali on April 24, 1949. His educational history is, in 1962 he graduated from SD Subamia, in 1965 he graduated from SMP Negeri 1 in Mataram, in 1969 he graduated from Agricultural School ( SPMA) Mataram State. In 1970 he worked at the Bali Provincial Agriculture Service, the Industrial Plants section which officially separated itself to become the Bali Provincial Plantation Service in 1973.Since elementary school he has studied art from his father Gst.Kd. Dibya and once felt the touch of the hands of I Ketut Maryo, a legendary artist in Tabanan. He often won the Sekar Alit song at the elementary level. Until now, he is still actively participating in pesantren activities at the Bali Government, at the Basutalina Bali Getar Art Studio, North Kuta District, being the coach of Santi in Subamia Village, and Santi Ambara Santha Budhi, Tabanan Regency.He has completed several Geguritan with the title Lubdhaka, Bima Dados Caru, Angling Darma, Kedis Cacetrung, Pan Balang Greed, Pandawa Swarga, Ulam Agung (Matsya Awatara), Waraha Awatara, Dharma Udyoga, Dwarawati Pralaya, Senapati Abimanyu, Dyah Sri Tanjung, Babad Pande, Manteri Jajar Pikat and Aji Pelayon.ande, Manteri Jajar Pikat and Aji Pelayon.)
I KETUT MARIO + (I Ketut Mario is thought to have been born … I Ketut Mario is thought to have been born in Belaluan village, Denpasar, and later grew up in Banjar Lebah, Tabanan. An aristocrat named Anak Agung Ngurah Made Kaleran, who loved the arts and gave much support to artists in his region, has been identified as his adopted father.Mario first became a dancer for the Pangkung Gong club in Tabanan. In 1958 he went with the group to Paris, Holland, England, America and Canada, and in 1962 they toured America.Mario was not only a dancer, he was a choreographer as well. His monumental creation Kebyar Duduk, or if danced with trompong, Kebyar Trompong, stirred a revolution in Balinese dance. These creations contrasted greatly with other dancers of the time, being performed for the most part in a stooped sitting position. The birth of Kebyar Duduk in 1925 drew an enourmous influence from gamelan gong kebyar when Mario became accidentally entranced by the music he heard played by the musicians of Bantiran village. Another Mario's choreography is Oleg Tamulilingan, which he did in 1952. It also gave a contribution for the development of the Balinese dance.for the development of the Balinese dance.)
I Nyoman Ekaputra, S.Sos M.AP + (I Nyoman Ekaputra S.Sos M.AP was born on J … I Nyoman Ekaputra S.Sos M.AP was born on June 1, 1965 in Denpasar. Residing in Br. Pengukuh, Peguyangan Kangin, North Denpasar, Bali, Indonesia. He works as a civil servant as well as a holder at a temple in Peguyangan and helps if anyone needs help with writing Balinese script and fostering children in the village pasraman. His last education was at Ngurah Rai University, Bali, majoring in Master of Public Administration.joring in Master of Public Administration.)
Desak Yoni + (I was born in 1972—or so one of my friends … I was born in 1972—or so one of my friends’ parents who was a teacher told me, as neither of my parents recall my exact date of birth—in a small village north of Ubud on the island of Bali, one of the many islands in the Indonesian archipelago.When I was young I felt there was no other choice but to leave Bali to free myself from the burdens of poverty and tradition. I have traveled extensively abroad, married, brought up sons, and worked in Australia while continuously educating myself at college and university—my most recent acquisition a Masters degree in International Business from Newcastle University, New South Wales, Australia.I returned to Bali in 2012 after almost twenty years of living abroad, hoping to achieve a better quality of life, rebuild my family and create employment for my fellow Balinese. Since returning to Bali I have experienced at first hand the challenges facing Balinese women in the parallel universe of modern tourism and traditional life, where families struggle to maintain a balance between traditional adat duties and the temptations of the island’s tourism playground, illicit drug and sex scene.Tumultuous experiences, a life full of dramas, tragedies and rare happy times that never seem to last for long enough, have inspired me to write this book as a part of my own journey of self-discovery. I am currently working on a second book while continuing other projects in Bali.k while continuing other projects in Bali.)
