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  • 2 - Luh Ayu Manik Mas, Ngae Perpustakaan Keliling  + (Without warning, a fierce wind sprang up iWithout warning, a fierce wind sprang up in Room 21. The book that Luh Ayu Manik and her friends were reading shook and then flew about the room. And from the pages of the dirty, torn and tattered book, horrid demons appeared. Luh and her friends wanted to run away but they couldn't move ... they were like statues. I Wayan and I Made wanted to scream ... but their lips were sealed shut and they couldn't speak. were sealed shut and they couldn't speak.)
  • Anak Istri Benteng Utama Nglawan Panglimbak Hoax  + (Women As The Main Role of Ward Off The FakWomen As The Main Role of Ward Off The Fake News</br>In the world of globalization today, all people are faced with an extremely fast flow of information. Lots of information makes it easy and also useful for the community, but there is also misinformation and misinformation that is spread by irresponsible people which are very dangerous if it is spread into the community. Information is very easy to access even for young children. Here the importance of the role of women in protecting their own families and environment so as not to be influenced by the hoax. Women can be the main bulwark in the face of fake news as well as become ambassadors for social media literacy because generally, children are very close to their mothers. Hoaxes or fake news are often wrapped in a catchy headline, that can draw the emotional side of a person. The spread of fake news has many purposes, one of which is to divide people and cause divisions.</br>Women as a mother can simultaneously direct their partners and their environment to have an important role in stopping the spread of fake news. By instilling a literacy culture in the children and the environment, information will be fully delivered and accurate that leads to a reading culture, improve human resources in the future, and avoid fake news made by irresponsible people. Women often feel insecure, and feel less intelligent than others, so, they are scared to express their opinions if they find wrong information. Women as literacy agents must be able to ward of hoaxes and be able to sort out logical news also consider whether the news is important or not to be spread. With the active involvement of women, it will certainly minimize the spread of hoax news in society.nimize the spread of hoax news in society.)
  • Wong Samar (Ema)  + (Wong Samar is a type of Bhuta Kala or a spWong Samar is a type of Bhuta Kala or a spirit in Balinese belief whose form almost resembles a normal human. In Balinese the word "wong" means human and "samar" means invisible. Associated with the 2024 elections, prospective leaders will compete to show personal kindness by campaigning for each other's greatness. Promises made by aspiring leaders disappear like advertisements. They were all seen along the street, on banners, billboards advertising themselves. Most prospective leaders will incarnate as vague people who are vaguely present, but after becoming invisible leaders, the vague sweetness of that promise will fade.vague sweetness of that promise will fade.)
  • World Without Sound  + (World Without Sound is an Anthology of artWorld Without Sound is an Anthology of art and thought.With contributions from Putu Suasta, Warih Wisatsana, Made Kaek, Putu Bonuz, Ellen Lane, Made Artawa, Wayan Suastama, Agung Putra, Made Delo Budiarta, Nyoman Handi, Tjandra Hutama, Made Somadita, David Hopkins, Kadek Sudiasa, ManButur Suantara, Sun Rong Fang, Wayan Juniari, Dewi Dian Reich.</br></br>Sawidji has collated together a series of artworks and poetry for this special presentation. It is an anthology. This theme of ‘World Without Sound’ was inspired by the wonderful experiences we had in working together with the Sushrusa Deaf School Community. Not simply about raising awareness about those with differences in our community and sign language. Perhaps even more remarkable, is experiencing the reality of the nature of inclusivity. As a powerful value that nurtures a growing collective empathy.</br></br>Most art exhibitions have one primary objective and that is to feature and highlight artworks and artists. This is by no means very different. However, perhaps the spirit of which this was put together is a little different. Somewhat experimental that it could not be foreseen what will be the result. We invited those in our community, whether it be social, digital or local to participate in a contemplation. To contemplate the concept of ‘Dunia Tanpa Suara’. This translates to ‘World Without Sound’ (though may also be translated to ‘World without voice’). To contribute to this reflection using a creative piece.</br></br>The Spirit of Inclusivity</br></br>Our invitation was done in the spirit of inclusivity. It was not only artists but also other members of the community who felt reflections on this theme were worthwhile. With the time and space, we have available we can only say a heartfelt thank you to everyone. Those whose works and contributions made it possible for us to present this anthology. One for all of our community to enjoy. It is so so very rich with insight and learning. One that is deep with life lessons from all directions of life experiences.</br></br>With such personal freedom and intimacy, everyone came to their private message about their imagine ‘World Without Sound’. For each realisation in every individual, it is a lesson of wisdom, empathy or simply of beauty that we can partake in. </br>ur heartfelt gratitude to everyone who opened themselves and generously shared their time, creations and thoughts with us. We are honoured by the generosity of the talented artists and writers who have come together in this anthology of art and thought, living the very spirit of inclusivity.</br></br>Online Exhibition available for viewing at Sawidji.com https://sawidji.com/2023/04/16/world-without-sound-an-anthology/23/04/16/world-without-sound-an-anthology/)
  • Baligrafi Ma-Nga-Ba  + (Wreastra script is a Balinese script whichWreastra script is a Balinese script which has 18 characters, namely Ha, Na, Ca, Ra, Ka, Da, Ta, Sa, Wa, La, Ma, Ga, Ba, Nga, Pa, Ja, Yes, and Nya. The Balinese script is different from the Javanese script when it comes to the number and shape. The development of the Balinese script cannot be separated from the story of Sang Aji Saka which developed in Java. This Baligraphic work on the Wreastra script is divided into seven works, namely Ha-Na, Ca-Ra-Ka, Ga-Ta, Ma-Nga-Ba, Sa-Wa-La, Pa-Da, and Ja-Ya-Nya which means there is a bodyguard who fights with his power. This large-sized calligraphy is made on canvas with a wooden frame placed at the Lontar Unit of Udayana University. at the Lontar Unit of Udayana University.)
  • Baligrafi Ja-Ya-Nya  + (Wreastra script is a Balinese script whichWreastra script is a Balinese script which has 18 characters, namely Ha, Na, Ca, Ra, Ka, Da, Ta, Sa, Wa, La, Ma, Ga, Ba, Nga, Pa, Ja, Yes, and Nya. The Balinese script is different from the Javanese script when it comes to the number and shape. The development of the Balinese script cannot be separated from the story of Sang Aji Saka which developed in Java. This Baligraphic work on the Wreastra script is divided into seven works, namely Ha-Na, Ca-Ra-Ka, Ga-Ta, Ma-Nga-Ba, Sa-Wa-La, Pa-Da, and Ja-Ya-Nya which means there is a bodyguard who fights with his power. This large-sized calligraphy is made on canvas with a wooden frame placed at the Lontar Unit of Udayana University. at the Lontar Unit of Udayana University.)
