Difference between revisions of "Book Memories of the Sacred"
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"Helmi is an uncommonly expressive writer in his own right. Long explanatory captions accompany each photograph, chronicling not just the subject matter and place, but also the reasons why a wayong wong performer intensely contemplates his mask, why a young boy falls into trance, what he was thinking as a kilometer long procession, and what happened when he stumbled into a Kintamani temple courtyard, even though he released the shutter more than 20 years ago." | "Helmi is an uncommonly expressive writer in his own right. Long explanatory captions accompany each photograph, chronicling not just the subject matter and place, but also the reasons why a wayong wong performer intensely contemplates his mask, why a young boy falls into trance, what he was thinking as a kilometer long procession, and what happened when he stumbled into a Kintamani temple courtyard, even though he released the shutter more than 20 years ago." | ||
| + | |Description of information ban=“Henri Cartier-Bresson, pinaka juru potrék hitam putih let, maosang “yéning ngambil foto sané becik patut ngamerluang, pangrasa halus lan panyingakan bétel”. Kawagedan arang puniki sida kapanggih ring nem dasa potrékan sané wénten ring buku proyek Rio Helmi sané pinih anyar, “Memories of the Sacred” wantah pupulan sané kasariang saking panyiuan potrekan sané kaambil saking juru potrek waged sané madasar ring Bali selami tigang dasa tiban. Helmi taler satmaka penulis sané dahating ékspresif. Paweweh-weweh ring foto madaging panuntunan sané sida nlatarang sakancan foto, nénten ja wantah nyobiahang subjek potrekan lan genah motrek, nanging nlatarang taler sane ngawinang penari wayang wong ngulengang pikayun ring tapelnyané, sané ngawinang para lanangé karauhan, daging-daging pikayunan sané lantang akilometer waluya pééd majajar, lan napi sané mijil sangkaning nénten nyelapang ngranjing ring natar pura ring Kintamani, yadiastun dané sampun ngambil potrékanné lintang saking kalih dasa tiban. | ||
|Description of information id=“Henri Cartier-Bresson, seorang fotografer hitam putih kawakan, mengatakan bahwa mengambil sebuah foto yang bagus memerlukan “sentuhan halus dan tatapan tajam”. Kecakapan langka ini jelas terlihat pada enam puluh foto dalam buku proyek Rio Helmi terbaru ini, “Memories of the Sacred” sebuah koleksi yang disarikan dari beribu-ribu foto yang diambil fotografer profesional kawakan yang berbasis di Bali selama tiga puluh tahun. “....” Helmi juga merupakan penulis yang amat ekspresif. Keterangan-keterangan foto berisi penjelasan panjang menemani setiap karya foto , mengetengahkan tidak saja subjek foto dan lokasi pemotretan, tapi juga alasan kenapa seorang penari wayang wong merenungi topengnya dalam-dalam, kenapa seorang anak laki-laki kesurupan, buah-buah pikirannya yang menyerupai sebuah prosesi sepanjang satu kilometer, dan apa yang terjadi ketika dia tanpa sengaja masuk ke halaman luar sebuah pura di Kintamani, walau ia telah mengambil gambar tersebut lebih dari dua puluh tahun lalu. | |Description of information id=“Henri Cartier-Bresson, seorang fotografer hitam putih kawakan, mengatakan bahwa mengambil sebuah foto yang bagus memerlukan “sentuhan halus dan tatapan tajam”. Kecakapan langka ini jelas terlihat pada enam puluh foto dalam buku proyek Rio Helmi terbaru ini, “Memories of the Sacred” sebuah koleksi yang disarikan dari beribu-ribu foto yang diambil fotografer profesional kawakan yang berbasis di Bali selama tiga puluh tahun. “....” Helmi juga merupakan penulis yang amat ekspresif. Keterangan-keterangan foto berisi penjelasan panjang menemani setiap karya foto , mengetengahkan tidak saja subjek foto dan lokasi pemotretan, tapi juga alasan kenapa seorang penari wayang wong merenungi topengnya dalam-dalam, kenapa seorang anak laki-laki kesurupan, buah-buah pikirannya yang menyerupai sebuah prosesi sepanjang satu kilometer, dan apa yang terjadi ketika dia tanpa sengaja masuk ke halaman luar sebuah pura di Kintamani, walau ia telah mengambil gambar tersebut lebih dari dua puluh tahun lalu. | ||
|Link=https://www.baliadvertiser.biz/memories/ | |Link=https://www.baliadvertiser.biz/memories/ | ||
Revision as of 08:49, 30 July 2018
- Title
- Memories of the Sacred
- Original language
- Author(s)
- Illustrator(s)
- Publisher
- Afterhours
- ISBN
- —
- Publication date
- June 30, 2016
- Subjects
- photography
- sacred
- sekala
- niskala
- Find Book
- Related Env. Initiatives
- Related Places
- Related Biographies
- Related Children's Books
- Related Holidays
- Related Folktales
- Related Comics
- Related Lontar
- Linked words
Description(s)
"Henri Cartier Bresson, a master of black and white photography, observed that taking a good photograph required “a velvet hand and a hawk’s eye.” This rare skill is abundantly evident in the 60 photographs in Rio Helmi’s most recent book project, Memories of the Sacred, a collection distilled from many thousands of images taken over a 30-year period by this seasoned Bali-based professional photographer." .... "Helmi is an uncommonly expressive writer in his own right. Long explanatory captions accompany each photograph, chronicling not just the subject matter and place, but also the reasons why a wayong wong performer intensely contemplates his mask, why a young boy falls into trance, what he was thinking as a kilometer long procession, and what happened when he stumbled into a Kintamani temple courtyard, even though he released the shutter more than 20 years ago."
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