Literasi Bahasa Bali dan Pengaruhnya pada Gen Z + (Lorem ipsum dolor sit amet, consectetur ad … Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Urna condimentum mattis pellentesque id. Gravida dictum fusce ut placerat orci. Eleifend donec pretium vulputate sapien nec sagittis. Ac placerat vestibulum lectus mauris ultrices eros in cursus. Nunc congue nisi vitae suscipit tellus. Risus in hendrerit gravida rutrum quisque non tellus orci ac. Neque viverra justo nec ultrices dui sapien. Eget velit aliquet sagittis id consectetur purus. Massa id neque aliquam vestibulum morbi blandit. Etiam tempor orci eu lobortis elementum nibh tellus molestie.Nullam non nisi est sit amet facilisis magna. Tellus in metus vulputate eu scelerisque felis. Euismod nisi porta lorem mollis aliquam ut. Dignissim cras tincidunt lobortis feugiat vivamus at augue eget arcu. Condimentum mattis pellentesque id nibh. Aenean vel elit scelerisque mauris pellentesque pulvinar pellentesque habitant morbi. Consectetur lorem donec massa sapien faucibus et molestie. Rhoncus est pellentesque elit ullamcorper dignissim. Tortor dignissim convallis aenean et tortor. Convallis posuere morbi leo urna molestie at elementum. Mattis ullamcorper velit sed ullamcorper morbi. Pellentesque habitant morbi tristique senectus. Ultrices tincidunt arcu non sodales.ctus. Ultrices tincidunt arcu non sodales.)
Made Adnyana Ole + (Made Adnyana Ole was born in Tabanan, now … Made Adnyana Ole was born in Tabanan, now lives in Singaraja, Bali, while managing Mahima Institute Indonesia which is engaged in arts and culture education. His poetry and short stories have been published in various media such as Bali Post, Jawa Pos, Horison, and Kompas. His single book collection of poems “Fairy Tales from the North” (2014). Her single collection of short stories, “Padi Dumadi” (2007) and “Sacred Girl Painting Sacred Signs in Sacred Places” (2018). A number of his short stories are included in the Compass Choice Short story book.ed in the Compass Choice Short story book.)
I Dewa Made Ariawan, S.Ag., M.Pd.H & I Nengah Asrama Juta Ningrat, S.Ag., M.Fil.H + (Mr. I Dewa Made Ariawan, S.Ag., M.Pd.H and … Mr. I Dewa Made Ariawan, S.Ag., M.Pd.H and Mr. I Nengah Asrama Million Nobles, S.Ag., M.Fil.H are the masters of the geguritan Catur Bhujangga Bali Mula. Mr. I Dewa Made Ariawan, S. Ag., M.Pd. H or Pak Dewa Mangku Dalang was born in Serai Hamlet, Penglumbaran Village, Kec. Shrink, Bangli Regency, on August 6, 1986 from the couple I Dewa Nyoman Reka & Jro Nyoman Munet. His daily life is an education staff in the Department of Education, Youth and Sports, Bangli Regency, but in between his busy life outside the father of Dewa Ariawan, he is still active in the field of art, namely Dalang. He also won 2nd place in the Utsawa Dharma Githa adult marriage competition in 2017 in Palembang and 1st place in the adult marriage competition in Bali in 2016.Mr. I Nengah Asrama Juta Ningrat, S.Ag., M.Fil.H is an art actor who is still active in compiling books, many books have been produced. He has also won the achievement of becoming the 1st Winner of an outstanding Hindu Religion Teacher at the Provincial level in 2015. Mr. Million Nobles was born in a clerical environment on the north slope of Mount Batur, Songan A, Kec. Kintamani, Bangli Regency, on June 15, 1980 from the couple Jro Gincang & Jro Suwiti. Apart from compiling books, his daily life is as a teaching staff in the Ministry of Religion of Bangli Regency from 2014 until now.Broadly speaking, this Bhujangga Bali Mula Catur geguritan contains the origin of the Bhujangga Bali Mula breed, precisely the Kayu Selem people in the Hyang Gwa Song tampur. It is hoped that the residents of Kayu Selem who are in Bali and outside Bali should continue to remember their ancestors as guides in carrying out their lives as damuh warih Ida Mpun Semeru.ng out their lives as damuh warih Ida Mpun Semeru.)