  • Baligrafi Pa-Da  + (Wreastra script is a Balinese script whichWreastra script is a Balinese script which has 18 characters, namely Ha, Na, Ca, Ra, Ka, Da, Ta, Sa, Wa, La, Ma, Ga, Ba, Nga, Pa, Ja, Yes, and Nya. The Balinese script is different from the Javanese script when it comes to the number and shape. The development of the Balinese script cannot be separated from the story of Sang Aji Saka which developed in Java. This Baligraphic work on the Wreastra script is divided into seven works, namely Ha-Na, Ca-Ra-Ka, Ga-Ta, Ma-Nga-Ba, Sa-Wa-La, Pa-Da, and Ja-Ya-Nya which means there is a bodyguard who fights with his power. This large-sized calligraphy is made on canvas with a wooden frame placed at the Lontar Unit of Udayana University. at the Lontar Unit of Udayana University.)
  • Baligrafi Ga-Ta  + (Wreastra script is a Balinese script whichWreastra script is a Balinese script which has 18 characters, namely Ha, Na, Ca, Ra, Ka, Da, Ta, Sa, Wa, La, Ma, Ga, Ba, Nga, Pa, Ja, Yes, and Nya. The Balinese script is different from the Javanese script when it comes to the number and shape. The development of the Balinese script cannot be separated from the story of Sang Aji Saka which developed in Java. This Baligraphic work on the Wreastra script is divided into seven works, namely Ha-Na, Ca-Ra-Ka, Ga-Ta, Ma-Nga-Ba, Sa-Wa-La, Pa-Da, and Ja-Ya-Nya which means there is a bodyguard who fights with his power. This large-sized calligraphy is made on canvas with a wooden frame placed at the Lontar Unit of Udayana University. at the Lontar Unit of Udayana University.)
  • Baligrafi Ha Na  + (Wreastra script is a Balinese script whichWreastra script is a Balinese script which has 18 characters, namely Ha, Na, Ca, Ra, Ka, Da, Ta, Sa, Wa, La, Ma, Ga, Ba, Nga, Pa, Ja, Yes, and Nya. The Balinese script is different from the Javanese script when it comes to the number and shape. The development of the Balinese script cannot be separated from the story of Sang Aji Saka which developed in Java. This Baligraphic work on the Wreastra script is divided into seven works, namely Ha-Na, Ca-Ra-Ka, Ga-Ta, Ma-Nga-Ba, Sa-Wa-La, Pa-Da, and Ja-Ya-Nya which means there is a bodyguard who fights with his power. This large-sized calligraphy is made on canvas with a wooden frame placed at the Lontar Unit of Udayana University. at the Lontar Unit of Udayana University.)
  • Baligrafi Ca Ra Ka  + (Wreastra script is a Balinese script whichWreastra script is a Balinese script which has 18 characters, namely Ha, Na, Ca, Ra, Ka, Da, Ta, Sa, Wa, La, Ma, Ga, Ba, Nga, Pa, Ja, Yes, and Nya. The Balinese script is different from the Javanese script when it comes to the number and shape. The development of the Balinese script cannot be separated from the story of Sang Aji Saka which developed in Java. This Baligraphic work on the Wreastra script is divided into seven works, namely Ha-Na, Ca-Ra-Ka, Ga-Ta, Ma-Nga-Ba, Sa-Wa-La, Pa-Da, and Ja-Ya-Nya which means there is a bodyguard who fights with his power. This large-sized calligraphy is made on canvas with a wooden frame placed at the Lontar Unit of Udayana University. at the Lontar Unit of Udayana University.)
  • Baligrafi Sa-Wa-La  + (Wreastra script is a Balinese script whichWreastra script is a Balinese script which has 18 characters, namely Ha, Na, Ca, Ra, Ka, Da, Ta, Sa, Wa, La, Ma, Ga, Ba, Nga, Pa, Ja, Yes, and Nya. The Balinese script is different from the Javanese script when it comes to the number and shape. The development of the Balinese script cannot be separated from the story of Sang Aji Saka which developed in Java. This Baligraphic work on the Wreastra script is divided into seven works, namely Ha-Na, Ca-Ra-Ka, Ga-Ta, Ma-Nga-Ba, Sa-Wa-La, Pa-Da, and Ja-Ya-Nya which means there is a bodyguard who fights with his power. This large-sized calligraphy is made on canvas with a wooden frame placed at the Lontar Unit of Udayana University. at the Lontar Unit of Udayana University.)
  • Wreddhya Jaladhi  + (Wreddhya Jaladhi comes from Old Javanese. Wreddhya Jaladhi comes from Old Javanese. Wreddhya Jaladhi is the fertility of the oceans which is based on protecting the oceans as a source of life. The shape of the gajah mina is a symbol of the fertility of the oceans. Interrelated characters mean living a life that cannot be separated from the existence of the ocean. the white color indicates the sanctity of the ocean which always shines and provides safety to all living things. This baligraphy is a participant in a baligraphy competition held in the context of the Bulan Bahasa Bali V in 2023. This baligraphy belongs to the Dinas Kebudayaan Provinsi Bali.ngs to the Dinas Kebudayaan Provinsi Bali.)
  • How to Prevent Foreign Nationals from Driving Recklessly on Motorcycles/Cars in Bali  + (Yesterday afternoon, I went for a stroll tYesterday afternoon, I went for a stroll to Kuta. I saw a lot of foreign nationals driving recklessly on motorcycles and cars. I was shocked to see them, and it made me feel uneasy. I was afraid of being hit by one of those foreign nationals, who may not even realize they were doing something wrong. Why do these reckless foreign nationals come to Bali? Why aren't the rental companies keeping an eye on them and ensuring they know how to drive properly on the roads? Instead of just taking their money, we should teach them how to drive properly through the police department. Let's all work together, including the rental companies, to test foreign nationals before renting them motorcycles or cars. Let's build and maintain Bali as a safe place for everyone. We can also boost Bali's economy and tourism industry so that rental companies don't have to close down due to reckless foreign nationals. Let's educate and teach foreign nationals how to drive properly to avoid any more news about reckless foreign nationals endangering Bali.ckless foreign nationals endangering Bali.)