Ni Luh Wida Apriliani, S.Pd + (Ni Luh Wida Apriliani, S.Pd. with the pen … Ni Luh Wida Apriliani, S.Pd. with the pen name Nulus Asih. He is one of the Balinese writers of geguritan who lives on Jl. Raya Semer, Gang Tunjung Mekar no.11, Peliatan Environment, Kerobokan Village, North Kuta District, Badung Regency. She was born in Gelunggang on April 5, 1993. She is the daughter of I Wayan Wiartana and Ni Ketut Sumartini. His current job is as a Balinese language instructor in Tanjung Benua Village.guage instructor in Tanjung Benua Village.)
Promote domestic tourism and address infrastructure gaps + (Promote domestic tourism and address infra … Promote domestic tourism and address infrastructure gapsIn 2019, about 16 million foreign visitors came to Indonesia. The sector contributed $20 billion in foreign exchange revenue and employed about 13 million people or around 10 percent of the total workforce. The COVID-19 pandemic hit the industry hard. In the first half of 2020, arrivals to Indonesia were off by almost 60 percent, the industry is expected to lose $10 billion in foreign exchange revenues for the full year, and more than 90 percent of the workers in the sector have been furloughed indefinitely without pay.Even when the world begins recovering from the pandemic, it remains unclear how quickly travelers will be willing to jump onto planes and visit the beaches of Bali, the forests of Borneo, and other popular destinations. In addition, countries dependent on tourism will all be competing for smaller groups of travelers for a while. Recovery in the tourist sector is likely to lag behind that of others.Looking forward, we expect travelers will, at least initially, avoid in-person contact in booking, traveling, and even staying at their destinations. They will prefer shorter trips to outdoor destinations and flexible cancellation policies. In addition, those staying at hotels and other large accommodations will put a premium on visible evidence of greater cleanliness and hygiene than in the past.To help the tourist sector rebound as quickly as possible, Indonesia should focus on two crucial areas. The first is promoting domestic tourism. Evidence from many markets has shown that domestic travel has recovered more quickly than international travel, especially among young tourists who see themselves as less vulnerable. In China, for instance, domestic air travel reached 90 percent of 2019 levels by August 2020, while international travel was still lagging well behind.Unlike international tourists, who concentrate in Bali and East Nusa Tenggara, the majority of domestic tourists in Indonesia visit Java. To push rates of domestic tourism, the government and operators should promote lesser-known domestic attractions, like the Lake Toba region in North Sumatra, the Mandalika area in East Nusa Tenggara, and Likupang Beach in North Sulawesi. Discounts and other incentives could also help ignite domestic travel.The country can also use the unintended lull in visitors to beef up its tourist infrastructure. The disruption provides an opportunity, for example, to improve airports, accommodations, and other facilities. The jump in digital activity brought by the pandemic can also be used to accelerate the adoption of new technologies by operators in the sector, from online booking systems to advanced analytics that can offer real-time information on tourist activities and behaviors.ation on tourist activities and behaviors.)