  • Wrespati (Wrihaspati) Tattwa  + ([EN] Lontar Wrihaspati tattwa is one of th[EN] Lontar Wrihaspati tattwa is one of the lontar texts which becomes the source of belief of the Hindu community in Bali. Actually, this palm-leaf text is a Sanskrit text that is thought to originate from the tenth century. Possibly, this Sanskrit text is also a copy of more authentic Puranas. The Sanskrit text in Wrespati Tattwa consists of 74 verses and each verse is given a translation and commentary in ancient Javanese language. Such system has been common since the reign of King Dharmawangsa in Panjalu. Therefore, this palm-leaf text was probably translated into ancient Javanese around that era.</br></br>Wrespati (Wrihaspati) was a great rsi who became a teacher of the gods. He is a brahmana who rules Planet Jupiter. Therefore, if Planet Jupiter approaches the moon, Hindus consider it a good day to start learning spiritual knowledge. In Wrespati Tattwa, there is a dialog between Rsi Wrihaspati and Lord Shiva, the ruler of Mount Kailasa. The content of the dialog includes the existence of cosmic consciousness or cetana, and cosmic darkness or acetana.</br></br>Cetana and acetana cause various types of differences in the universe. Cetana and acetana also cause an increase and deterioration of the mind. Because of increased awareness, humans reach higher planets after death, which is known as swargaloka (heavens). Conversely, when human consciousness degenerates, they sink into terrible planets called naraka (hell). So, heaven and hell are on other planets, not on Earth.</br></br>Many people mistakenly interpret the teachings of Wrespati Tattwa and conclude that heaven and hell only exist in the mind. This is a wrong conclusion. In fact, if the text of Wrespati Tattwa is interpreted more deeply, the mind is cause of humans’ going to heaven, hell or achieve liberation. The mind binds man in the chains of desires, and without intelligence and knowledge, man will be made degenerated by his own desires.</br></br>Lontar Wrespati Tattwa also teaches about how to achieve liberation. According to this text, liberation can only be achieved if one is freed from illusions. Illusion means to think that he is a gross body and think that this material nature is his eternal abode. Such awareness can only be achieved by a process called yoga. Yoga does not mean merely gymnastic movements. Yoga means connecting the mind with spiritual awareness.necting the mind with spiritual awareness.)
  • Yadnya Prakerti  + ([EN] Most of the procedures for making off[EN] Most of the procedures for making offerings in Bali come from Yadnya Prakerti Scripture. This scripture is one of the most important ones for Saratis. A sarati is a person in charge of making banten (offerings) in various types of ceremonies. The leader of the Saratis is called Tapini or Tarpini, who is usually a woman. Tapini is also a title for a priest's wife who has knowledge and skills in making many types of offerings. In Balinese belief, the Tapinis are supervised by Bhatari Durga.</br></br>Lontar Yadnya Prakerti contains many strict rules regarding procedures for making offerings. The most important thing is the ethics and cleanliness of people who make the offerings. According to this scripture, not any person are allowed to make offerings. Because banten is an offering to God and the demigods, the process of making it must be pure.</br></br>The materials used to make offerings must be natural and disposable. Banten should not be made of plastic materials, because Hindu people are familiar with the concepts of purity (sukla) and defilement (cemer). Therefore, according to the essence of Lontar Yadnya Prakerti, offerings to God and the demigods must be clean, fresh and pure.</br></br>There are some basic ethics for a Sarati according to Lontar Yadnya Prakerti. First, a sarati must be clean and pure in body, mind and words. Secondly, Sarati must not forget to give charity to a brahmin (priest). Not only that, a Sarati must ensure that the banten materials are obtained in the right ways. Last but not least, Sarati should not gossip when making offerings.i should not gossip when making offerings.)
  • Putru Saji Tarpana  + ([EN] One of the most interesting ancient t[EN] One of the most interesting ancient texts in Bali is probably Putru Saji Tarpana. If you have used GPS as a guide, then Putru Saji Tarpana is a collection of directions for the spirits of people who have died. The contents of this text is written in ancient Javanese language, mixed with ordinary Balinese, perhaps made and copied from the fifteenth century, and until now must be read during cremation ceremonies or at Atma Wedana (Ngarorasin) ceremony.</br></br>The first and last part of the manuscript does not indicate in which year and during the reign of which king the script was made. From the beginning to the end, this text contains clues about the magical places the spirit of the deceased will pass before finally reaching Yamaloka. Yamaloka is the gate of the court of spirit, where every deed will be weighed according to the provisions of the Dharma law.</br></br>According to this ejection, the spirit of the deceased will encounter many strange things during the journey to Yamaloka. The magical places are in the form of forests on clouds, highways, wells, darkness, strange creatures, to deep rivers and mud. The spirit will also cross a bridge. If his actions during his life are good, all those terrible things will be passed over easily. If his actions are evil for life, the spirit will be trapped in those strange places.</br></br>In order for the spirit to pass through strange places easily, Putru Saji Tarpana gave directions to the road and supplies that the spirit had to carry. These road directions also contain provisions that must be given by the spirit to the astral creatures he encounters.</br></br>But this does not mean that only with a large ceremony of death can the spirit be freed from all sins. The death ceremony can only help the spirit journey to reach Yamaloka's court, but it cannot erase his bad deeds during life. Food ingredients and water offered to the spirits of the dead aims to give them a new body in the new nature, but not to wash away their sins.w nature, but not to wash away their sins.)
  • Banawa Sekar  + ([EN] One of the shortest kakawins is Banaw[EN] One of the shortest kakawins is Banawa Sekar, which is commonly called Banawa Sekar Tanakung because it was written by Mpu Tanakung in 1351 AD. Banawa Sekar means "boat of flowers". This Kakawin was written by Mpu Tanakung (not his real name) when King Hayam Wuruk committed a great holy sacrifice (Sraddha) addressed to his late grandmother, Dyah Rajapatni Gayatri, at Majapahit palace square.</br></br>There are only 12 stanzas in this kakawin, divided into three chapters. The first chapter describes the magnificence of the sraddha ceremony performed by Raja Hayam Wuruk. Many priests, royal families, nobles and all Majapahit officials were present to offer prayers and respect for the deity of Rajapatni Gayatri which was seated on a white throne.</br></br>The second chapter describes various offerings from many descendants of the Majapahit aristocracy. There are offerings in the form of poetry, dances and so on. The last offering was a flower boat by King Hayam Wuruk. He offered a boat made from a variety of colorful flowers. There are gadung flowers, lotus, kayu mas, sanggalangit, jasmine, magnolia and so on. The boat was very beautiful.</br></br>The final chapter expresses regret of the poet for not being able to explain the grandeur of the ceremony as the king expected. He hoped that the kakawin would be received by the king and make him happy before the kakawin was later copied in the form of palm-leaf manuscript.</br></br>Zoetmulder (1983) transliterated this kakawin into Latin script and translated it into Dutch and Indonesian.d translated it into Dutch and Indonesian.)