Rucina Ballinger + (Rucina is one of Bali’s cultural icons. S … Rucina is one of Bali’s cultural icons. She has lived in Bali since 1974 when she did intensive study of dance and its relationship to religion. Her book, co authored with I Wayan Dibia, BALINESE DANCE, DRAMA AND MUSIC: AN INTRODUCTION TO BALINESE PERFORMING ARTS is used in classrooms around the world and by travellers coming to Bali who want to know more about the performing arts in context. She pioneered World Learning’s (ex Experiment in International Living) Bali Academic Semester Abroad program in 1985 and then switched to the other end of the spectrum and ran Elderhostel cultural programs for ten years with her late husband, Anak Agung Gede Putra Rangki.She and Agung were the klian adat or traditional heads of their hamlet in Abianbase, Kapal for 2013; as far as we know she is the only foreigner to have held this position.After the initial Bali bombings in 2002, the non profit sector became her world and she was the director of YKIP for over a decade, assisting survivors of the bomb with scholarships and livelihood programs. She then worked for the Annika Linden Foundation, helping to create the Annika Linden Centre in Denpasar, Bali, dedicated to one of the bomb victims in the spirit of helping those who are economically disadvantaged. Currently, she runs the CSR program of the Amicorp Group via the Amicorp Community Foundation in the village of Les, North Bali, where a Vocational Training Center is set to be built.In 2003, she and three other foreign women of a certain age and size (all married to local men) formed Grup Gedebong Goyang, a comedy group that does song paradies and skits about current affairs in Bali. Their Balinese version of SAKITNYA TOH DISINI has over a million hits!Currently she divides her time between Les village and Ubud, where she resides with her entire family (sons Gung Anom and Gung Prabu; daughter in laws Jero Bahari/Edenie and Gung Tia and grandson Gung Arun and granddaughter Gung Prabha) and three dogs.granddaughter Gung Prabha) and three dogs.)
Stephanie Brookes + (Stephanie Brookes is a Bali resident. She … Stephanie Brookes is a Bali resident. She has lived in Indonesia since 2001. In 2014 Stephanie together with her husband, David Metcalf published a cultural travel book, "Indonesia's Hidden Heritage - Cultural Journey's of Discovery", which covers 12 stories, 12 islands and 12 different ethnic tribes. A specialist Bali based Indonesian travel writer for over ten years, Stephanie searches out some of the more remote destinations in Indonesia. Her work has been published in NowJakarta, Garuda Colours, KLM Holland Herald and Forbes Travel. Her latest project involves supporting a cultural connection community initiative in Ubud, Bali called Ubud Village Plate, where travellers join a Balinese host family for dinner, in a Balinese home and cook together with the family. A great supporter of education and literacy projects in Bali and Kalimantan. Please check out www.ubudvillageplate.comwww.travelwriter.wswww.facebook.com/stephtravelwriterwww.Instagram.com/stephtravelwriterwriter www.Instagram.com/stephtravelwriter)
Dadalan Sejarah Wangunan Monumen Perjuangan Rakyat Bali + (THE BACKGROUND OF THE ESTABLISHMENT OF THE … THE BACKGROUND OF THE ESTABLISHMENT OF THE MONUMENT OF BALINESE STRUGGLESporadic struggles for independence against the Dutch Colonial Government emerged in most parts of Indonesia. The violent oppressions by the Dutch resulted many rebellions in various dominions of kingdoms and sultanates under the Dutch colonialism. But unfortunately, the Dutch could easily suppress them by applying their divide et impera (divide and rule) tactic to break the strength of those kingdoms and sultanates by playing off against each other, between a king and the other, between the royal family and the king, the king and his people, and between people as well.The long war experiences and also the more and more Indonesian youth got academic education had aroused the spirit of unity among various social strata and ethnic groups and the awareness to defend their country and to drive away the colonizers. It was initiated by a number of intellectual youths from various regions that on October 28th, 1928, for the firsttime, the Indonesian youth held a conference in which they declared the so called the Sumpah Pemuda or the Youth Pledge. They swore that they were of one mother country: Indonesia, one nationality: Indonesian, and of one language: Bahasa Indonesia or the Indonesian language. This declaration was simultaneously participated by many youth organizations from various islands and ethnics in Indonesia such as, Jong Java of Central and East Java, Jong Pasundan of West Java, Jong Minahasa of North Sulawesi, Jong Ambon of Maluku, Jong Celebes of Sulawesi, Jong Madura, Jong Sumatranen, Jong Batak of Batak ethnic group, etc which later on resulted an idea to form the Jong Indonesia to accomodate all ethnics in Indonesia.This spirit of Sumpah Pemuda has also awakened various youth organizations in Indonesia.One well-known organization, among others, is Sarekat Islam, which was originally as a mere religious movement, then developed into the first popular movement in Indonesia, then the Indische Partij party which also moved in politics. At that time on the island of Java nationalist figures emerged such as dr. Soetomo, HOS. Cokroaminoto, Suwardi Suryaningrat (Ki Hadjar Dewantoro), Douwes Dekker, Tjipto Mangunkusumo, Agus Salim, Soekarno, Muhammad Hatta, and so on. Their pioneering work eventually also inspired other regions to do the same, namely to unite the regions in expelling the Dutch occupation, one of which was a struggle carried out by the Balinese people.Bali Island is one of the bases of the struggle against the Dutch, among which the famous is the Jagaraga War of 1848-1849 in Buleleng, the Kusamba War of 1849, the Banjar People’s Resstance in 1868, the Puputan Badung War of 1906 launched by the King of Badung, Puputan Klungkung in 1908 and also the Puputan Margarana War in the Marga Village of Tabanan conducted by Liutenant Colonel I Gusti Ngurah Rai along with Laskar Ciung Wanara who had waged in all-out war (Puputan) against the Dutch in 1946.The struggle performed by I Gusti Ngurah Rai has left deep memories for the people of Bali, so as to commemorate his services, a monument, street name, airport name, and so on were erected. The awarding of his services is solely because he has set an example to the younger generation in the struggle for independence which is done unconditionally. The government’s attention to the services of the fighters in Bali was realized by the construction of a grand monument located in the Niti Mandala area, Denpasar known as the the Monument of Balinese Struggle.What is presented in this monument is to recall all the struggles of the Balinese heroes before and after independence. It is also hoped that this monument will also has some benefit in an effort to increase the appreciation of the younger generation in living up to the patriotic values demonstrated by the heroes who sacrifice all his body and soul in defending the dignity of his people without ever expecting retribution.The monument was designed by Mr. Ida Bagus Gede Yadnya, a young man who was at that time was a student in the Department of Architecture, Faculty of Engineering, Udayana University, Denpasar. He succeeded in winning and becoming a champion in the design competition of the the Monument of Balinese Struggle which was carried out in 1981 by setting aside his senior architects in Bali.After the design and drawing improvements were made, in August 1988 through the budget of the Provincial Government of Bali a groundbreaking was carried out, as a sign of the start of the construction of the monument. After going through various obstacles and trials due to the depreciation of the Rupiah in 1997, finally this monument could be completed also in 2001. After that, the development was continued with the making of dioramas that depicted the life history of the Balinese from time to time. In addition to the dioramas, a park was also built to add the beauty and comfort of this monument, which as a whole could be completed in 2003. On June 14, 2003, in conjunction with the Opening of the 25th Bali Arts Festival in 2003, Indonesian President Megawati Soekarnoputri had the pleasure of inaugurating the Monument of Balinese Struggle. Since then the monument has been officially opened for public.PURPOSE AND OBJECTIVESThe purpose of making dioramas that tells a story of the struggle of the Balinese people is to reconstruct important historical events that have occured in Bali, so that what is implied in them will be more easily appreciated by younger generation.The aim is to perpetuate the spirit of the struggle of the Balinese people from time to time and pass down the spirit of patriotism in the form of self-sacrifice, love of the motherland, love of unity and love of peace, togetherness to the next generation of the nation, and the main thing is to maintain the integrity of the