  • Babad Brahmana Catur  + ([EN] Sometimes many people still consider [EN] Sometimes many people still consider Babad Brahmana Catur text and Dwijendra Tattwa text are the same, but these lontar texts belong to two different categories. The Babad Brahmana Catur tells about the journey of Dang Hyang Nirartha, a Hindu priest from the late Majapahit era (1489 A.D.). He came to Bali and became an advisor to the Balinese kingdom in Waturenggong era. This chronicle mainly describes about the places that he had visited in Java, Bali, Lombok and Sumbawa, until finally he reached spiritual elevation on the crest of Uluwatu. Not only that, this chronicle also tells the miracles that he had made and various holy places built by him and by some of his descendants.</br></br>The Babad Brahmana Catur text is an important genealogical source for descendants of the brahmana clan (soroh) in Bali. Copied several times by different authors, this manuscript still survives to the present time in the form of palm-leaf manuscripts and latin transliteration. Fortunately, Indonesian translation is available, too.</br></br>Broadly speaking, this chronicle gives a glimpse about the situation when Majapahit collapsed—it had a major influence on the development of literacy in Java and Bali. As a Hindu religious leader, Dang Hyang Nirartha had a mission to defend the sacred teachings from extinction. In a unique way, he finally managed to maintain this religious system in Bali with its religious and cultural foundations that can be seen today.ltural foundations that can be seen today.)
  • Yama Purana Tattwa  + ([EN] There are various events that cause p[EN] There are various events that cause people to die. There are people who die naturally due to age, there are those who die from illness even though they are young. In many instances, some die because of accidents, natural disasters or being killed. The most unfortunate thing is that it was suicide.</br></br>According to Yama Purana Tattwa, reasonable death is referred to as starch, whereas death due to accident, disaster or because of an animal is called wrong starch. Death due to murder or suicide is called starch. The ways in which humans deal with death have different effects on the consciousness of the spirit after death. The spirits of people who die naturally are different from those of those who die in accidents or commit suicide. Lontar Yama Purana Tattwa gives a category of these types of death and describes the state of a person's spirit if he dies in a certain way.</br></br>Lontar Yama Purana Tattwa is a collection of dialogues between Lord Yama, the lord of death, and the great rsi in Janaloka. This ejection also mentions deaths due to landslides, which must be made a special ceremony so that the spirits that die do not turn into preta, or ghosts. This ejection also mentions the order of death ceremonies for people who died naturally and unnaturally.people who died naturally and unnaturally.)
  • leadership  + (a video that I made myself which contains a discussion of leadership or leaders as well as a video of my hopes for election candidates in 2024)
  • Unconditionally Perfect  + (as is well known in Indonesia, people withas is well known in Indonesia, people with disabilities must be the focus of the government, whether from cases of bullying from the surrounding environment or the disadvantage of people with disabilities who appear to be receiving social sanctions for mistakes they have not made. The "MANDANG DASA" (Mewujudkan Penyandang Disabilitas tanpa Batasan) program is philosophy of looking at the number ten as a perfect number but must be applicable to all humans. It is hoped that this program can provide government synergy to focus more on education and the environment around people with disabilities. We are all the same, We are all brothers or sisters, We are all friends.l brothers or sisters, We are all friends.)
  • Developing Bali as a Tourist Destination  + (developing Bali as a tourist destination developing Bali as a tourist destination</br></br>Bali is one of the most popular tourist destinations in the world. In order to make Bali the most popular tourist destination, it is necessary to take care of the sustainability of the land, improve the quality of infrastructure and public services, and improve the culture and art of Bali.</br></br>Efforts should be made to preserve the natural environment in order to limit the number of visitors, reduce plastic waste, and promote tourism based on local knowledge. Therefore, improving the quality of infrastructure and public services such as roads, clean water, sanitation, and electricity are necessary to ensure that tourists feel comfortable and safe while visiting Bali.</br></br>The culture and art of Bali has become a tourist attraction in Matiosan from Tiosan's tourist destination. The government and the Balinese people are planning to organize cultural and artistic events such as traditional ceremonies, Balinese dances, traditional music, and Balinese fine arts. In order to make Bali the most popular tourist destination, it is necessary to pay attention to the well-being of local customs and to preserve their rights. The government and the tourism businessmen are willing to work and promote local customs and produce local products so that they can improve their economic well-being.</br></br>During this time, Bali has become a sustainable tourism destination that promotes natural beauty, culture, and well-being. It's time to be loud, it's the best place to visit Bali, and the local people are silent on the other side.local people are silent on the other side.)
  • Sapta Sanak  + (government, especially leaders, cannot stagovernment, especially leaders, cannot stand alone</br>Ogoh-ogoh Sapta Sanak made by ST. Tunas Mekar who won 3rd place in Tabanan Regency is ogoh-ogoh which means four brothers who are with humans, where the four brothers consist of 1) yeh nyom, 2) Blood, 3) Ari -ari ,. 4) Lamad</br>Why do I like these ogoh-ogoh? Because there is little advice contained therein. The advice is that as a government we must not forget what we conveyed/promised before being elected.</br>If it's like that then the government must be able to accept what the members and the community think, just like we have 4 brothers who are called Sapta Sanakhave 4 brothers who are called Sapta Sanak)
  • mengolah sampah kertas menjadi tempat pensil  + (this is a craft that I made, it's good to this is a craft that I made, it's good to use it as a pencil case so it's not scattered everywhere, it's also good to make a cellphone place if we want to watch it is stored in the middle of the middle,it's also good to see if it's neatly arranged it's a pencil see if it's neatly arranged it's a pencil)
  • Literature jalanan rusak yang buat susah  + (when I came home from school I passed the when I came home from school I passed the South Nangka road, the road there was quite damaged which made it a little difficult for me to pass it when I was in a hurry. I hope the governor of Bali repairs the damaged road so that motorists feel safe when passing through it. I mean the holes on the side of the road need more so that they can help the flow of water when a flood occurs so that it doesn't make it too difficult for motorists when driving, especially at night. make a sign to dispose of trash in its place on the side of the road so that pedestrians/riders can see the sign. and I think it gives a slightly colored street direction sign so that at night it can be seen by motorists passing through itan be seen by motorists passing through it)
  • Baligrafi Burung Merak  + (This peacock-shaped Baligraphy is inscribed with the name of its maker, namely Ni Made Rahayu Pradnyawati.)
  • Menang Magandong  + ("Congratulations to brother Cenk Never Cle"Congratulations to brother Cenk Never Cleans for becoming a champion in the National Ceki Card tournament, from Mr. Blong with a Bald Head". Have you ever seen congratulatory billboards like this? Officials scrambled to post congratulations to the athletes who made it to the championships. The photo of the official is very large, almost filling half of the billboard, the photo of the athlete who won is very small and blurry. If I may ask ladies and gentlemen of the officials, don't make billboards like this anymore. Just spending the budget. If you really mean to congratulate, don't post a personal photo. It is enough to display a photo of the winning athlete. Father, Mother did not participate in the competition. Why are you so brave to be carried?ition. Why are you so brave to be carried?)