Unitary Republic of Indonesia (Homeland).THE PHILOSOPHICAL BASIC OF THE MONUMENT OF BALINESE STRUGGLEThis monument is an embodiment of lingga and yoni. Lingga is male symbol (purusa), while yoni is female symbol (pradana). The meeting between the two elements is a symbol of fertility and well-being. In addition to the Lingga-Yoni philosophy, this monument is also based on the philosophy of the Mandara mountain screening (Mandara Giri) in ocean of milk (Ksirarnawa). This story comes from the Adi Parwa book, the first chapter (parwa) of the Mahabarata epic. It is said that the gods and giants (daitya) sought the water of eternal life (tirtha amertha) by turning around Mandara mountain in the ocean of milk. The implementation of the screening of mount Mandara is regulated as follows:1. Turtles (akupa) as the base of mount Mandara2. Besuki Dragon (Naga Besuki) as a strap and turning mount.3. The gods hold the dragon’s tail and the daitya hold the head, while at the top of the mountain sits God Shiva.After working with great difficulty turning the Mandara mountain then successively came out: crescent (Ardha Chandra), Goddess Sri and Laksmi, flying horse (kuda Ucaisrawah), tree of happiness (Kastuba Mani), and the last came out Goddess Dhanwantari who brought Tirta Amertha. The story of searching for Amertha water is then reflected in the shape of this monument, with the following explanation:1. The earthen pitcher containing tirta amertha was symbolized by a kind of pot (swamba), which is located on the top of the monument.2. Naga Besuki’s tail is realized near the pot.3. The head of the dragon is manifested in the entrance gate (Kori Agung).4. Turtle (Bedawang Nala/ akupa) as the foundation of the monument is located on the edge of the lake and its head on Kori Agung.5. The pond that surrounds the monument as the symbol of Ocean of milk (Ksirarnawa).6. Mandara mountain (Mandara Giri) as the overall shape of the monument building.Philosophically, the initiators of this monument wish to give a message to the younger generation that the struggle to achieve success can only be done with hard work, perseverance, and mutual cooperation as told when the Gods and Daitya together seek eternal life.Another symbol depicting the power of God Almighty (Ida Sang Hyang Widhi Wasa) contained in this building is a building plan in the shape of an octagon and an eight-leaf lotus. The eight-leaf lotus is called Asta Dala as a symbol of the omnipotence of God Almighty called Asta Aiswarya, namely:1. Anima : the mildness nature like atom.2. Lagima : the lightness nature like ether.3. Mahima : the great nature that fills all places.4. Prapti : the nature of reaching all desired places.5. Prakamya : all wills are achieved by Him.6. Isitawa : the nature of dominating everything and the most important One.7. Wasitwa : the most powerful character.8. Yatrakama Wasayitwa : His nature and His will cannot be challenged.The symbol of patriotism and nationalism can be found in the 17 number of foot steps towards the main entrance, 8 main pillars of the building and the height of the monument is 45 meters. If these figures are strung together, the numbers 17, 8, and 45 are arranged which show the date, month, and year of the Proclamation of Indonesian Independence, August 17, 1945. Indonesian Independence, August 17, 1945.)
Wayan Sumahardika + (Wayan Sumahardika was born in Denpasar, Ma … Wayan Sumahardika was born in Denpasar, May 11, 1992. He obtained a Masters degree at Undiksha Language Education Study Program, Singaraja. He became a director, scriptwriter and founder of Teater Kalangan. His manuscript won first place in the Indonesian Monologue Script Contest at the UIN Jakarta Festival, first place in the Traditional Drama Script Writing Competition for the Bali Provincial Culture Service 2018, and 1st Place in the Modern Drama Script Writing Competition for the Bali Provincial Culture Office 2017. Some of his performances were staged at the event. Indonesia V Theater pulpit, Bali Emerging Writers Festival, Bali Arts Festival, Bali Mandara Nawanatya, 100 Putu Wijaya Monologue Festival, Canasta Theater Parade, North Bali Young Theater Parade, Jembrana Hamlet Festival and Bali Language Month Festival in Bali Province. Writings in the form of poetry, short stories, essays, and theater reviews have been published in a number of media such as Indopos, Media Indonesia, Bali Post, Bali Tribune, Tribune Bali, Tatakala.co, Bale Bengong and have been compiled in several anthologies.have been compiled in several anthologies.)