  • BALI DAKI NAPI BALI MEWALI?  + ("OM SWASTYASTU" "OM AWIGHNAM ASTU NAMO SID"OM SWASTYASTU"</br>"OM AWIGHNAM ASTU NAMO SIDHAM"</br>"OM ANO BADRAH KRATAWO YANTU WISWATAH"</br>I would like to express my thanks to the presenter, for the time given to me, the honorable ladies and gentlemen of the jury and prospective members of the Bali Province DPD, as well as my fellow participants, whom I am proud of. Before that, let us pray to the presence of Almighty God. Thanks to Him, we can gather here with happiness at the Bali Public Participation Wikithon with orations, which carries the theme, Election 2024: what are the most urgent problems to be addressed by Bali's prospective leaders ? Hopefully events like this can be held frequently to develop a threatening Bali.</br></br>Happy guests, as we know, Bali is known as the island of a thousand temples with its very beautiful environment, which is often visited by foreign tourists, because Bali is one of the focuses of tourism in Indonesia. This is what drives many foreign tourists to come to Bali. Even though Bali is a tourist destination, this is not the main topic of discussion, but there are problems that have a significant impact on Bali. As we know, this so-called era of destruction, if we talk about the problems in Bali, will cause Bali to collapse. Unfortunately, the problems in Bali have not received treatment that is useful for the island of Bali.</br></br>Happy guests, if you look at life now it is certainly different from previous life, especially with the problems, the most important problem is related to the environment and land of the island of Bali which has been built up and used as a tourist attraction, this is what will make the island of Bali In terms of land and environment, it will become increasingly narrow, if all the land and environment in Bali is made into a tourist attraction, where will we (humans), animals and others live and live our daily lives? Talking about the land environment that has been converted into a tourist spot, of course there are many daily activities carried out to produce plastic waste for society, this is what will become Bali's next problem. The existence of rubbish in Bali is very sad and gets very little attention, this is what creates big dangers, for example: floods, dengue fever and others. Moreover, as has recently been reported, the rubbish bins or Suwung landfills in Bali are very full and cause fires, giving rise to smoke pollution which causes disease. Are we all willing to live and do activities in dirty places? Of course, many of you are reluctant to live in a dirty place. </br></br>Happy attendees, if I conclude it is related to the problems in Bali, so that Balinese leaders can provide solutions related to problems: the transfer of land or the environment to become tourist attractions and the rampant waste which has not received special attention from the government. Based on these problems, if we don't work together from now on as the front guard, it is certain that the island of Bali will gradually collapse. The island of Bali, which has been nicknamed a thousand temples, will lose its sanctity. Based on these problems, my hope is that the elected leader of Bali 2024 will be able to find a solution so that the Balinese people can implement the noble values that exist in Bali, namely TRI HITA KARANA, because these problems are related. with the TRI HITA KARANA value, so that Bali can return to the way it was before.</br></br>Happy guests, that is the speech I can deliver, I hope you all are aware of the current condition of Bali.re aware of the current condition of Bali.)
  • Generazi Z Menuju Bangkit  + ("Rising from the Ballad of Silence" Curre"Rising from the Ballad of Silence"</br></br>Currently, we are not just gathered as individuals but as part of a generation, a generation that plays a significant role in shaping our future, Generation Z.</br></br>Rise, oh Generation Z, from the ballad of silence that often silences our voices. In the dynamics of social and political complexity, we are called not to be passive spectators but active participants. This is a call to assert our identity, express opinions, and advocate for social justice values.</br></br>For too long, we have been trapped in silence, feeling restrained by norms that may not always align with our aspirations. It's time to understand that our right to speak and express opinions is unquestionable. Rise above the fear, fear of conflict, or rejection. Now is the time to transform silence into constructive rebellion.</br></br>Let's stop the apathetic attitude and allow social and political issues to grow without genuine responses. Remember, the policies and decisions made by the generations before us will shape the world we inherit. Don't let those above us determine our path without scrutiny from below.</br></br>I invite us all to embrace differences, to listen without prejudice, and to speak with integrity. We are voices capable of shaking the foundations of inequality and injustice. In openness and courage, let's together create the change we envision.</br></br>Be pioneers of change, Generation Z. Rise from the ballad of silence, speak up, and show the world that we are change agents capable of bringing social and political justice. Thank you.g social and political justice. Thank you.)
  • Melodious Urban  + ('Melodious Urban' is a new work by ManButu'Melodious Urban' is a new work by ManButur Suantara in response to the theme 'World Without Sound' exhibition Sawidji Gallery.</br></br>Do we relate to noise as a disturbance? Does quiet mean peace?</br></br>Capturing the hustle and bustle of Gajah Mada Street Denpasar, the image was made with multiple exposure techniques. With a combination of 9 images to become one single image. Then there are 25 of these images made up of 9 each.</br>For some people who live on this busy street, the noise is normal for them. To see the loud exhausts of cars and motorbikes and the horns from traffic 24 hours a day. However, when I ask some people who live there, they don't say it is noisy. they say it is normal.</br>It seems like they are conditioned to the environment and are on good terms with the noise. By creating this image I am trying to see the world inverted. To be in this activity and relate to the silence and quiet that some people seem to find there.quiet that some people seem to find there.)
  • Survivor  + (A collection images in black and white by A collection images in black and white by ManButur dedicated to the meaning and value of Trees. ManButur Suantara interviewed by Sawidji Gallery for the article 'I Hear You Tree'. Part of several discussions regarding the power and contribution of Trees into human lives. As started by artist Made Budiarta in 'Inauguration of Trees'. Made Budiarta in 'Inauguration of Trees'.)
  • 6 - Luh Ayu Manik Mas Ngalahang Legu Poleng  + (A package arrived for Made Putri, one of LA package arrived for Made Putri, one of Luh Ayu’s friends, from the US wrapped in layers and layers of packaging material. Made Putri threw the packaging waste out in the garbage, but it ended up a local river where it collected pools of stagnant water. Dengue-carrying mosquitos then bred in those pools, making the original problem of packaging waste even worse. And, the Covid-19 pandemic was raging. What is Luh Ayu to do?ndemic was raging. What is Luh Ayu to do?)
  • Hoax tentang Keadilan Untuk Audrey  + (A young woman named Audrey admitted that sA young woman named Audrey admitted that she was beaten up by 12 students. The beatings were carried out in two places. There are two motives for this student to persecute him. First, the heart hurts, because the victim often brings up the problem of accounts receivable that had been committed by the late mother of the suspect. Second, because of male problems.</br>During the persecution, Audrey admitted that she was dropped onto the asphalt and kicked repeatedly by her friend and experienced bleeding from the nose and wounds on the face. Then Audrey also stated that one of the perpetrators abused her vital organs, namely by striking her female organs with her fingers, and because this made the victim no longer a virgin and also experienced swelling in her vital area. This incident went viral on social media so quickly that it shocked people throughout Indonesia.</br>However, after checking in the field of health, Audrey divisum and the post-mortem rejected the statement made by Audrey, the post-mortem said that there were no marks and hymen, Audrey did not experience a tear and Audrey did not experience physical trauma in the area.</br>This case is very unfortunate, and not as viral on social media. Hopefully hoaxes like this will not happen againlly hoaxes like this will not happen again)
  • The Spirit of Triangular Sandwich Against the Corona Pandemic  + (ANNIVERSARY OF THE CORONAVIRUS PANDEMIC, TANNIVERSARY OF THE CORONAVIRUS PANDEMIC, TOURISM IN A SILENT ECONOMY</br></br>The difficulty of finding a job during this pandemic made me confused about where to get my income from because I used to work in the tourism sector until I was sent home due to the Coronavirus pandemic.</br></br>I tried many things, from selling loloh cemcem, planting crops, to raising chickens, but did not find much success. However, I did not give up.</br></br>I finally tried making Astungkara, or triangle bread. My triangle bread business ran smoothly and I even contracted a shop in a market to sell triangle bread and several other loaves there.</br></br>In this situation, I am grateful because I have learned new knowledge on how to start a business, even though the business is small.</br></br>One of my main takeaways from this experience was being taught not to complain about the situation, because the situation was created by myself, and instead move on and try to fix the situation. My eventual success reminded me that there must be an end result behind the movement.</br></br>Based on what I experienced, I hope that the government will support local entrepreneurs by providing assistance and incentivizing people to shop and buy local Balinese products.</br></br>Good luck, good health, and keep it up !!!!!od luck, good health, and keep it up !!!!!)
  • Aji Janantaka  + (Aji Janantaka is a mythical lontar which tAji Janantaka is a mythical lontar which tells the origin of wood in Bali. This lontar tells about woods that have a hierarchy like a royal system among humans. Based on the story in Aji Janantaka, Balinese people determine the types of wood that can be used to build shrines, house buildings, or make utensils and masks. There are sacred types of wood that can only be used to build holy places and may not be used for ordinary building materials.</br></br>The story in this lontar begins with a king named Pratipa who ruled in the land of Janantaka. The king had five ministers namely Matwa, Rangga, Tumenggung, Arya and Kadeyan. In addition, he had five other officials, namely Punggawa, Manca, Perbekel, Pecalang, Kelihan Banjar, and Kasinoman. They were all attacked by a plague of leprosy which could not be cured by any means. It is said that this plague was originated from Lord Shiva who displeased King Pratipa because the king had made an offense.</br></br>King Pratipa then sent Matwa to go to Lord Dharma in heaven to ask for healing. According to Lord Dharma, the entire kingdom had to be moved from Janantaka to Wanapringga. Dewa Dharma then gave them purification for their ailments. However, this purification meant that they would all be dissolved and be reborn into trees.</br></br>All types of trees originating from the king, Arya, Rangga, Demung, Tumenggung, pecalang, Perbekel, kliyan and kasinoman cannot be used for building holy buildings because they had previously been affected by leprosy (known as “cukil daki” or “ila” disease). The trees that are considered contaminated include the Bengkulitan, Taru Brokan (deformed tree due to being eaten by pests), Embud Hati tree, Soca Menengan Sunduk tree, and Soca Nyuwun Lambang tree.</br></br>This lontar can be referred to as a simple botanical taxonomic palm-leaf manuscript centered on local trees that grew in Bali in the past. There are also Brahmin tree class and Taru Sari tree class. Both types of trees can be used as sacred building materials. There are also jempini, bayur and bentawa trees belonging to the taru sakama-kama class, which can be used for any purpose.</br></br>Apart from the types of trees, Lontar Aji Janantaka also describes types of fragrant flowers that can be used for ceremonies. These fragrant flowering trees are classified as sekar madewi, namely cananga, frangipani, canigara, tigaron, sebita, kembang kuning, kemoning, tigakancu, tampak bela, katrangan, nagasari, jasmine, jempiring, pudak sari, pudak cinaga, pudak kalasa, sekar gambir, chrysanthemum, magnolia, ratna, and gadung kasturi.emum, magnolia, ratna, and gadung kasturi.)
  • Angenan  + (Angenan is a lamp that resembles a phallusAngenan is a lamp that resembles a phallus made from coconut shells, in the middle of the coconut there is rice, chicken or duck egg shells filled with coconut oil and a wick in the form of white thread and kepeng money. On it there are coils of colorful thread, white and yellow, or tri datu (red, black, white). This angenan is placed on the bed or on the chest of a deceased person. On the day of burial, the deceased's relatives take the corpse to the cemetery because it will be melted down.e cemetery because it will be melted down.)
  • Prasasti Sembiran A1  + (Apart from lontar manuscripts, ancient BalApart from lontar manuscripts, ancient Balinese literacy remains also exist in the form of copper inscriptions. Most of the inscriptions that still exist today are made of copper plates which were most likely made on the shores of Lake Tamblingan during the reign of ancient Balinese kings. One of the important groups of inscriptions about the socio-political situation of ancient Bali is the Sembiran inscription found in Sembiran Village, Tejakula District, Buleleng, Bali.</br></br>This inscription consists of 10 groups made between 922 to 1181 AD (more than 200 succession). This proves that the ancient Balinese kingdom under the Warmadewa dynasty was a safe and stable kingdom for approximately 400 years (until 1343 AD). The ten inscriptions were issued by different kings and mostly contain social regulations, regional boundaries, taxes and government administration.</br></br>The A1 Sembiran inscription dates to 844 Saka (922 AD) and was issued by King Ugrasena. It contains information about Julah Village which is one of the oldest villages in northern Bali. This Sembiran inscription proves that the residents of Sembiran Village were originally refugees from Julah. They fled to mountainous area possibly because of attacks from the direction of the coast.</br></br>The Sembiran inscription belongs to the type of inscription known as the "Yumu Pakatahu" group because the first sentence in the inscription reads this way. Similar inscriptions were found in Gobleg and Sukawana, which also fall into the same category.a, which also fall into the same category.)
  • Sembrama Wacana Manggala Dinas Pariwisata Provinsi Bali  + (As the Head of the Balinese Tourism MinistAs the Head of the Balinese Tourism Ministry, I congratulate and thank you for the fourth Public Participation Wikithon competition organized by BASAbali Wiki. This competition is very useful during the COVID-19 pandemic. Why is this? First, based on the competitions held, the government can get input or suggestions from the Balinese community about what efforts can be made to restore Bali.Please, millennials, help the government. Give us some useful ideas so that we can revive tourism in Bali as it was or even better in the future. Second, teenagers or millennials, do not hesitate to speak out about environmental and cultural issues in Bali. The Balinese government needs your ideas, to resuscitate tourism in Bali. If the young or millennial generation can synergize their ideas with the government through this wikithon competition, then the development of Bali in the Nangun sat kerthi loka Bali” vision will be realized (ie respect for Balinese customs, traditions, art and culture, wisdom and language).ns, art and culture, wisdom and language).)
  • Detik Detik Hari Kemerdekaan Tanpe Covid-19  + (As we know from 2019-2022 Indonesia was hiAs we know from 2019-2022 Indonesia was hit by the Covid-19 which took quite a lot of victims. Thus making events on independence day limited and even the flag-raising ceremony was only attended by the president and his colleagues. However, in 2022, Covid-19 in Indonesia began to subside, activities in Indonesia, especially in Bali, were running normally, but this incident made communication and knowledge about cultures begin to fade. Therefore, we must embrace each other despite being hindered by this great epidemic.ite being hindered by this great epidemic.)
  • Jaja Uli  + (At first glance, this traditional BulelengAt first glance, this traditional Buleleng snack looks like Jadah or glutinous rice in general. However, what sets them apart is that Jaje Uli is served in a thin and flat form that is dry, not wet like jadah although some make it wet. Usually, this food is used as a complementary dish that must be present at certain religious ceremonies. Jaje Uli is made from glutinous rice dough or rice flour that is pounded until the texture turns smooth.</br>When used as a dry snack, the dough will be shaped in such a way that it becomes flat and thin, usually shaped like a circle. Meanwhile, if it is used as a wet snack, the dough that has been pounded can only be shaped using a fist until it reaches the desired shape. Both versions of Jaje Uli have a simple form and can be enjoyed directly when they are finished. Because it tastes a little bland, this snack will be more delicious when eaten with a sprinkling of tape or grated coconut.</br></br>Besides being found during religious ceremonies, you can also find this food easily on a daily basis at traditional markets around the Buleleng area. With a friendly price, this dish is also very suitable to be eaten together while drinking coffee.o be eaten together while drinking coffee.)
  • Balinese food  + (Babi Guling or Babi Guling is a kind of foBabi Guling or Babi Guling is a kind of food made from female or male piglets whose stomachs are filled with spices and vegetables such as cassava leaves and then roasted while rotating them until cooked, marked by a change in skin color to brown and crispy. change in skin color to brown and crispy.)
  • Potential and creativity to support the economy in the midst of a pandemic  + (Bali Island is an island for tourists, becBali Island is an island for tourists, because the island of Bali has various tourist attractions that are used to boost the economy in Bali. this causes the Balinese economy to be dominant with the tourism sector, but since the COVID-19 pandemic, the tourism sector in Bali has plummeted due to the lack of tourists visiting Bali, so the Balinese economy which relies heavily on the tourism sector cannot survive in a pandemic like now. Efforts that can be made to improve the economy in Bali in my opinion can be by:</br>1. develop creative industries in Bali as Bali province has a huge opportunity in developing creative industries.</br>2. develop the potential of the agricultural and plantation sectors as an effort to improve the welfare of the community.t to improve the welfare of the community.)
  • Ngiring Jaga Budaya Baline Saking Turis Sane Ten Bermoral  + (Bali is a cultural tourism island that is Bali is a cultural tourism island that is well known abroad. This causes many foreign tourists and tourists to come to Bali to walk around. The arrival of tourists to Bali is actually welcomed by the Balinese people because they can help the Balinese people whose field of work is in the tourism sector and introduce world progress to the community. However, it turns out that tourist behavior in Bali is not as beautiful as we think. Instead of walking around enjoying the beauty of the island of Bali, they are destroying the beauty of the island of Bali, behaving as they please and trampling on our cultural heritage. The behavior of naughty tourists is indeed infuriating and this also happens in various popular destinations in the world. Not long ago it went viral that a pair of foreign tourists became angry and clashed with Pecalang in Bali. This was because a pair of foreign tourists felt unacceptable because they were prohibited from crossing a road, because there was a Melasti ceremony procession to welcome Nyepi Day in Bali.</br></br>We as Balinese citizens should not allow this to continue to happen to our ancestral heritage on the island of Bali. If this continues, it can of course cause discomfort to the people of Bali. To overcome this incident, the government has actually made various efforts starting from socialization, efforts to give tickets to foreign tourists who violate it and even many influencers who have made the tourists' actions viral on social media with captions that vilify them. By making this viral, actually we are just as bad as them, why should we vilify people on social media who haven't even changed anything and the tourists are still doing the same thing. A lot of shouting is useless, but try to make the tourist stop breaking Balinese rules</br></br>As a government in a new era, it would be better, apart from setting an example of good travel behavior, one of the efforts that continues to be made is to socialize what can and cannot be done (do's and don'ts) by all tourists or foreign tourists who vacation in Indonesia, especially in Bali. and Lombok. Apart from that, the Ministry of Tourism and Creative Economy/Tourism and Creative Economy Agency (Kemenparekraf/Baparekraf) also continues to move quickly together with the provincial government (Pemprov) to handle cases of foreign tourists acting up. So, in the future it won't just be about increasing the number of foreign tourists visiting Indonesia. But it can also improve the quality of tourists, can also improve the quality of tourists,)
  • Paradise Lost, Sanity Gained: Towards A Critical Balinese Urbanism  + (Bali is a global tourist destination havinBali is a global tourist destination having had the added descriptor paradise for most of the last century. But it is now transparent to most visitors that serious problems prevail across the entire local economy and built environment. The incoherence of development is largely to blame. Given the failure to generate a new Balinese architecture that matches the integrity of the old, Balinese urbanists are now caught in a Gordian knot where a unified traditional architecture remains, yet a new architecture is not forthcoming. How to untie the knot is the question. Architecture suffered major discontinuity when traditional building was largely abandoned in the face of progressive urbanization. The problem remains unresolved. The following paper represents a preliminary attempt to expose key issues. It suggests methods of moving forward. But a new momentum demands a new philosophy in the realm of urban theory, the foundation of all professional activity. No significant progress can take place without it. My attention is therefore directed to answering the question how can the transition be made from traditional Balinese architecture emerging from the dynamics of feudalism, to its conscious translation and accommodation within post-modernity, informational capitalism, and globalization? While the problem needs tackled at several levels – education, policy, strategy and enforcement, I suggest in conclusion that these should be framed within generic principles derived from vernacular transformations, a culture of critical Balinese regionalism, and an adaptation of the New Urbanist lexicon to a tropical environment.rbanist lexicon to a tropical environment.)
  • guard the land of Bali  + (Bali is a small island, but a lot of land Bali is a small island, but a lot of land has been made for building houses. Many people who migrate to Bali come and build houses in Bali. Many green lands in Bali have been replaced by building houses. And that causes air pollution to increase. Streets in the city it will be filled with motor vehicle fumes so that the carbon dioxide level becomes very high. What I hope for in the future, I hope development in Bali does not use green land. So that Bali will still have green land for the beauty of Bali.ll have green land for the beauty of Bali.)
  • Pesta Kesenian Daerah Wisata (PKDW)  + (Bali is an island of the gods which is welBali is an island of the gods which is well known in foreign countries for its natural beauty. During a pandemic like this, many foreign and domestic tourists are reluctant to travel for fear of being exposed to the corona virus, especially since there is a new variant of the virus, namely Omicron. This pandemic has made everything difficult with the economy in a drastic decline. The main reason for the drastic decline in the economy is the decrease in the number of tourists coming to Bali. Therefore, it is necessary to plan to increase tourist visits to Bali and revive the economy</br></br>Carry out the performance of the Regional Arts Festival (PKDW). The main purpose of implementing PKDW is to revive the economy. The implementation of this party is well carried out in tourist areas with large and strategic areas with favorable weather conditions. The advantage that can be obtained if PKDW is implemented is to preserve, develop and promote Balinese arts. Almost the same as PKB but PKDW is carried out at tourist sites and the implementation time is every 6 months. The reason it is held every 6 months is because it coincides with the semester holidays. Another advantage is that tourists get vacation satisfaction at the same time, because apart from seeing the natural scenery, tourists also see Balinese art and Balinese souvenirs. Its just that the implementation of PKDW must find the right and strategic place as well as sudden changes in the weather.</br></br>Here the governmets role is really needed. However, in carrying out the governments plan so that it runs smoothly and according to expectations, the community has a very important and much needed role here. Therefore, lets cultivate a sense of concern among others and the level of self-awareness to raise the countrys economy for the sake of mutual survival.s economy for the sake of mutual survival.)
  • Maintain cleanliness on the coast  + (Bali is known for its beauty and beauty anBali is known for its beauty and beauty and the many tourist destinations that exist have made Bali known to the outside world. One of its tourist destinations is the beach. What if the beauty and beauty of the beach disappears just because there is a lot of trash on the coast which is caused by activities around the beach or from trash carried by the beach waves. So that this doesn't happen because many people don't care about the cleanliness of the coast't care about the cleanliness of the coast)
  • Bali and the hope  + (Bali is one of Indonesia's most beautiful Bali is one of Indonesia's most beautiful and natural islands. The popularity of Hindu culture in Bali made it known as Pulau Dewata. As Balinese people we should keep the traditional culture in Bali and preserve it as best we can. It is because of the unique culture of Bali that causes foreign tourists to vacation to Bali. So tourism in Bali is also increasing. However, problems often occur such as traffic jams and garbage problems. For this reason I hope that the government and traffic monitors will pay more attention to traffic conditions so that traffic jams can be overcome. As well as for tourists and people who visit tourist attractions to keep the environment clean by throwing garbage in place. I hope that Bali will still have the natural beauty and be preserved so that Bali will remain one of the favorite destinations for foreign tourists to take a vacationns for foreign tourists to take a vacation)
  • Bali according to the concept of Tri Hita Karana  + (Bali is one of the provinces and islands lBali is one of the provinces and islands located in Indonesia. Who is not familiar with this island of Bali? The target of domestic and foreign tourists to visit, of course there are many things that attract tourists to visit and even vacation on the island of Bali, starting from culinary delights, beautiful views of tourist attractions on the island of Bali that are soothing to the eye, and among others, due to traditional traditions and art. a culture that is still upheld by the people of Bali because of the belief in Hinduism with high piety towards Ida Sang Hyang Widhi, the teachings of the Vedic Scriptures, and the ancestors.</br></br>Bali does not only have the beauty of its tourist spots, the customs which are still very thick make Bali appear "metaksu". Not infrequently many tourists are interested in witnessing various traditional traditions and Balinese cultural arts in various types of performances both sacred and entertainment.</br></br>However, as time goes by, it can affect Balinese traditional traditions and cultural arts. There have been many Balinese traditional traditions that have begun to fade with time, because of the inherent belief in Balinese Hinduism that it is full of noble values, it is feared that this can cause imbalance and disharmony between Bhuana Agung and Bhuana Alit. The Balinese Hindu community believes in the concept of Tri Hita Karana, namely 3 ways that must be done to achieve prosperity, starting from getting closer to God (Parhyangan), loving fellow human beings (Pawongan), and caring for and caring for the environment or creatures created another by Ida Sang Widhi Wasa (Palemahan). With the steadfastness of the Balinese Hindu community on Dharma teachings from the Vedic Scriptures, many efforts have been made by the Balinese Hindu community to always preserve Balinese cultural traditions and arts which are believed to have a positive impact on social life, and balance between Bhuana Agung and Bhuana Alit in the form of Yajnã, because if it is done sincerely then God will bestow prosperity. As written in Bhagavadghita IX.26, this verse proves that sincerity can bring happiness to anyone who wishes to perform Yajnã in any form, it doesn't have to be luxurious, it doesn't have to be rich, because anyone can give Yajnã .</br></br>In fact, there are many ways to worship Ida Sang Hyang Widhi Wasa, because all are influenced by mindsets, traditional traditions, beliefs, and so on.raditional traditions, beliefs, and so on.)
  • Bali with its culture and arts  + (Bali with its culture and arts Bali is anBali with its culture and arts</br></br>Bali is an island known as the Island of the Gods and "island of a thousand temples", Bali is also famous for its culture and arts, one of which is the manufacture of Endek Kamen, Endek Kamen is made with an Ikat weaving system. In making endek kamen it is made manually and requires patience and great caution is needed. It's only natural that the price is quite expensive. My hope for the future is that Kamen endek Bali can still be preserved and become a distinctive culture that is increasingly known in the world. It is the responsibility of all of us to maintain the existence of this cloth to preserve it. Now is the time for us to take responsibility. We use woven fabrics woven by craftsmen so that we manifest prosperity, to build awareness together to preserve and develop the noble values of this heritage. One of the efforts to build awareness as well as recovery efforts is to use endek woven fabrics that are adapted to the type of activity and place. Not only that, the younger generation also needs to be known for the existence of fabrics that are now worldwide by using Balinese Endek Woven Fabrics as material for clothing collections.rics as material for clothing collections.)
  • Pulau Bali  + (Baligraphy in the shape of the island of Bali is written dewata which means the gods.)